Painter Francisco Goya faces a scandal involving his muse, who is labeled a heretic by a monk.Painter Francisco Goya faces a scandal involving his muse, who is labeled a heretic by a monk.Painter Francisco Goya faces a scandal involving his muse, who is labeled a heretic by a monk.
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I think Goya is after all just a pretext. What Forman wanted to talk about is how people are overwhelmed by history. It's a difficult idea to be grasped for people who live in wealthy societies where nothing much happens and the biggest problems are having more money than you already have and what to do on Saturday night. But Forman manages to show you how you can be powerless and doomed when history moves fast--too fast. The real protagonist of the story is not the painter, but the former Dominican priest, whose life is totally changed--and ultimately destroyed--by the big historical events (the French Revolution, the French invasion of Spain, the English invasion of Spain, the Restoration). The same may be said for the other characters in the story. Goya is there as a witness, and as the symbolic figure of the artist who manages to create something even out of utter destruction. One could say that Goya's Ghosts are exactly those people and events Goya witnessed and can't get rid of, so that he has to turn them into drawings and paintings; but the term "ghost" also refers to what individuals are like in those moments when everything is changing and moving towards God knows what goal. The priest and the young girl and all the other people in the story are just pawns of history, who strut and fret on the stage and then disappear. Ghosts, because they can be annihilated in any moment. It's a sad truth, but it's truth, notwithstanding Hollywood's mythologies of super-heroes that can win against all odds. Joyce said that history is a nightmare one tries to wake up from; Forman showed us the nightmare, and the last nightmarish scene of this movie is one of those you can't forget.
I saw it yesterday on film festival. And it was great.
When I was reading the description of the movie, I had some doubts. It seemed it would be yet another film about bad, intolerant catholics and good and democratic atheists. I'm just fed up with that kind of films. But it was not so. In a short - it's a great film with bad description.
What it really is about, is that it doesn't matter what principles one believes in if their life is doesn't match these principles. Both inquisitors and French democrats were capable of same brutality - always, of course, in name of some noble idea - love, freedom, equality... It's not sentimental or pathetic and it doesn't try to tell you what is "the only truth". It simply says that its not principles and ideas that are bad - its people. Characters are very human, with many errors - but, at the same time, each of the characters, even "villains" have moments when you will like them. It is also because the film changes perspective several times, and those who were despots become victims.
Maybe its not the best Forman's film, but it is very good.
When I was reading the description of the movie, I had some doubts. It seemed it would be yet another film about bad, intolerant catholics and good and democratic atheists. I'm just fed up with that kind of films. But it was not so. In a short - it's a great film with bad description.
What it really is about, is that it doesn't matter what principles one believes in if their life is doesn't match these principles. Both inquisitors and French democrats were capable of same brutality - always, of course, in name of some noble idea - love, freedom, equality... It's not sentimental or pathetic and it doesn't try to tell you what is "the only truth". It simply says that its not principles and ideas that are bad - its people. Characters are very human, with many errors - but, at the same time, each of the characters, even "villains" have moments when you will like them. It is also because the film changes perspective several times, and those who were despots become victims.
Maybe its not the best Forman's film, but it is very good.
The film is set in 1792 ,it deals with eclectic people during a convulsed era from Spain history . It starts with the Inquisition and some years later with the encroachment by Napoleon Army and finishes with the French defeat and restoration of the Spanish monarchy with Fernando VII , after the victory by general Wellington (Cayetano M. Irujo) . The painter (1746, born Fuentedetodos and deceased 1828,Burdeos) Francisco de Goya (Stellan Skarsgard) , quintessential Spanish artist , becomes involved with the Spanish Inquisition , when his muse named Ines (director cast Natalie Portman after noticing her likeness to the girl in Goya's painting "Milkmaid of Bordeaux") who painted her like an Angel in the church of Saint Antonio of Florida and he's now portraying , she then is framed as a heretic . His daddy named Thomas Bilbatua (Jose Luis Gomez) ask him help , hoping what his relationship with the monk Lorenzo (Javier Bardem) can achieve the freedom for his daughter . Meanwhile , Goya is dedicated the painting of the portrait the royal family : Carlos IV (Forman cast Randy Quaid as the King of Spain after seeing his work in ¨Elvis¨ by phoning him and saying, "You are a great actor , you must be my King or I must repaint Goya") , Mª Luisa (Blanca Portillo) and children .
The film is a touching drama added with historic elements and formidable performances . The movie creates a canvas upon a turbulent epoch concerning specially with Inquisition . It was created by Pope Sixto IV in 1478 , its creation is supposedly caused for threat by Jewish and Moors becoming Christianism but practically disappeared with the Borbons Kings (Felipe V,Fernando VI and Carlos III) and was definitively abolished by the Court of Cadiz though spontaneously restored by Fernando VII in 1814 . The sentences were executed by means of a public event called ¨auto of faith¨(thus happens on the final) . Near the end, when the king appears in the balcony at the execution scene, some people yell "Vivan Las Cadenas!" (Long live the chains!). This salute was coined in 1814 by Spanish monarchists when Fernando VII was restored to the throne with absolute powers, thus abolishing the Constitution of Cadiz, which was established by Napoleonic authorities.
The flick displays an interesting showing the means are manufactured the famous Goya's engravings : ¨The war disasters¨ , ¨bullfighting¨ and ¨Caprichos¨ . Besides , recreating historical happenings such as ¨Charge of Mamelucos¨ and ¨Execution on mountain of Principe Pio¨. The movie contains a top-notch star-studded cast , as Skarsgard , Portman , Bardem give a sensational interpretations . Scenarios are luxurious and impressive , being designed by the prestigious Patrizia Von Brandenstein , the sets including palaces , rooms , interiors and outdoors are mesmerizing . Lush and brilliant costume design by Ivonne Blake (Oscar for Doctor Zhivago and Nicholas and Alexandra). Colorful cinematography by expert Spanish cameraman , Javier Aguirresarobe , (The others) . The film was lavishly produced by the brothers Saul and Paul Saentz , Forman's usual producers .The motion picture was well directed by the classic Milos Forman , an expert about biographies of notorious characters such as ¨Amadeus¨ , ¨Larry Flynt¨ , ¨Andy Kauffman¨ (Man on the moon) ; besides filming a lot of successes like are ¨Ragtime¨ ,¨Hair¨, ¨Valmont¨ , and of course , his greatest hit ¨Someone flow the Cucko nest¨.
The film is a touching drama added with historic elements and formidable performances . The movie creates a canvas upon a turbulent epoch concerning specially with Inquisition . It was created by Pope Sixto IV in 1478 , its creation is supposedly caused for threat by Jewish and Moors becoming Christianism but practically disappeared with the Borbons Kings (Felipe V,Fernando VI and Carlos III) and was definitively abolished by the Court of Cadiz though spontaneously restored by Fernando VII in 1814 . The sentences were executed by means of a public event called ¨auto of faith¨(thus happens on the final) . Near the end, when the king appears in the balcony at the execution scene, some people yell "Vivan Las Cadenas!" (Long live the chains!). This salute was coined in 1814 by Spanish monarchists when Fernando VII was restored to the throne with absolute powers, thus abolishing the Constitution of Cadiz, which was established by Napoleonic authorities.
The flick displays an interesting showing the means are manufactured the famous Goya's engravings : ¨The war disasters¨ , ¨bullfighting¨ and ¨Caprichos¨ . Besides , recreating historical happenings such as ¨Charge of Mamelucos¨ and ¨Execution on mountain of Principe Pio¨. The movie contains a top-notch star-studded cast , as Skarsgard , Portman , Bardem give a sensational interpretations . Scenarios are luxurious and impressive , being designed by the prestigious Patrizia Von Brandenstein , the sets including palaces , rooms , interiors and outdoors are mesmerizing . Lush and brilliant costume design by Ivonne Blake (Oscar for Doctor Zhivago and Nicholas and Alexandra). Colorful cinematography by expert Spanish cameraman , Javier Aguirresarobe , (The others) . The film was lavishly produced by the brothers Saul and Paul Saentz , Forman's usual producers .The motion picture was well directed by the classic Milos Forman , an expert about biographies of notorious characters such as ¨Amadeus¨ , ¨Larry Flynt¨ , ¨Andy Kauffman¨ (Man on the moon) ; besides filming a lot of successes like are ¨Ragtime¨ ,¨Hair¨, ¨Valmont¨ , and of course , his greatest hit ¨Someone flow the Cucko nest¨.
Imagine the paintings and drawings of Goya in all their darkness and beauty coming to life - this is Milos Forman's masterful film. Goya (and us)witness the folly of the Spanish royal court, the murderous sadistic perversion of the Catholic Church, the cruel inhumane madness of the Napoleonic War, along with the sensuality and beauty of life passing. This is the film's main focus: to let us experience the time and place as if seen through Francisco de Goya's eyes. As expected of a Milos Forman's film, the locales, the customs, and the overall production replicates the Spain of the late 18th century and early 19th century with the exactitude of a court painting. The cast is also excellent. As an Inquisitor turned a Napoleon's officer, Javier Bardem deserves another Oscar nomination. Stellan Skargsdar as usual does a chameleon-like transformation this time into Goya. Natalie Portman elevates herself into a higher realm of acting as the doomed, beautiful Ines. And Randy Quaid steals the screen for a few seconds as the King. Milos Forman again has given us an emotionally- and intellectually-challenging portrait of a dark era and the role of art and artist. Although some of the dramatization is slightly contrived, the film is compelling and moving and its vision lingers as Goya's art.
It's 1792 Madrid. The Inquisition is interested in painter Francisco Goya (Stellan Skarsgård)'s provocative art. Luckily for him, brother Lorenzo Casamares (Javier Bardem) is his supportive patron. Inés Bilbatúa (Natalie Portman) is brought into the Inquisition for not eating pork. She is accused of being a Judaiser and put into a stress position called The Question. Her rich merchant father asks Goya to invite Lorenzo for dinner. He in turn puts Lorenzo into The Question to coerce an outlandish confession. He blackmails Lorenzo to help get Inés released.
The first hour is terrific. It has dark and tense turns. The characters are great. It builds up a compelling drama. The first problem starts with the family letting Goya leave as they torture Lorenzo. He could easily have gone to the authorities. It's a small logic break but then the story expands in scope and out of shape. This could have been a great movie if it stayed small. Milos Forman goes crazy and then the French invades. The second half is more convoluted and there are too many convenient turns. By way of explaining, I almost half-believed in this as a real Goya story. Granted, I don't know anything about the artist but these characters seem real enough. By the second half, there is no chance that this is anywhere near reality. This is half of a great movie.
The first hour is terrific. It has dark and tense turns. The characters are great. It builds up a compelling drama. The first problem starts with the family letting Goya leave as they torture Lorenzo. He could easily have gone to the authorities. It's a small logic break but then the story expands in scope and out of shape. This could have been a great movie if it stayed small. Milos Forman goes crazy and then the French invades. The second half is more convoluted and there are too many convenient turns. By way of explaining, I almost half-believed in this as a real Goya story. Granted, I don't know anything about the artist but these characters seem real enough. By the second half, there is no chance that this is anywhere near reality. This is half of a great movie.
Did you know
- TriviaWhen asked why a film about such a quintessentially Spanish artist was made in English, the director replied "I don't speak Spanish."
- GoofsWhen Goya unveils the unflattering portrait of the queen, she is deeply offended. Actually, queen Maria Louisa liked that portrait so much that she made Goya the first court painter.
- Quotes
[Bonaparte and Lorenzo are looking at paintings of Maria Luisa]
Joseph Bonaparte: I met her once... don't recall her being quite so ugly though. How did she have so many lovers?
Brother Lorenzo: [smiling] She was the Queen, Your Majesty.
- How long is Goya's Ghosts?Powered by Alexa
Details
Box office
- Budget
- $50,000,000 (estimated)
- Gross US & Canada
- $1,000,626
- Opening weekend US & Canada
- $159,671
- Jul 22, 2007
- Gross worldwide
- $9,448,082
- Runtime1 hour 53 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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