Zodiac

David Fincher's "Zodiac" masterfully intertwines crime, history, and the obsession that ensues when a killer lurks in the shadows. Set in the late 1960s and 1970s, the film follows journalists and detectives as they attempt to identify the infamous Zodiac Killer, who taunted authorities and the public with cryptic letters and ciphers.

One of the film's greatest strengths is its meticulous attention to detail. Fincher creates a dense atmosphere of dread and unease, effectively immersing viewers into the era and the relentless pursuit of truth. The cinematography is exceptional, featuring a muted color palette and haunting visuals that enhance the film's tension and intrigue.

The performances are standout, particularly from Jake Gyllenhaal as Robert Graysmith, a cartoonist whose growing obsession with the case drives him to the brink. Gyllenhaal's portrayal captures the sheer determination and obsession that comes from digging too deep into the past. Supported by an impressive cast, including Robert Downey Jr. And Mark Ruffalo, the characters are well-developed, each representing different facets of inquiry and obsession.

"Zodiac" is not just a thriller; it is an exploration of the impact of unsolved mysteries on the human psyche. The film eschews traditional horror tropes, instead focusing on the eerie silence of the hunt and the frustration of the unknown. The pacing is deliberate, inviting viewers to ponder the ramifications of the investigation rather than relying on jump scares or overt violence.

"Zodiac" is a compelling dive into the world of true crime that stays with you long after the credits roll. It invites thoughtful discussion about the nature of obsession and the complexity of human morality. A must-watch for fans of meticulously crafted narratives and psychological depth, this film will have you pondering not just whodunit, but the very nature of truth itself.

This is a movie about process. It's about what happens when a case goes cold and simple answers don't suffice. It's a risk taken when one does a fictional presentation of an historical event from fairly recent times. You can stick tot he facts or simply make things up. I enjoyed this film because the three principle characters were real and human. All were in over their heads to some extent. Jake Gyllenhaal character makes that sometimes unfortunate serendipitous discovery and becomes obsessed. The police have done what they can, but without passion and this is what Gyllenhaal's character brings to the game. Unfortunately, so much time has passed and so much has gone cold. So everything is based on circumstance. We must content ourselves with what we find and give up on confessions or witnesses. I knew from the start what the case was about and I recommend that those sourpusses that complain about this film do a little reading (maybe one paragraph on Wikipedia which should handle your attention spans) and then decide whether you want to bother with this. Personally, I thought the acting was superb and it painted a picture of the frustration with trying to solve a case with only bits and pieces.

Based on the wonderful novel, this film brilliantly tells the story of the unknown Zodiac killer, who operated in the late 60's and early 70's.

You will easily lose a full night or afternoon with this movie, it's incredibly, it's engaging, dramatic, and captivating. I love how the time passes by on the film, everything changes accordingly, it's very well produced. At times it's very sinister, and creepy, but it's subtle, nothing is forced or heavy handed.

The acting is terrific, Ruffalo and Downey are brilliant, a fresh faced Jake Gyllenhaal is arguably the one that steals the show.

It really is a brilliant movie, I would recommend it highly. 9/10.

I am tired of people writing comments like this, "Not Fincher's best". Honestly who cares. We all agree that Fincher's best is either Seven or Fight Club, two outstanding masterpieces. There is a big margin between a film like one of those and a terrible film, and people don't seem to realize that. These people even do this with other filmmakers like Spielberg or Scorsese, the fact that these filmmakers don't reproduce Schindler's List or Raging Bull doesn't mean that their new stuff isn't good, or worth seeing. I think it is a stupid way to comment on a film, eliminating the critic's credibility. I was lucky enough to catch an advanced screening of Zodiac last night, and I must say that at first I was discouraged by two things, some of the comments I have read and the running time. However I am glad to say that I enjoyed this film, very much. It is a solid suspense thriller that pins you to your seat. Being a true story adds quite a lot to the experience, and besides, Fincher did a wonderful job is staying loyal to the story and at the same time adding his unique flavor to it. The cinematography, like every Fincher film, is great, the darkness and griddiness of the story are perfectly portrayed in the film's visual elements. I was surprised by the picture quality of the Viper, the digital camera with which this film was shot. Many people have been criticizing this choice, but I respect it, he is embracing a new technology and making it work. Of course its still not a match to 35 mm, but if quality filmmakers don't start experimenting with it, it will never be. Now the reason why this film falls behind Seven and Fight Club, I think, is because of a problem with the characters. They seem to be a little weak at times. The performances were great, especially Robert Downey Jr., but I think that this film falls short, when it comes to a true exploration of complex characters, which is the key to Fincher's previous films.

So... my advice to everyone is to ignore most of the negative comments and see the film yourself. I found it to be a great story told in a remarkable way, very entertaining, with great performances, and wonderful direction.

Usually when a film gets made about a media grabbing unsolved crime, the resulting movie tends to be overtly sensational and at best remotely connected to what really happened. Considering that director David Fincher's last film about a serial killer was the gripping but deeply disturbing Se7en, his take on the Zodiac killer almost seemed primed to be an extreme, nail-biting thriller.

Instead what he's given us is a well argued thesis on the possible identity of the Zodiac. While there are some very intense scenes, Fincher takes a somewhat unexpected approach on the subject. All of the killings take place pretty early on in the movie, with the bulk of the story centering on the actual investigation into the killer by both the cops and a cartoonist who becomes obsessed with the case. In fact, the depictions of the murders are done in a manner that is fairly reverent towards the victims while still conveying the cruelty of them.

Some people may find themselves disappointed by this two and a half hour epic if they go in expecting the usual serial killer fare. But it's a must see for any fan of Fincher's work, or anybody who likes a good detective story.