The X-Files : Régénération

Honestly, I thought this was a good film. I'll even go so far as to say a great film. I really think that Chris Carter, David Duchovny, and Gillian Anderson delivered what they had promised to. All along, throughout the post-production and press campaign we've been told that this is a creepy story with Mulder and Scully's relationship at its core. Well, that's what it is ... plain and simple. I really think that all the negativity and people's harsh reviews are from false and hyped up expectations of what this movie is supposed to be. If anything, you should just try to walk into the theatre with an open mind.

But I almost think some people who reviewed this film, saw a different film than I did ...

1. I read a review in which the person said Gillian Anderson's acting was awful. That is false. It is quite the contrary. Gillian Anderson is probably one of the strongest aspects of this movie. Every time she's in a scene, you're captivated.

2. I had read that Mulder and Scully don't show up in the film until 45 minutes into it. False. Scully appears in the 3rd scene - so what? no more than 7 minutes? - and Mulder directly follows.

3. Someone complained about an irrelevant and torturously long scene where Mulder fills up his gas tank. This doesn't happen. He goes to a gas station, gets out of his car, and goes into a store.

4. Lastly, it was rumored that the actors where flubbing up their lines all the time. Okay, even if they did, that wouldn't end up in the final film. Obviously they do multiple takes for a reason. The lines are solid.

This movie is not boring. The surprises are there. It may not be scary in a 'horror film' sort of way where things are jumping out at you every 2 seconds, but it is scary. The acting is amazing. Gillian Anderson on her own is a joy to watch, but when you put her in a scene with David it's either going to break your heart or melt it. The supporting cast won't let you down, and neither will the storyline. It's not paranormal in the sense of freaks and monsters, but religion and God. It's very much in the fashion of "All Things"; seeing the signs and following them. Finally, it is just excellently put together. Whoever edited this film did a phenomenal job! The inter-cutting and juxtaposition was out of this world.

GIVE IT A CHANCE, FOLKS.

There is a difference in reviewing bad film-making as opposed to personal taste. Frankly, I argue this movie more from personal taste, although X-Files - I Want to Believe is certainly not bad film-making. In all honesty, I was very nervous about X-Files I Want to Believe. Ever since Star Wars the Phantom Menace, I have learned to lower my expectations when venturing into Hollywood movies (although lowering your expectations to nothing could not save the Star Wars Prequels). Nothing is worse than a huge let-down. Indiana Jones and the Crystal Skull comes to mind the quickest. With X-Files, I Want to Believe, I went in with no expectations whatsoever and was thoroughly entertained. It made me pine for the old television series I loved to watch in the 1990's (at least until Seasons 8 and 9). Dr. Dana Scully is working at a Catholic Hospital, fighting for a young boy who has little to no chance of surviving. She pushes herself hard, not giving up hope in the wake of despair. She fights for Alexander (the son she lost in the television series). The FBI comes to her, asking for help in tracking down Fox Mulder. They want his help in a baffling case. An FBI agent has disappeared. The only link is an unusual psychic. Not only does he have scant visions, he also is pedophile priest under house arrest. Of course, Mulder wants to believe this man. Scully, however, does not. This not only stems from her usual scientific mind, but also her moral outrage at his crimes. As this psychic leads them to various clues, a case slowly uncovers. Some strange, bizarre, twisted scheme of harvesting organs for nefarious purposes arises. Mulder of course ventures closer, putting himself in peril. Scully, balks, wondering if she can continue in Mulder's dark world. Believe it or not, this one works. In fact, I liked it better than Fight the Future. While Fight the Future was inserted in the ongoing mythology of government conspiracies and alien extra-terrestrials, this one works more as a stand-alone movie, much like the episodes of the same flavor. I admit I liked the latter episodes better. So for the X-Philes who liked the conspiracy episodes better, you may want to stick to Fight the Future. That gets me to wonder if this movie will find new fans for the 15-year-old franchise, or only appeal to X-Philes. Only time can tell on that one. What makes this work for me, though, is that it is in the spirit of the original television series. It does not rely on paranoid delusions, government conspiracies, and alien extra-terrestrials. Instead, it relies more on a potentially dangerous and real situation with surrealism in the background. Just like some of the stand-alone episodes of X-Files, the outcome is not predictable. Also, by the end, the surrealism takes a back-seat to the suspense of catching the antagonists. It also unfolds slowly, not giving us a full glimpse into the nefarious plot finally revealed in the end. Just like the series, the antagonists goal is evil and eerie--pushing the envelope of imagination and fear. Just like the series, the plot is also based on real fringe scientific experiments. Both the movie, and the reality sent a shiver up my spine (by the way, leave the kids at home on this one. Kids younger than 11 or 10 might get some nightmares.) This paves the way for one thing X-Files television series did well: lacing messages of philosophy, religious allegory, and faith. Some of the best stuff comes when Fox and Dana converse with each other. Scully fears being with Mulder because his world brings around so much darkness, and she fears that. She also doubts her own faith. Mulder must ask himself questions in regards to his relentless search of the "truth." Another warning must go out that this movie is not an action movie. It works more like a thriller and a suspense movie instead of lacing itself with shootouts,car chases, and outlandish stunts. It also is not scary, but rather suspenseful. I think if Cris Carter were a better director, it might have found a little more suspense, and possibly a little more fright. That being said, I still think this movie works--at least for me.

Just as FIGHT THE FUTURE was the perfect bridge between seasons 5 and 6 of the TV series, I WANT TO BELIEVE sits at the center of the fourteen year gap between seasons 9 and 10. Having moved on -apart- for several years, Mulder and Scully (David Duchovny and Gillian Anderson) must reunite in order to solve a particularly grisly new case.

Director and X-FILES guru extraordinaire, Chris Carter pays homage to everything from SILENCE OF THE LAMBS / SEVEN to HOSTEL and even FRANKENSTEIN! Toss in Billy Connolly as a psychic, pedophile priest, and we're off to the paranormal races! Amanda Peet is quite good in her role as lead FBI agent, Dakota Whitney. Don't blink, or you might miss Skinner (Mitch Pileggi) in his extended cameo appearance!

Highly recommended for both fans and casual viewers of the show...

It's not hard to imagine how time flies, when you realize that one of your best loved television series of all time had already ended its run, and you reminisce the times back when one of your weekend nights revolved around sitting in a bunk with your army mates, all glued to what Chris Carter had conjured as adventures for the two best known goggle box FBI agents, Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson). While we always needed to crank up the volume to try and make sense of the murmurs involving shadow governments and secret conspiracies, our favourite episodes almost unanimously were those one-off ones, so called the "monster" episodes.

And it's been 6 years since The End, and 10 years since the first X-Files movie hit the screen. While that movie was intricately linked to the major conspiracy thread, this movie, as the trailer led us to believe, was a one-off monster episode, or so I thought. While it's indeed a one-off episode, it's no monster of an episode in the mould of those in the television series, though it really felt like an extended, stand alone episode which gave us a slightly more in depth look at the dynamics of our beloved duo, especially what happened to them in the last few years they went off the FBI radar. But as the saying goes, you can't put a good man, and a lady, down for too long.

This is a story about obsession. As we all know, Mulder's obsessed with everything X- classifiable, and in the years of absence, here comes an opportunity for a breath of fresh air when Agent Dakota Whitney (Amanda Peet) comes knocking to seek his expertise, as the FBI now has a case on their hands and a psychic, convicted pedophile of a Catholic Father Joseph Crissman (Billy Connolly) who volunteers key information to help in that case. The FBI isn't sure if Father Crissman is a liar, or worse, connected to the crime, and hence Mulder's help is to be their lie-detector. Naturally with religion and her usual cynicism in the mix, Scully is disgusted by the sheer presence of the religious felon, and thus set the stage for some conflict with her beau.

Like an old, quarreling couple who can't seem to give way to each other, their philosophies clash as their interests - Scully battling the hospital system to save her young chronically ill patient - differ, and threaten to pull the couple apart. He thinks that she's not being supportive of his venturing into an X-case even though they're now civilians, while she thinks he's latching onto Father Crissman to use his prowess, if proved true, to find Samantha Fox. Which I thought would probably make an excellent sub plot, but alas the potential was dangled like a carrot in front of us, and then went totally off tangent.

Don't expect any big sets or intricate subplots here, as it really looked like it's done on a shoestring budget, with the look and feel of a typical classic television episode, a two-parter in fact. There are strange aberrations of course, but all these go unexplained, and you know they're just going to be glossed over since everything will be wrapped up by the time the end credits roll. However, there are adequate moments to keep you at the edge of your seat, and some developments do enough to leave your mouth gaping wide open, especially those involving extreme medicine.

David Duchovny does look more comfortable reprising his role as Mulder, but Gillian Anderson, as interviews have revealed, required a lot more time trying to get back into character, and this uneasiness unfortunately shows on screen. The chemistry's still not lacking, but given that their respective characters have aged and grown more comfortable with one another, gone are the tensions between them, though the problems that surface here did try to rekindle some of the opposition they felt during the course of their long running series.

Chris Carter and X-Files regular scribe Frank Spotnitz did incorporate a nice surprise in the movie, so do keep your eyes peeled as you will silently cheer when it happens. But I thought what was a ghastly way to bid farewell, was the little coda toward the end of the credit roll, which somewhat signals the finale of everything, though in a very out of place manner. Anyhow, this X-Files movie episode isn't going to win any new fans over, but for X-philes, I'd bet we're probably just satisfied already with our heroes appearing in celluloid one more time, that no matter how wafer thin the plot is, it's not going to dampen our collective fan spirit.

And to thank our lucky stars that Mark Snow's iconic theme song, didn't get played in the movie under the horrific techno rendition.

In the last shot of the theatrical preview for this movie, we see Mulder and Scully turn around to stare at something we assume is very significant. Turns out it's merely a pedestrian reaction shot. And as such, it represents I Want To Believe very well.

This movie gets pretty much everything wrong. First off, it assumes that people watching it have not only seen, but also remember the weak last few seasons of the show. {WHAT FOLLOWS WOULDN'T BE CONSIDERED A SPOILER BY THE FILM'S DIRECTOR, SINCE HE SEEMS TO ASSUME WE ALREADY KNOW THIS} I had no recollection of the two leads ending up romantically involved, which is an incredibly wrong-headed development. Mulder and Scully's platonic partnership was the show's strongest building block. Seeing them in bed together came as a "what the f--k?" moment and felt as wrong as incest. {END MILD, INSIGNIFICANT SPOILER} Then there's the impression that series creator Chris Carter (who wrote and directed this movie), Gillian Anderson, and David Duchovny have all forgotten not only who these characters are, but what the show was about.

The actors call each other by their characters' names, but it feels like a bad impersonation. The biggest problem might be the story, though, which needed to feel like more than just an afterthought, a contrivance to get our duo to investigate spooky goings-on. Speaking of which, the supernatural plays a surprisingly tiny part; apparently, Carter even forgot the genre of his TV show. The main plot feels too mundane (at least until its secrets are revealed at the end, which does provide a few welcome horror thrills). There is an entire pointless subplot devoted to a dilemma faced by Scully at the hospital where she works. The film's subtitle is repeated to eye-rolling effect every time. A recurring character from the show makes an appearance but is given nothing to do. Then Duchovny spouts a few pseudo-profundities, and the whole mess mercifully ends.