Waist Deep

An ex-con (Tyrese Gibson) trying to go straight is pulled back into the life after his young son (Henry Hunter Hall) is kidnapped by an urban gang led by a sadistic machete-wielding boss (The Game). Throw in red-hot small-time hustler Meagan Good and borderline alcoholic Larenz Tate (as Gibson's inept cousin) and we have a typical modern-day crime picture that has lots more bullets than brains. Gibson and Good make an alluring couple, but neither have much talent in the end. The Game is down-right creepy and Tate seems like he is just going through the motions after successful roles in "Ray" and "Crash". "Waist Deep" stays at an adequate spot for a good portion of its running time, but then finally sinks with an unwanted and ridiculous final act. Will definitely be mentioned with the lesser productions of the year. 2 stars out of 5.

This isn't a great movie but it's good, fun, mindless entertainment.

I'm a huge fan of "Gridlock'd" and went into this film expecting a clever take on the action genre from Vondie Curtis Hall. What I got was an action-packed movie that borrowed from many films before it; its saving grace is its urban twist, the tongue in cheek humor (Kimora Lee's cameo is priceless) and its stars, Tyrese Gibson, Meagan Good and Larenz Tate. If you're fans of either actor, you'll allow yourself to believe the unbelievable moments--and there are many of them.

The action is non-stop, the hip hop soundtrack delivers in all the right places and you could plant a pretty garden in the plot holes but you'll certainly get your money's worth with the gunfights, beautiful people and adrenaline racing chase scenes--and in the end, isn't that what action films are all about?

WAIST DEEP follows a tried and true formula: Ex-con's son is kidnapped by his ex-partner in crime, a ransom is demanded, the ex-con works diligently to put together the ransom while doing his best to undermine his old partner, and there's a final showdown between them. The kid is cute, the ex-con is an impressive slab of beef, the former partner is suitably menacing and fugly beyond belief, and of course there's a pretty female to help things along. The formula works most of the time, but the movie is so predictable that in the end I asked myself why I bothered to rent it. There is a heckuva car chase near the end that sort of makes up for a dull middle. The movie, which could have just as easily starred Bruce Willis or Mel Gibson in his prime, clearly was aimed at an urban audience even though it was heavily marketed as a mainstream flick. That's why I rented it. It could have been a lot worse, I suppose.

I took this movie home the other day not really expecting to see much of a movie but I was like what the hell, I'll give it a try and was pleased.

This movie didn't have the most original plot. It was just a father trying to get his kidnapped son back. Tyrese Gibson played the father who would very much rather forget his past and jail time so he set a good example for his kid. I thought Gibson did a very good job as he teamed up with the very attractive actress Meagan Good. Also in the movie was Larenz Tate. Tate did not impress me. It seemed like he just re-enacted his role in Crash.

Your not going to see a masterpiece after watching this film. Your not going to get blown away by the acting even though it was above average. They're some hard-nosed scenes such as when I guy gets his armed chopped off for not paying back the money. But the movie seemed to have heart and I believe it was directed very well. Such scene is when Gibson's character is running than switches to first person as the director, Vondie Curtis-Hall, has the camera shaking constantly to give it a more dramatic feel.

The relationship between Good and Gibson's character grew way to fast but still was par. There are some moments that are far fetched but the movie was still very entertaining and intense and I believe it gets a 7.5 rating (rounded to a 8).

Acting 7, editing 6, directing 8, plot 6.

OK, my Mrs wanted to watch it for a few days but I thought it was going to be the usual muscle bound stuff which is synonymous with a Tyrese title. But was I wrong. The film captures you from the off with good sounds and fast moving filming. The story is predictable but enjoyable and left me with a nice taste in my mouth. Unfortunately it has taken Tyrese almost 20 years from his coke advert to finally make a film in which we see a little talent. In closing I was very happy because with a film like this you can only score on action but they were some strong roles (not award winning but there hasn't been much of that lately anyhow).