Naina

It's bad enough for a movie to be a remake of another. It's worse when two movies are remakes of the same flick and are released back-to-back. I'm talking about Nazar and Naina. I prefer the former. Nazar is a more thrilling and entertaining and has good songs. Naina, on the contrary, is quite intense--the type of movie that gives you a headache by the end. There are some repulsive scenes such as the operation. I must say, though, that Naina has better special effects. Although the movie is not too long compared to other Hindi movies, it feels like it goes on forever. Towards the end it becomes a complete drag and the climax is absolutely ridiculous.

I recently saw "Naina" at a multiplex in. I was hurt! It hurts to see a movie made with sincere Effort and Intention, succumb to failure. But then, if good intentions and great effort were the only criteria required for a movie's success, then "Naina" could become a blockbuster. But, that's not the case! Just good intentions and sincere effort don't make a GOOD film. So what does?? The Answer is - "Just one and only one thing-- A Good Script." This is the core area where "Naina" actually failed. Despite having an interesting story, innovative treatment, eye catching cinematography and great sound & special effects the film couldn't strike a chord with the audience, because of the flawed script.

The Basic Four Progressive Comments on 'Naina' which I could think of were as follows: 1. Characterization: The problem with Naina is the pace at which emotions are thrown at the audience. Before the audience can digest one aspect of Naina's emotion, she starts to portray another. This results in her character failing to strike a chord with the audience, as they can't fully relate to her emotions and therefore are not able to empathize with her. EMPATHY of the audience for the lead character is a must for all movies to succeed. Because only when the audience empathizes with the characters, they can feel for them, cry-- when they cry, laugh-- when they laugh, are scared-- when they are scared. The empathy is a critical must. In order to make the audience to worry, sympathize, or be concerned for 'Naina's' situation, first they should be allowed fall in love with her, only then will they have any reason to empathize or sympathize or whatever emotion one needs from them. The characterization of Naina in the script doesn't allow the audience to realize this bond of empathy with her. For example -in the movie "Black" The little blind girl's enthusiasm and exuberance on feeling the water for the first time is empathized by the audience, because leading up to that situation, the audience had already been allowed to, go through, and suffer all the pain in her life as a blind child, and so they were in a better position to relate to her emotions. If the audience had got a little more chance to see, what Naina's character has to go through as a blind girl, while still keeping a positive outlook on life, I am sure the empathy aspect would have worked better. 2. One dimensional & Single layered approach: Once Naina's character starts having the visions of the dead, the whole movie takes that direction … and that's it. It's one visionary encounter after another, then another, then another. The element of anxiety and fear diminishes with each repetition. One has to be very careful with the anxiety/curiosity element particularly in the 'Thriller' genre, which 'Naina' belongs to, because the whole movie is spun around these elements. Agreed it's the most difficult of tasks to maintain a high level of anxiety and tension in the audience throughout the movie. But then, making a good thriller movie was never an easy job in the first place. In order to maintain the level of tension in a thriller, multi-dimensional approach comes very handy; which can be done by creating a no. of interesting characters, with important roles to play in the main plot and showing different sequences from each of their point of views. For Example in the movie "Executive Decision" (An Action Thriller) the multi-dimensional element has been used very well. But then, I agree there are some movies where you can't use a multi-dimensional approach. Maybe the creator of Naina thought so too, Because as the whole story of Naina is lead character driven, and is basically the sequencing of the dramatic encounters faced by her. As it is primarily her story, so maybe demanded to be told only from her point of view. Even if the story demanded one dimensional approach i,e. to be told from Naina's POV, a suggestion is that, The script could have created sub-texts/plots to the Main Plot. This would have added variety and novelty to the Main plot, while helping in maintaining the anxiety level of the audience, without being repetitive. Once the Main plot (who's cornea did she receive, why was she getting these weird visions and what was to become of her?) is established, it can be treated as a an under current effect i,e. kept in the background, but always hovering in the audience's thought, while new sub plots can be created, where each sub plot arouse new puzzles for the audience to solve, but somehow points towards the main plot. This kind of multi-layered treatment helps especially in the thrillers/horrors genre to raise and maintain the anxiety and tension levels in the audience through major part of the movie. 3. Placement of the Final Sequence: This is strange but true. The best sequence in the whole movie was undoubtedly the final sequence (it single handedly lifted the standard of the movie), But which somehow seemed a misfit in the storyline. The reason it seemed so, was because the supposedly (the village girl part) climax scene had just preceded the final sequence. The audiences almost were ready to leave their chairs, when suddenly the final-climax scene is thrown at them. This actually isolated the final sequence from the rest of the movie, which was a tragedy, because no doubt it was the best filmed sequence of the whole movie. Placement of scenes in the correct sequence (which never has a fixed formula) is a very critical aspect for a good Movie.

Please don't think that this is a critic talking! Because it's not. I am no Critic. I am just an ordinary guy who is a lover of "Beautiful Cinema." Cinema which compels your thoughts to keep giving it a backward glance, while your body has already moved on is 'Beautiful Cinema'.

I watched this and saw SCENE by SCENE as Naina ripped its script from "The Eye" (Jian Gui). From the little girl in the hall, the dead man in the elevator, etc.

Creatively speaking, while the acting was good, they did NOT make an effort to reset the story to an Indian perspective. They didn't attempt to reform or wrap it in Indian religious mysticism. They just changed the actors and changed the set-- but kept the script nearly EXACTLY. And then the credits were purposefully little more than unreadable tiny blurred smudges.

What made 'The Eye' striking was the fact that the Life/Death focused was rooted in East Asian religious outlook-- it was seeing the supernatural through a different lens.

See the FIRST version-- THEN judge.

So after all the hype... how good is Naina... the movie that's supposed to take Bollywood (The Indian version of Hollywood) Horror to the next level. To set the context, Bollywood horror is known for its 'icky' style -- relying more on ghoulish sets, and mindless plots -- and less on stuff that jolts the gray cells.

In the movie, Naina is a girl blinded since birth, who gets the chance of getting eyes from a donor. Jumping to the opportunity, the eyes are operated upon, and the surgery is a success. All seems to be going well - until, that is, she realizes that she can now see dead people!

The movie then progresses to give you truckloads heart stopping frames, many of which, though bearing the stamp of typical Bollywood horror flicks, are pulled off well.

At times, the plot seems to bear an uncanny resemblance to 'The Sixth Sense'. Also a bit of 'City of Angels' seems to come in. Further, the story line, though it has its strong points, tends to fall back to typical Bollywood type scripts with needless diversions and some overly sentimental spots.

All in all, if you're in for a horror movie, and don't mind the Bollywood styling... then this would be a good movie to watch!

I was expecting Naina to be a really good movie after I read the interesting story about a girl in London who lost her eyesight and parents in a car accident. She was raised by her grandmother and when she became a young woman she got an eyes donor. After the operation she started to see strange things like dead people, shadows and bad incidents that are yet to happen. The first half was quite good and relentless but the second half was very slow, boring and depressing when Naina went to India from London to unsolve the mystery. If you liked Urmila's other two horror films Kaun & Bhoot then Naina is probably the film for you. Personally I liked both of them. It is a remake of a Korean film "The Eye" I've not seen it but most people said that The Eye is better and I think that the Hollywood version is due to the end of 2007 but i'm not sure. Overall this film is OK to be watched once and my verdict is 5/10 if the second half was good then I might of given it a 6-7 out of 10 but their is no chance that I will rate it 8-10 out of 10.