She's the Man

Though I hate to admit it, Karen McCullah Lutz and Kirsten Smith have scored again. "She's the Man" is a ridiculous but ultimately entertaining teen movie which takes the gender-bending action of Shakespeare's "Twelfth Night" and drops it in the middle of a modern-day American boarding school. The premise should sound familiar because screenwriters Lutz and Smith also penned "10 Things I Hate About You," another twist on Shakespeare, starring the likes of Julia Styles and Academy Award nominee Heath Ledger (before he was an Academy Award nominee).

It's more of the same, of course, but seeing Shakespeare's work go Hollywood, and, thus, be ripped to shreds, continues to amuse. "She's the Man" also focuses on a decidedly less bitter heroine than the shrew, Katarina, played in 1999 by a very stilted Styles. If that makes the film less witty, who cares? Not half of this film's target audience, who came mostly to see Channing Tatum with his shirt off.

Like Kat in "10 Things," Viola (Amanda Bynes) is a tomboy and a soccer star on the women's team at Cornwall Prep. Her life is soccer, which becomes a problem when her school cuts the women from the sports program. Better than most of the boys, Viola wants to suit up with them but is snubbed by both the coach and the team's captain – her boyfriend. So it's "end of discussion … end of relationship." Viola hatches a plan to pursue her sporting dreams at rival school Illyria, where her twin brother has just enrolled. Twin brother, Sebastian, is skipping off to England for two weeks and nobody at Illyria has ever met him.

If you missed the set up, read "Twelfth Night." It's pretty obvious what happens from here. Viola disguises herself as her brother and moves into the dorms where she meets her roommate and fellow soccer player Duke (Channing Tatum). She begins to gear up for Illyria's season opener against Cornwall and has to navigate a complicated love-triangle, in addition to other challenges like taking a shower alongside her male teammates, without them finding out about her girl parts.

In reality, nobody who looks like Bynes could get away with impersonating a 17 year-old male. Viola is too pretty to be a boy; in other words, dressed as her brother, she makes Orlando Bloom look like a frost-bitten lumberjack. This fantasy aspect doesn't detract from the film, though. Viola puts on her wig and fake sideburns and, suddenly, she's the most socially awkward nerd-boy you've ever seen. Suspension of disbelief works.

The Sebastian disguise doesn't have to be convincing. What matters is that all the other characters are oblivious to facts that are obvious to the audience. The laughs come from seeing Viola get away with a ridiculous scam. In one scene, Duke and fake Sebastian hug each other, but Viola slips out of character and gets a little too friendly. It's not that homoeroticism or homophobia are inherently funny, it's the knowledge that Duke is disturbed by being frisked by someone who is actually a girl that makes us laugh.

Other than that, "She's the Man" offers audiences the simple pleasure of Amanda Bynes who seems to be a natural in comedic roles. Her Sebastian/Viola is definitely a caricature but it's a perfectly illustrated one. From her mixed-up half southern, half Canadian drawl (her misguided version of the typical teen boy cadence), to her crotch grabbing and Eminem-like posturing, Bynes has a lot of fun and, as a result, the jokes land.

It's a teen movie, so the ending is typical and cheesy. While sister film "10 Things I Hate About You" had a wild feminist streak in it and touched on somewhat weighty issues, such as the pressure to have sex, "She's the Man" lacks a serious undercurrent. But this is probably a good thing. "10 Things" was, at times, too earnest and moralizing. "She's the Man" doesn't pretend to be more important than it is. It'll earn a spot on the shelf, in between "Bend It Like Beckham" and "Legally Blonde." (And, like Reese, maybe Bynes will win an Oscar in 10 years. Anything is possible – just look at how "Crash" won Best Film.)

Copyright (c) 2006 by Lauren Simpson

like each film for teenagers, the fun is the basic purpose. and, in this case, the mission accomplished is the right definition. because Amanda Bynes is fantastic and Channing Tatum did a great job. and , sure, David Cross gives the perfect spice. the references to Shakespeare, the holes of credibility of entire story, the crazy humor, the nice hypothesis, the lovely music, all are pieces of a seductive film, charming scene by scene, easy but perfect for entertainment. so, a teenager movie. one of the most charming.

I just took my 11 year old daughter and 8 year old son to this movie and I can't remember a movie where I laughed SO hard -- literal out loud, deep bursts of laughter because this movie is hilarious. Granted the story line is predictable but the ride is so extremely enjoyable it doesn't matter that you know how it's going to end. The actors' comedic senses of timing were impeccable. The actors were perfectly cast. My children mentioned that Amanda Bynes seems to be the last of the young women actresses who aren't ruining their lives. She is so refreshing. My children said this is now their favorite movie of 2006. Our money was well spent on this movie.

I saw this movie today (opened yesterday here) and was simply delighted.

I saw a review that said something to the effect that the reviewer thought this would be just another teen movie, but then found it was based on Shakespeare's Twelfth Night ... and then started trying to justify liking this flick on Shakespearean grounds. I really think this is going way overboard: the only connections I could see with Twelfth Night are (a) the basic conceit of a girl masquerading as a man; (b) the extensive male-female humor arising out of that basic conceit; and (c) some of the names (including Viola & Duke).

Aside from those names, the thematic commonalties (a & b) are really great themes for any script, and this movie's script is no exception. Beyond that, though, this really is a simply delightful and very contemporary/traditional teen flick. And that's a perfectly legit genre even if highbrows have to find an excuse to like it ... like alluding to Shakespeare.

The movie is bright, fast-paced, emotive, stylized, funny ... full of teen hormones and teen humor and male/female humor suitable for all ages. And that's really the best part IMHO: really just about every male stereotype and every female stereotype is depicted in roundly appealing over-the-top fun. Those stereotypes are parodied relentlessly but affectionately, with such a complexity of invention that I'm still a little bewildered ... but really don't feel at all disappointed in that regard, it's not that kind of a movie: things come at you fast and fun and you get a laugh and a groan and then move on to the next split-second happening.

Amanda Bynes really is just delightful as Viola / Sebastian; Channing Tatum makes a wonderful Duke; David Cross does a wonderfully over the top Principal Gold. All of the acting and characterizations were fine and on target. Cinematography was excellent.

Wonderful entertainment from beginning to end ... check it out!

This movie was pretty good. A lot of it has to do with the star Amanda Bynes. She has a strong screen presence and comes off as very likable. She plays Viola, a girl who is determined to show up her ex-boyfriend and prove that a girl could beat a guy at soccer. The girls soccer team gets cut and she isn't allowed to try out for the boys team. So, she goes to the rival school where her twin brother goes. The brother is on a trip to London, so she disguise herself as a boy and takes his place. She makes the soccer team but falls for one of the guys on it, her roommate, Duke. So, of course, there is many scenes of mistaken identity and Viola does crazy stuff to keep her secret.

The only part that made me say mmm... was how could no one notice that Viola as Sabastian was several inches shorter than the guys and when her brother shows up he is just as tall if not taller. And no one notices! So, you do have to buy that in order to believe the story. But I say no way.

FINAL VERDICT: Good, I recommend it if you are looking for a comedy.