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I haven't seen the original (I thought it was a short, but IMDb stats the running time of the 1979 movie at 97 minutes), but the concept worked better back then. I don't mean that it's not scary getting ... scary phone calls! It just doesn't work that well with the technology nowadays (and one of the "major" scares or revelations is just plain stupid)!

That's not to say that this movie is a complete mess. You have great production values and teenagers will surely get excited about this movie. But there is not enough scare/story to keep you on your toes or that justifies the running time! So while it's nice to watch, there is not much to it!

Having seen the original when I was 13 (and, yes, I was stupid enough to watch it while babysitting!), I was excited to see this remake.

Camilla Bell did a great job as Jill Johnson. And the fact that a teen horror flick could be made in the year 2006 without tremendous vulgarity and gore, made it even that much stronger of a film. I had a great time trying not to chew my fingernails off!

This film won't win anyone an Oscar, but it is entertaining and worth the matinée price ticket I bought to see it. I think girls around the world should watch the original and the remake...and then determine to never babysit again.

All I can say is, I'm glad I'm too old to babysit! There's just something about being in a dark creepy house with sleeping kids that makes this movie classic. No blood, no gore...just good psychological fun! WINNER!

The first time I saw this movie, I enjoyed it because it did put me on the edge of my seat. However, every time I've tried to watch it since, all I can focus on is how bad of an actress Camilla Belle is. She delivers no emotion with most of her lines and when she does manage to show a sliver of emotion, it's barely halfhearted and very awkward. My suggestion would be to watch it once and then forget about it.

Jill Johnson (Camilla Belle) is babysitting two children in a fancy isolated house, when a stranger insists calling her in the phone. She decides to telephone to the police, to trace the phone call. When the officer on duty tells her that the call is being made from inside the house, Jill freaks out and tries to leave the place with the children.

The beginning of the 1979 "When a Stranger Calls" is one of the scariest and most realistic thrillers I have ever seen. The story is excellent, and the performances are stunning. In my opinion, the famous 'Scream' ripped-off the introduction of this film. This 2006 remake is watchable, but director Simon West spoiled an excellent story with a typical Saturday night broadcast predicable movie. The secret of the original film was the claustrophobic environment associated to a realistic plot. The option of this director was to use a huge house, with people coming and going (or vanishing), breaking the tension. Camilla Belle has a pretty face but she is very weak in this dramatic role. Further, her character has the most unreasonable attitudes, for example leaving a house protected by a security system to move to the guest house, or calling the hidden children to escape with her. My advice: see Carol Kane in the original version. My vote is five.

Title (Brazil): "Quando um Estranho Chama" ("When a Stranger Calls")

I'm starting to wonder if all these PG-13 horror movies are just glorified screen tests for young and emerging talent. Get a first-time screenwriter, an inexperienced director, a few TV actors looking for their bigscreen break and see what they can do. 'When a Stranger Calls' is a little better than most such recent offerings, but is still completely by-the-book; riddled with plot holes and genre clichés.

The story is unbelievably simplistic. The slim 87 minute running time is heavily padded with inconsequential friends and a pointless cheating boyfriend. The killer is devoid of even the token motivation of Jason or Michael or even the original movie's killer, and as a result is never particularly frightening. The police behave in such an unbelievably ineffectual and lazy manner as to verge on professional misconduct. Simon West brings the same attractive banality to proceedings that he managed with Lara Croft, but his style of directing is decidedly generic, possessing no indicators of real talent or vision. The performances are routine, dark hallways replace genuine horror, and the scares are of the tired cat-in-the-closet variety.

The cinematography and production design, however, are above average for this kind of film. The house is beautifully designed, all dark wood and glassy reflections, and there are a few moments that are of visual interest.

Though lacking an ounce of dramatic originality, it acts as a reasonably satisfying 'dark house' thriller, and maintains interest longer than most of its ilk.