The idealist William Wilberforce maneuvers his way through Parliament, endeavoring to end the British transatlantic slave trade.The idealist William Wilberforce maneuvers his way through Parliament, endeavoring to end the British transatlantic slave trade.The idealist William Wilberforce maneuvers his way through Parliament, endeavoring to end the British transatlantic slave trade.
- Awards
- 3 wins & 6 nominations total
Ciarán Hinds
- Lord Tarleton
- (as Ciaran Hinds)
- Director
- Writer
- All cast & crew
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Featured reviews
This is a truly inspiring film that has much more than what appears on the surface. William Wilberforce was a man that understood persistance for change. He was a real World Changer that never knew the quit.
The film was beautifully done and the script was fantastic!! I love many of the phrase pulled from actual accounts of Wilberforce and Pitt's life.
Albert Finney does an amazing job as John Newton. He truly stole the show on this film.
Hollywood needs to pay attention and make more positive and moving films like this one!!!! Great Job.
The film was beautifully done and the script was fantastic!! I love many of the phrase pulled from actual accounts of Wilberforce and Pitt's life.
Albert Finney does an amazing job as John Newton. He truly stole the show on this film.
Hollywood needs to pay attention and make more positive and moving films like this one!!!! Great Job.
The idealist William Wilberforce (finely played by Ioan Grufudd) along with Rhomas Clarkson (Rufus Sewell) and a group of anti-slave trade maneuver his way through Parliament, endeavoring to end the British transatlantic trade that would lead to a great victory . Wilberforce helped by his lifelong friend and future P. M . William Pitt (Benedict Cumberbatch) will fight to get their purports for social justice . Wilberforce encounters the inspiration in newfound love interest (Romola Garai) to rejuvenate the battle with new ideas . After many attempts to bring legislation forward over twenty years, he is eventually gets a bill being passed through Parliament in 1807, in which abolishes the slavery the British empire forever.
This is a bicentennial tribute to William Wilberforce and his parliamentary bill abolishing the slave trade . Thought-provoking and moving film dealing with interesting issues , including fidelity to historical accuracy and detailed moral battles . Ioan Gruffudd is good as obstinate , romantic parliamentary member who battles relentlessly injustices ; he does a dignified portrayal about a great man . The prestigious cast shows their awareness of the contemporary impact about the brooding themes and are allowed to step out of period detail . Special mention to Benedict Cumberbatch as his lifelong friend Prime Minister William Pitt and N' Dour realizing an enjoyable portrait of an ex-slave . All of them are quietly upstaged by Albert Finney as a repent , remorse ex-slaver . The motion picture was marvelously directed by Michael Apted , he's director, producer of several successes such as ¨The word is not enough¨, ¨Gorillas in the mist¨ , ¨Class action¨, ¨Nell¨, ¨Enigma¨ , ¨Chronicles of Narnia II : The voyage of Dawn Treader¨ among others . Rating : Above average and worthwhile seeing , the whole family will enjoy this film .It's a very likable biography and enormously appealing for students and scholars . Overall this is a really nice movie . If you are familiar with the history then you will like this splendid film .
This is a biopic well based on historical events , adding more details over the largely described in the movie are the following : William Wilberforce (24 August 1759 – 29 July 1833) was a British politician, philanthropist, and a leader of the movement to abolish the slave trade. A native of Kingston upon Hull, Yorkshire, he began his political career in 1780, eventually becoming the independent Member of Parliament for Yorkshire (1784–1812). In 1785, he underwent a conversion experience and became an evangelical Christian, resulting in major changes to his lifestyle and a lifelong concern for reform. In 1787, he came into contact with Thomas Clarkson and a group of anti-slave-trade activists, including Granville Sharp, Hannah More and Charles Middleton. They persuaded Wilberforce to take on the cause of abolition, and he soon became one of the leading English abolitionists. He headed the parliamentary campaign against the British slave trade for twenty-six years until the passage of the Slave Trade Act of 1807. Wilberforce was convinced of the importance of religion, morality and education. He championed causes and campaigns such as the Society for Suppression of Vice, British missionary work in India, the creation of a free colony in Sierra Leone, the foundation of the Church Mission Society, and the Society for the Prevention of Cruelty to Animals. His underlying conservatism led him to support politically and socially repressive legislation, and resulted in criticism that he was ignoring injustices at home while campaigning for the enslaved abroad.In later years, Wilberforce supported the campaign for the complete abolition of slavery, and continued his involvement after 1826, when he resigned from Parliament because of his failing health. That campaign led to the Slavery Abolition Act 1833, which abolished slavery in most of the British Empire; Wilberforce died just three days after hearing that the passage of the Act through Parliament was assured. He was buried in Westminster Abbey, close to his friend William Pitt.
This is a bicentennial tribute to William Wilberforce and his parliamentary bill abolishing the slave trade . Thought-provoking and moving film dealing with interesting issues , including fidelity to historical accuracy and detailed moral battles . Ioan Gruffudd is good as obstinate , romantic parliamentary member who battles relentlessly injustices ; he does a dignified portrayal about a great man . The prestigious cast shows their awareness of the contemporary impact about the brooding themes and are allowed to step out of period detail . Special mention to Benedict Cumberbatch as his lifelong friend Prime Minister William Pitt and N' Dour realizing an enjoyable portrait of an ex-slave . All of them are quietly upstaged by Albert Finney as a repent , remorse ex-slaver . The motion picture was marvelously directed by Michael Apted , he's director, producer of several successes such as ¨The word is not enough¨, ¨Gorillas in the mist¨ , ¨Class action¨, ¨Nell¨, ¨Enigma¨ , ¨Chronicles of Narnia II : The voyage of Dawn Treader¨ among others . Rating : Above average and worthwhile seeing , the whole family will enjoy this film .It's a very likable biography and enormously appealing for students and scholars . Overall this is a really nice movie . If you are familiar with the history then you will like this splendid film .
This is a biopic well based on historical events , adding more details over the largely described in the movie are the following : William Wilberforce (24 August 1759 – 29 July 1833) was a British politician, philanthropist, and a leader of the movement to abolish the slave trade. A native of Kingston upon Hull, Yorkshire, he began his political career in 1780, eventually becoming the independent Member of Parliament for Yorkshire (1784–1812). In 1785, he underwent a conversion experience and became an evangelical Christian, resulting in major changes to his lifestyle and a lifelong concern for reform. In 1787, he came into contact with Thomas Clarkson and a group of anti-slave-trade activists, including Granville Sharp, Hannah More and Charles Middleton. They persuaded Wilberforce to take on the cause of abolition, and he soon became one of the leading English abolitionists. He headed the parliamentary campaign against the British slave trade for twenty-six years until the passage of the Slave Trade Act of 1807. Wilberforce was convinced of the importance of religion, morality and education. He championed causes and campaigns such as the Society for Suppression of Vice, British missionary work in India, the creation of a free colony in Sierra Leone, the foundation of the Church Mission Society, and the Society for the Prevention of Cruelty to Animals. His underlying conservatism led him to support politically and socially repressive legislation, and resulted in criticism that he was ignoring injustices at home while campaigning for the enslaved abroad.In later years, Wilberforce supported the campaign for the complete abolition of slavery, and continued his involvement after 1826, when he resigned from Parliament because of his failing health. That campaign led to the Slavery Abolition Act 1833, which abolished slavery in most of the British Empire; Wilberforce died just three days after hearing that the passage of the Act through Parliament was assured. He was buried in Westminster Abbey, close to his friend William Pitt.
What follows is the text of a letter I composed for my parish bulletin (I am a priest and pastor of a University Parish in Tucson) after having seen Amazing Grace. I often recommend movies to my parishioners, but seldom write a full-fledged review. This weekend I made an exception for an exceptional movie.
Dear Friends,
It is a movie-lovers' favorite weekend: Oscar weekend. So I beg your indulgence as I offer not just a movie recommendation, but an actual review of the remarkable movie I saw on Friday. I had been hearing about it for several weeks and looking forward to its opening in Tucson. "Amazing Grace" tells the story of William Wilberforce, a young American Revolution era British Parliamentarian who waged a three-decade legislative battle to end Great Britain's involvement in the African slave trade (Slavery was outlawed in England six decades before our civil war.) Among those who had influenced this remarkable Englishman was John Newton, the slave ship captain turned evangelical preacher, who penned the lyrics of arguably the best known sacred song in the world, which also lends its title to the movie. Newton had known Wilberforce as a child and, in the film, serves as his conscience when the task is unclear or proves daunting..
This is no schmaltzy feel-good biopic. Everything about it is compelling. It is beautifully written and directed. The cinematography and film-editing are superb. The costume and sets are exquisite. And the acting is top-notch. Ioan Gruffudd, the young Welchman best known for his excellent portrayal of C.S. Forester's seafaring hero, Horatio Hornblower, in eight made-for-A&E movies (1998-2003), brings great depth and passion to his portrayal of this complex hero of social justice. Gruffudd's star is on the rise. Awardwinning actor, Albert Finney, graces this picture as an aged and eccentric Newton. The cast is rounded out by a gaggle of veteran British character actors who lend profundity to this compelling story. In addition to the cinematic elements that make this one of the few movies I have seen that I consider to be worth the $9 it costs to see a movie these days, it is first-rate storytelling! And Wilberforce is a hero whose story must be told. He grappled with one of my favorite issues: the place of faith in public life. As a young man, the rising political star began to rediscover an intense faith that had lain dormant for a time. His fire of conviction that something must be done about the slave trade was fueled by this reemerging faith. As he struggled with whether he should use his oratorical talents a politician or a preacher, he is convinced that he can use his popularity as an MP to do God's work by actively advocating for the voiceless slaves. The movie presents the story of a man who finds a perfect balance between his faith and his public lifeeach shaping the other in the face of a clear vocation. That his secular realm is that of politics and the time is one of great fear and institutionalized injustice gives this period movie much relevance in today's world. I hope every person of faith watches this movie. I especially think that it is pertinent for our student parishioners who may be struggling with the same issues as Wilburforce. (While I fear it would bore younger children, it would be good for older children and teens.) It opened on Friday at the El Con Cinema. I will be organizing a parish outing to see "Amazing Grace" in a couple of weeks. Whether you go then or another time, I recommend this movie as a great Lenten exercise. I loved it and consider it one of the most socially relevant films I've ever seen. "Amazing Grace" has long been one of my favorite sacred songs, but I will never hear it the same again.
Peace, Fr. Bart
Dear Friends,
It is a movie-lovers' favorite weekend: Oscar weekend. So I beg your indulgence as I offer not just a movie recommendation, but an actual review of the remarkable movie I saw on Friday. I had been hearing about it for several weeks and looking forward to its opening in Tucson. "Amazing Grace" tells the story of William Wilberforce, a young American Revolution era British Parliamentarian who waged a three-decade legislative battle to end Great Britain's involvement in the African slave trade (Slavery was outlawed in England six decades before our civil war.) Among those who had influenced this remarkable Englishman was John Newton, the slave ship captain turned evangelical preacher, who penned the lyrics of arguably the best known sacred song in the world, which also lends its title to the movie. Newton had known Wilberforce as a child and, in the film, serves as his conscience when the task is unclear or proves daunting..
This is no schmaltzy feel-good biopic. Everything about it is compelling. It is beautifully written and directed. The cinematography and film-editing are superb. The costume and sets are exquisite. And the acting is top-notch. Ioan Gruffudd, the young Welchman best known for his excellent portrayal of C.S. Forester's seafaring hero, Horatio Hornblower, in eight made-for-A&E movies (1998-2003), brings great depth and passion to his portrayal of this complex hero of social justice. Gruffudd's star is on the rise. Awardwinning actor, Albert Finney, graces this picture as an aged and eccentric Newton. The cast is rounded out by a gaggle of veteran British character actors who lend profundity to this compelling story. In addition to the cinematic elements that make this one of the few movies I have seen that I consider to be worth the $9 it costs to see a movie these days, it is first-rate storytelling! And Wilberforce is a hero whose story must be told. He grappled with one of my favorite issues: the place of faith in public life. As a young man, the rising political star began to rediscover an intense faith that had lain dormant for a time. His fire of conviction that something must be done about the slave trade was fueled by this reemerging faith. As he struggled with whether he should use his oratorical talents a politician or a preacher, he is convinced that he can use his popularity as an MP to do God's work by actively advocating for the voiceless slaves. The movie presents the story of a man who finds a perfect balance between his faith and his public lifeeach shaping the other in the face of a clear vocation. That his secular realm is that of politics and the time is one of great fear and institutionalized injustice gives this period movie much relevance in today's world. I hope every person of faith watches this movie. I especially think that it is pertinent for our student parishioners who may be struggling with the same issues as Wilburforce. (While I fear it would bore younger children, it would be good for older children and teens.) It opened on Friday at the El Con Cinema. I will be organizing a parish outing to see "Amazing Grace" in a couple of weeks. Whether you go then or another time, I recommend this movie as a great Lenten exercise. I loved it and consider it one of the most socially relevant films I've ever seen. "Amazing Grace" has long been one of my favorite sacred songs, but I will never hear it the same again.
Peace, Fr. Bart
I had the pleasure this past week of seeing a pre-screening outside of Washington, D.C. of the movie Amazing Grace, starring Reed Richards...err...Ioan Gruffudd as William Wilberforce the famous British Christian politician that helped end the slave trade in Great Britain in the early 18th Century. The movie progresses through Wilberforce's life from about the time he begins his crusade against the slave trade in Parliament in his early 20's to the time it is eventually abolished. Everything in between is composed of all the hardships, victories, and relationships he goes through in the meantime. At some points the story can be a bit yawn inducing, but the film consistently seems to add just the right amount of humor or political intrigue to keep it afloat (more on the pacing below). There is a love interest Barbara, played by the quite attractive and dynamic Romola Garai, who keeps Mr. Fantastic...err...Wilberforce on track and encouraged. You get the feeling he would've never made it through the hard times without her (which is probably the case for most successful men as they say). The film does delve into evils of the slave trade, but it doesn't focus specifically on it, much like Amistad did focus on it. It seems to keep the main goal in mind, abolishing that heinous evil. This gives the film a "glass half full" feeling instead of a "glass half empty" one. You find yourself cheering for the good guys instead of seeking the heads of the bad ones.
You may be thinking they should've just called this film "Amistad: The Prequel", but that would do it a great disservice. Where Amistad succeeded in many ways such as exposing the horror of the slave trade in much more visual and visceral detail and containing great acting by Djimon Hounsou and Anthony Hopkins, I feel you ultimately left the theater not really feeling much better about anything. In fact, I'd say you may have left if feeling worse, maybe even shameful and/or guilty. Amazing Grace doesn't feel like that. In fact, it's not even really a "feel good" movie; it transcends that status. It's really a "do good" movie. You almost feel personal empowerment from the story, like you want to go out and change some social injustice yourself! Sure, we don't all have the political clout of a William Wilberforce, but we do have a voice. And I think that's why Amazing Grace stands above previous "social injustice" films like it. It feels organic instead of static. It feels like it could apply to today instead of some time long forgotten. It also appeals to everyone; black, white, or whoever. One African-American in the audience mentioned how he was impressed and encouraged at how passionate these white men were for the plight of the slaves. You also realize that slavery wasn't just an American problem, it was a world problem; which further emphasized the fact that the social injustice we see today isn't just a "fill_in_the_blank" problem, it's a world problem.
I'm not knowledgeable enough to comment very much on the technical aspects of this film, but don't let the religious overtones fool you into thinking this is another technical mess like so many in the past. It is on par with any period film of its kind from Hollywood in almost every way; acting, set design, costume design, story, etc.
One thing I found a drawback to it was its pacing though. It starts off fairly tepid, and though it builds up, it seems to go through a cycle of building up and then falling back down again. This could ultimately be a good thing though, because if you can keep your focus throughout the film, you'll be in for a very powerful ending that evokes positive emotions you didn't think you had, and I think the cyclic nature of the film's progress enhances the fulfillment the ending provides. I also found the time period jumping around within the film to be a bit confusing at some points; like some scenes I didn't know if they were in the past or present.
The representative at the screening said the movie would be playing on about 850 screens nationwide on its opening weekend (Feb. 23). Though this is small compared to most major movies, it is a pretty good amount for a smaller movie like this. I recommend going to see it if you're interested in a movie with depth, passion, character, goodness, virtue, and victory. Does it entertain? Sure. But it seems to do a little more also. You can't say that about too many movies these days. You won't leave wishing you had that $8.50 back.
In case you're wondering about the title, John Newton, the composer of the famous hymn 'Amazing Grace', (played powerfully by Albert Finney), was a contemporary and friend of William Wilberforce. John Newton was also a reformed ex-slave trader.
You may be thinking they should've just called this film "Amistad: The Prequel", but that would do it a great disservice. Where Amistad succeeded in many ways such as exposing the horror of the slave trade in much more visual and visceral detail and containing great acting by Djimon Hounsou and Anthony Hopkins, I feel you ultimately left the theater not really feeling much better about anything. In fact, I'd say you may have left if feeling worse, maybe even shameful and/or guilty. Amazing Grace doesn't feel like that. In fact, it's not even really a "feel good" movie; it transcends that status. It's really a "do good" movie. You almost feel personal empowerment from the story, like you want to go out and change some social injustice yourself! Sure, we don't all have the political clout of a William Wilberforce, but we do have a voice. And I think that's why Amazing Grace stands above previous "social injustice" films like it. It feels organic instead of static. It feels like it could apply to today instead of some time long forgotten. It also appeals to everyone; black, white, or whoever. One African-American in the audience mentioned how he was impressed and encouraged at how passionate these white men were for the plight of the slaves. You also realize that slavery wasn't just an American problem, it was a world problem; which further emphasized the fact that the social injustice we see today isn't just a "fill_in_the_blank" problem, it's a world problem.
I'm not knowledgeable enough to comment very much on the technical aspects of this film, but don't let the religious overtones fool you into thinking this is another technical mess like so many in the past. It is on par with any period film of its kind from Hollywood in almost every way; acting, set design, costume design, story, etc.
One thing I found a drawback to it was its pacing though. It starts off fairly tepid, and though it builds up, it seems to go through a cycle of building up and then falling back down again. This could ultimately be a good thing though, because if you can keep your focus throughout the film, you'll be in for a very powerful ending that evokes positive emotions you didn't think you had, and I think the cyclic nature of the film's progress enhances the fulfillment the ending provides. I also found the time period jumping around within the film to be a bit confusing at some points; like some scenes I didn't know if they were in the past or present.
The representative at the screening said the movie would be playing on about 850 screens nationwide on its opening weekend (Feb. 23). Though this is small compared to most major movies, it is a pretty good amount for a smaller movie like this. I recommend going to see it if you're interested in a movie with depth, passion, character, goodness, virtue, and victory. Does it entertain? Sure. But it seems to do a little more also. You can't say that about too many movies these days. You won't leave wishing you had that $8.50 back.
In case you're wondering about the title, John Newton, the composer of the famous hymn 'Amazing Grace', (played powerfully by Albert Finney), was a contemporary and friend of William Wilberforce. John Newton was also a reformed ex-slave trader.
I was well impressed with Amazing Grace; the period was superbly captured, and the interplay of the main action (the fight of William Wilberforce to abolish British slavery) with the other great events of his time (the American and French revolutions) was well presented. The film stirs the emotions but informs the mind. Ioan Gruffudd as Wilberforce is believable and depicts the tenacious Yorkshire MP with both his bodily weakness and great spirit well. Albert Finney as John Newton renders a moving portrayal of the ex-slave trader turned evangelical minister who influences Wilberforce's decision to remain in politics rather than entering the ministry of the church. Benedict Cumberbatch gives a strong representation of William Pitt, and the overall impression of the film is one whose history has been well researched. Well worth a viewing.
Did you know
- TriviaDuring the scene in which William Wilberforce (Ioan Gruffudd) sings "Amazing Grace" at the card house, the singing was performed live by Gruffudd. In the previous several takes, a playback had been used, but it is Gruffudd singing in the final film. Director Michael Apted had no idea whether or not Gruffudd could actually sing. Little did he know, Gruffudd is an accomplished soloist and choir singer. With a little practice, Gruffudd performed for the first time on-set while the cameras were rolling, all much to the surprise of the cast, crew, and director.
- GoofsThere were at least 3 grammar mistakes: several uses of "I" when "me" should have been used. Wilburforce also says "By who?" As a graduate of Cambridge, he would have said, "By whom?"
- Quotes
John Newton: Although my memory's fading, I remember two things very clearly. I'm a great sinner and Christ is a great Savior.
- ConnectionsFeatured in Tavis Smiley: Episode dated 23 January 2007 (2007)
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Ân Điển Diệu Kỳ
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $21,250,683
- Opening weekend US & Canada
- $4,305,000
- Feb 25, 2007
- Gross worldwide
- $32,120,360
- Runtime
- 1h 58m(118 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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