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5.8/10
4.5K
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A sci-fi writer (Hutton) is invited to an island for a conference, only to discover that he's been lured into a trap.A sci-fi writer (Hutton) is invited to an island for a conference, only to discover that he's been lured into a trap.A sci-fi writer (Hutton) is invited to an island for a conference, only to discover that he's been lured into a trap.
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Albert López-Murtra
- Tour Operador
- (as Alberto Lopez)
Artur Sala
- Hombre Tatuado
- (as Arturo Sala)
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Featured reviews
THE KOVAK BOX is a successful little suspense/psychological thriller from the Spanish writers Daniel Monzón (who also directs) and Jorge Guerricaechevarría. The story may be a bit far fetched, but then what horror story isn't? The premise for the tale holds up well and is aided by some very fine performances by a mixture of Spanish, English, and American actors. The mood of the film is beautifully set during opening credits by a complex maze in which a white rat sniffs and ambulates from confusing corner to confusing wall - just the manner in which director Monzón plans to tell his story.
David Norton (Timothy Hutton) is a celebrated science fiction novelist visiting Majorca for a special conference accompanied by his soon to be fiancée Jane (Georgia Mackenzie). David has been having premonitions on his flight to the conference and those brooding thoughts continue as he registers for the conference and finds little disturbing clues that culminate in Jane's suicide leap from their hotel balcony. Almost simultaneously an attractive Spanish girl Silvia (Lucía Jiménez) in the same hotel 'jumps' from her balcony but is saved from death by falling onto an awning. Jane dies in the hospital: Silvia is in the bed next to Jane, witnesses David's grief, and the beginning of a bond is created.
David meets a strange old man Frank Kovak (David Kelly) who seeks an autograph of David's first novel 'Gloomy Sunday' and from there the mystery begins. David becomes the unknowing main character in a sci-fi story that mimics ideas from his own first book, a story about the implantation of devices in humans that would enable a central force to assist the victims in their own destructive ends. The plot is tightly woven from this point on and to reveal any portion of it would diminish the chair-gripping finale.
Timothy Hutton seems an odd choice for the main character of the film until his combination of cool intellect and understated passion clicks in. The film is graced by the presence of the talented Lucía Jiménez who seems to have the potential of becoming another Penelope Cruz! The cinematography by Carles Gusi and musical score by Roque Baños make the setting visually and aurally spectacular. For those who enjoy mind bender thrillers, THE KOVAK BOX will certainly please. Grady Harp
David Norton (Timothy Hutton) is a celebrated science fiction novelist visiting Majorca for a special conference accompanied by his soon to be fiancée Jane (Georgia Mackenzie). David has been having premonitions on his flight to the conference and those brooding thoughts continue as he registers for the conference and finds little disturbing clues that culminate in Jane's suicide leap from their hotel balcony. Almost simultaneously an attractive Spanish girl Silvia (Lucía Jiménez) in the same hotel 'jumps' from her balcony but is saved from death by falling onto an awning. Jane dies in the hospital: Silvia is in the bed next to Jane, witnesses David's grief, and the beginning of a bond is created.
David meets a strange old man Frank Kovak (David Kelly) who seeks an autograph of David's first novel 'Gloomy Sunday' and from there the mystery begins. David becomes the unknowing main character in a sci-fi story that mimics ideas from his own first book, a story about the implantation of devices in humans that would enable a central force to assist the victims in their own destructive ends. The plot is tightly woven from this point on and to reveal any portion of it would diminish the chair-gripping finale.
Timothy Hutton seems an odd choice for the main character of the film until his combination of cool intellect and understated passion clicks in. The film is graced by the presence of the talented Lucía Jiménez who seems to have the potential of becoming another Penelope Cruz! The cinematography by Carles Gusi and musical score by Roque Baños make the setting visually and aurally spectacular. For those who enjoy mind bender thrillers, THE KOVAK BOX will certainly please. Grady Harp
Just watched this movie and it really held my attention. I am easily bored but this movie kept me interested all the way through. You have to pay attention because the story is very unusual, which makes it all the more interesting. This is the story of a mad scientist who wants to create a legacy and does so in a very unusual manner. The story begins with a number of people committing or attempting to commit suicide. The reason for this suicide outbreak is the plot of the movie. The acting was very good by both Timothy Hutton and the beautiful Spanish actress Lucia Jimenez. I enjoyed the suspense of the movie and towards the end there is a lot of action which reminded me of a James Bond movie. The twisted madman and the crazy scheme was also reminiscent of a Bond movie. I recommend this movie highly but pay attention so you know what is going on. 8/10
I don't agree with some reviews here . Really this is a movie with an original screenplay that keep suspense throughout all the movie , something that so many Hollywood movies don't achieve even if they try . The music soundtrack is excellent, by Spanish composer Roque Baños, and Timothy Hutton does a fantastic job in this film. This is a good genre film and as that it fully achieves its goals. David Kelly does a fantastic job too in his role . The director is Daniel Monzón , previously a movie critic for Fotogramas magazine and this is his 3rd movie as a director . In resume , this movie don't pretend to be nothing but a genre movie. And as that it succeeds.
The story concerns about David (Timothy Hutton), a sci-fi bestsellers author . He arrives in Mallorca (Spain) along with his fiancée . But after a phone call , she spontaneously jumps from hotel balcony , committing herself suicide. The writer investigates the deeds but happen lots of people committing suicide all around him . Later on , he meets Silvia (Lucia Jimenez) who has survived her own and inexplicable suicide trying , jumping from a room . Both of them join forces and are plunged into a nightmarish game . They pursue a suspect doctor (Gary Piquer) with dark intentions . Meanwhile , David is appointed a strange character named Kovak (David Kelly) who hands him over a rare box . The plot stretches plausibility to the final breakpoint, proceeded in the Caves of the Hell.
This exciting picture packs suspense , noisy action , twists plots , tension and marvelous landscapes from island of Mallorca . The film contains thrills and chills and is quite entertaining because is a laborious and intriguing suspense tale . Timothy Hutton is good as a writer who becomes the reluctant hero of one of his own stories , though this time , he has no idea how it ends . Interesting and thrilling screenplay by Jorge Guerricaechevarria (Alex De Iglesia's usual screenwriter) . Colorful cinematography by Carlos Gusi (Torrente, Box 507) who photographs splendidly island Mallorca outdoors and luxurious interiors . Spectacular and atmospheric musical score by Roque Baños (Fragiles , Machinist ,Sexy beast ,800 bullets). The motion picture was well directed by Daniel Monzon , a former cinema critic . He previously directed fantasy (Heart of warrior ) , comedy (Biggest robbery never told) and wrote the thriller ¨Camino de Paraiso¨ ; his greatest hit was the prison movie titled ¨Celda 201¨ . Rating : Good , better than average . The film will appeal to twisted stories buffs and Timothy Hutton fans.
This exciting picture packs suspense , noisy action , twists plots , tension and marvelous landscapes from island of Mallorca . The film contains thrills and chills and is quite entertaining because is a laborious and intriguing suspense tale . Timothy Hutton is good as a writer who becomes the reluctant hero of one of his own stories , though this time , he has no idea how it ends . Interesting and thrilling screenplay by Jorge Guerricaechevarria (Alex De Iglesia's usual screenwriter) . Colorful cinematography by Carlos Gusi (Torrente, Box 507) who photographs splendidly island Mallorca outdoors and luxurious interiors . Spectacular and atmospheric musical score by Roque Baños (Fragiles , Machinist ,Sexy beast ,800 bullets). The motion picture was well directed by Daniel Monzon , a former cinema critic . He previously directed fantasy (Heart of warrior ) , comedy (Biggest robbery never told) and wrote the thriller ¨Camino de Paraiso¨ ; his greatest hit was the prison movie titled ¨Celda 201¨ . Rating : Good , better than average . The film will appeal to twisted stories buffs and Timothy Hutton fans.
Usually, people write summaries of the story, but I won't. The plot summary on the movie page is good enough. :) It's important not to give away the story to get the most out of this film.
I really liked the movie. It was extremely well put together with a tight script. It had nice photography and a great score. The story is engrossing and you connect with the characters and I found myself unable to second guess them very much (something that is a constant problem in present day Hollywood productions, it is far to easy to think up easy solutions to their predicaments that they so conveniently miss just so that the story can continue).
I saw the movie at the Fantastisk Filmfestival (FFF) here i Lund, Sweden, today (a few hours ago). The director was present at the screening (apparently the third screening worldwide and the movie will have a wider release early next year) and I had a chance to talk to him. We talked about his inspirations for the movie (9/11 among other things, but not in any way that you really can understand from seeing the film), the progress of science into fiction and vice versa and the fact that he had set out to make a "Hitchcockean" movie (something I think he managed, albeit I must admit that I'm embarrassingly lacking in knowledge of Hitchkock's works, I found "The Birds" quite unwatchable for example).
Either way, I highly recommend this movie to anyone who likes mysteries and a good thriller.
I really liked the movie. It was extremely well put together with a tight script. It had nice photography and a great score. The story is engrossing and you connect with the characters and I found myself unable to second guess them very much (something that is a constant problem in present day Hollywood productions, it is far to easy to think up easy solutions to their predicaments that they so conveniently miss just so that the story can continue).
I saw the movie at the Fantastisk Filmfestival (FFF) here i Lund, Sweden, today (a few hours ago). The director was present at the screening (apparently the third screening worldwide and the movie will have a wider release early next year) and I had a chance to talk to him. We talked about his inspirations for the movie (9/11 among other things, but not in any way that you really can understand from seeing the film), the progress of science into fiction and vice versa and the fact that he had set out to make a "Hitchcockean" movie (something I think he managed, albeit I must admit that I'm embarrassingly lacking in knowledge of Hitchkock's works, I found "The Birds" quite unwatchable for example).
Either way, I highly recommend this movie to anyone who likes mysteries and a good thriller.
Did you know
- Goofs(at around 42 mins) The amount of froth in David's bottle varies during his conversation with Silvia at the bar.
- ConnectionsFeatures Arachnid (2001)
- SoundtracksGloomy Sunday
(Original Title: Szomorú Vasárnap)
Music and Lyrics (1933) by Rezsö Seress and László Jávor
English Lyrics (1936) by Sam Lewis (as Sam M. Lewis)
Performed by Billie Holiday (vocals), Teddy Wilson (piano), Al Casey (guitar), James Charles Heard (as J.C. Heard) (drums), Emmett Berry (as Emmet Berry) (trumpet), John Williams (bass), Hymie Schertzer (alto saxophone, clarinet), Babe Russin (tenor saxophone, clarinet) and Jimmy Hamilton (clarinet)
Recorded in New York on 7th August 1941
Published by Editio Musica Budapest
Courtesy of Sony BMG Music Entertainment España
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Details
Box office
- Gross worldwide
- $2,078,762
- Runtime1 hour 42 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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