IMDb RATING
4.7/10
3.1K
YOUR RATING
A terrifying journey into one man's twisted world of torture and cruelty, in which a young woman must fight back against a sadistic, psychopath hell bent on breaking her mind and body.A terrifying journey into one man's twisted world of torture and cruelty, in which a young woman must fight back against a sadistic, psychopath hell bent on breaking her mind and body.A terrifying journey into one man's twisted world of torture and cruelty, in which a young woman must fight back against a sadistic, psychopath hell bent on breaking her mind and body.
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- 2 wins total
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Featured reviews
I thought this was a very well made film, which drew obvious parallels to Saw in the opening scene...but thats where it ends, its far from a Saw rip off as previously mentioned, it does challenge your sense of morals, the "baddie" is extremely well acted as is our heroine and the characters are a lot more than one dimensional killer/victim types. The atmosphere is realistic, and this film delivers a lot of award winning aspects.
As for the films contents, I really hated this sick guy, and wanted to see him punished, which brought out more emotion than your typical slasher flick, which most I term comedies due to their predictable outlandish villains.
There's none of the annoying stereotypical bad guy gets hit by car, shot by arrows, hit by axe and still comes a chasing scene that you find in the usual run of the mill films of this ilk.
I do recommend this film for everything that you can recommend a film for, except one thing... it should never have been made, you would have to be real sick to appreciate any entertainment value in this film, its gritty and a little too close to the bone for my liking...and I assure you I'm no prude.
Well done film makers excellent execution, but make something a little more pleasant next time, whats wrong with you !!
As for the films contents, I really hated this sick guy, and wanted to see him punished, which brought out more emotion than your typical slasher flick, which most I term comedies due to their predictable outlandish villains.
There's none of the annoying stereotypical bad guy gets hit by car, shot by arrows, hit by axe and still comes a chasing scene that you find in the usual run of the mill films of this ilk.
I do recommend this film for everything that you can recommend a film for, except one thing... it should never have been made, you would have to be real sick to appreciate any entertainment value in this film, its gritty and a little too close to the bone for my liking...and I assure you I'm no prude.
Well done film makers excellent execution, but make something a little more pleasant next time, whats wrong with you !!
Broken is a grim low-budget horror film in the old-school tradition. I won't go into details about the story, as most comments already cover that. What I will say is this: Made for next to nothing, and with a simple and strong premise, it's an impressive piece of work. Firstly, it looks great. Atmospheric and intense, the photography suits the theme of the film. There are some shots near the end that simply look superb, and they've really captured that moist, raw "waking up in the woods in the morning"-feeling.
The story is simple and raw. The screenplay is well structured and exploits the premise without ever repeating itself. That's an accomplishment in itself! And it's scary and intense. The gore is well done without being over the top, and the acting is good.
I'm happy to see that people notice low-budget films like this, and give them the attention they deserve. Check it out!
The story is simple and raw. The screenplay is well structured and exploits the premise without ever repeating itself. That's an accomplishment in itself! And it's scary and intense. The gore is well done without being over the top, and the acting is good.
I'm happy to see that people notice low-budget films like this, and give them the attention they deserve. Check it out!
BROKEN (formerly THE HEARTEATER) is a taut survival thriller shot on a low budget in the UK. It's slick and simplistic story will grip you, intrigue and in some cases out right disgust you!
Hope wakes up in wooden box buried under the ground. After a day the box is dug up and she is removed by a man who ties her to a tree asking her "Will you continue?" The twisted game begins. The man has stitched a razor blade inside her which she must dig out in order to cut her ropes. Impressed by her resilience the man fixes her up but continues to keep her bound in chains and turns her into a slave, washing his pots and tending a small garden for food. Hope has no idea how she got here, or why or where her six year old daughter is.
Directors Adam Mason and Simon Boyes deliver the goods here. The film was made over a period of 18 months with Adam's own wife taking on the lead role in a bloody impressive acting turn that would shame the hell out of some big earning actors out there. The whole film has an air of reality which makes it all the more disturbing. The Man is soft spoken, polite and that makes him all the more dangerous. He could easily live next door to you.
The fact that this movie is shot on Digital Video isn't even noticeable. I know that puts off some people ( why i don't know but you'd best get used to it cause it's the future) but the story will grab you and you'll be lost for 89 minutes. And the endings a peach.
If one of your top movie of the last year or so is WOLF CREEK then BROKEN will be for you. And watch out for Adam's new feature THE DEVIL'S CHAIR.
Hope wakes up in wooden box buried under the ground. After a day the box is dug up and she is removed by a man who ties her to a tree asking her "Will you continue?" The twisted game begins. The man has stitched a razor blade inside her which she must dig out in order to cut her ropes. Impressed by her resilience the man fixes her up but continues to keep her bound in chains and turns her into a slave, washing his pots and tending a small garden for food. Hope has no idea how she got here, or why or where her six year old daughter is.
Directors Adam Mason and Simon Boyes deliver the goods here. The film was made over a period of 18 months with Adam's own wife taking on the lead role in a bloody impressive acting turn that would shame the hell out of some big earning actors out there. The whole film has an air of reality which makes it all the more disturbing. The Man is soft spoken, polite and that makes him all the more dangerous. He could easily live next door to you.
The fact that this movie is shot on Digital Video isn't even noticeable. I know that puts off some people ( why i don't know but you'd best get used to it cause it's the future) but the story will grab you and you'll be lost for 89 minutes. And the endings a peach.
If one of your top movie of the last year or so is WOLF CREEK then BROKEN will be for you. And watch out for Adam's new feature THE DEVIL'S CHAIR.
Saw this film at a horror festival in Scotland, while we were visiting Britain this year.
A poorly made, SAW rip-off, that makes me want to run out into a forest with cheap camera and show these guys how to make a movie.
It's amateurish, not in style (which would be clever) but in execution (which isn't clever in the slightest) which leads me to believe that the director could have recently been lobotomized, or more likely still, lack any talent or eye for film-making in any way, shape or form.
The no-budget, no-time film projects at college had more thought, script and flair than this does. How a movie like this ever got made is truly remarkable.
The director, not only has no idea of where to put the camera, the dp has no idea where to put the lights, the effects department don't do too badly, but are let down by the performances, which are utterly horrendous.
I would usually blame this on the actors, but in this case, they have been directed into the toilet.
In summary, I would like to say that I'm usually a huge advocate of low-budget films that buck the trend - but in this case, it's a low-talent film that rapes the very idea of storytelling and reduces it to simple mongoloid utterances.
The film-makers should find new careers - this one is over guys.
A poorly made, SAW rip-off, that makes me want to run out into a forest with cheap camera and show these guys how to make a movie.
It's amateurish, not in style (which would be clever) but in execution (which isn't clever in the slightest) which leads me to believe that the director could have recently been lobotomized, or more likely still, lack any talent or eye for film-making in any way, shape or form.
The no-budget, no-time film projects at college had more thought, script and flair than this does. How a movie like this ever got made is truly remarkable.
The director, not only has no idea of where to put the camera, the dp has no idea where to put the lights, the effects department don't do too badly, but are let down by the performances, which are utterly horrendous.
I would usually blame this on the actors, but in this case, they have been directed into the toilet.
In summary, I would like to say that I'm usually a huge advocate of low-budget films that buck the trend - but in this case, it's a low-talent film that rapes the very idea of storytelling and reduces it to simple mongoloid utterances.
The film-makers should find new careers - this one is over guys.
An abysmally poor entry into the 'torture porn' genre, a British movie shot out in the Cambridgeshire woods somewhere with the writer/director's own wife playing a central role. I have two questions after watching this: who told the writing/directing team they could direct, and who told the main actress she could act?
BROKEN is the worst kind of horror film, a repulsive exercise in sadism designed to cash in on the popularity of the SAW franchise, which it rips off throughout (and most notably at the beginning). The opening credits play out over a montage of a young woman trying to retrieve a razorblade sewn inside her stomach, and if that sounds like your idea of entertainment then you're welcome to it. The repetitive self-mutilation continues for another twenty minutes or so before the film settles down into a plot less affair which tries to depict a supposedly tense relationship between hostage and captor.
The truth is that BROKEN is entirely void of original idea and intent, so instead it ups the ante in terms of on-screen gore and general nastiness. Not that the special effects are good, because they aren't, but there's a general undercurrent of depravity and sadism which makes it an alternatively gruelling and boring watch. Despite the unpleasantness, there's never any suspense or tension in any of the hackneyed scenes, and the intensely irritating Nadja Brand fails to elicit one iota of sympathy for her character's plight. The villain is a nobody, there's no motivation or backstory for any of the characters, no attempts at characterisation or realism. Just endless repetition and padding until the final, merciful moments.
BROKEN is the worst kind of horror film, a repulsive exercise in sadism designed to cash in on the popularity of the SAW franchise, which it rips off throughout (and most notably at the beginning). The opening credits play out over a montage of a young woman trying to retrieve a razorblade sewn inside her stomach, and if that sounds like your idea of entertainment then you're welcome to it. The repetitive self-mutilation continues for another twenty minutes or so before the film settles down into a plot less affair which tries to depict a supposedly tense relationship between hostage and captor.
The truth is that BROKEN is entirely void of original idea and intent, so instead it ups the ante in terms of on-screen gore and general nastiness. Not that the special effects are good, because they aren't, but there's a general undercurrent of depravity and sadism which makes it an alternatively gruelling and boring watch. Despite the unpleasantness, there's never any suspense or tension in any of the hackneyed scenes, and the intensely irritating Nadja Brand fails to elicit one iota of sympathy for her character's plight. The villain is a nobody, there's no motivation or backstory for any of the characters, no attempts at characterisation or realism. Just endless repetition and padding until the final, merciful moments.
Did you know
- TriviaNadja Brand won the 2007 Fright Meter Award for Best Actress for her performance.
Details
Box office
- Budget
- £500,000 (estimated)
- Runtime
- 1h 50m(110 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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