Laura Smiles

This film is about a suburban housewife's marriage falling apart because of her unresolved issues in the past.

Though the film is initially slow, it gets better steadily during the course of the film. The plot is non linear, but it is easily understandable and well told. I like how events are partially presented first, and then told in more detail after other events are laid out to make more sense of the initial event. The lead character, Laura, is portrayed amazingly. Petra Wright wide range of emotions is impressive, and I am surprised that she has not made it big. If this film had big A List stars in it, I am confident it would be a hit.

Since there was no synopsis added, I thought I'd add the following

Synopsis A woman haunted by the untimely death of her former fiancée attempts to ease her psychic suffering by marrying another man and living the idealistic suburban life in director Jason Ruscio's vivid existential drama. Laura (Petra Wright) was in her mid-twenties when her fiancée Chris (Kip Pardue) was stricken down by a taxi in the streets of Manhattan. Flash forward nine years and Laura has remarried and given birth to a child, yet the pain of her past prompts her to embark into a series of promiscuous and self-destructive extramarital affairs. Having never truly dealt with the death of Chris, Laura seeks out the aid of a therapist as the memories come flooding back accompanied by a tidal wave of grief-stricken emotion. Her mind slowly consumed by tragedy and her fragile psyche finally shattered by her failed attempts to seek solace in the comforts of her past, Laura's affair with her husband's best friend Paul finds her harrowing journey careening to a dangerous and unpredictable end. ~ Jason Buchanan, All Movie Guide

I'm about to go see this movie tomorrow.

This is the kind of movie that you go to when you just can't bear to go to another crappy Hollywood blockbuster. I saw it at the 2005 Tribeca festival and scanned the trades until I saw the review in Variety that pays the film the tribute it deserves.

Ronnie Scheib nailed it on the head: "Sharp dialogue, idiosyncratic characters and a wickedly brilliant structure that subtly derails expectation make "Laura Smiles" a rarity among mellers. Jason Ruscio's sophomore feature traces the quietly psycho, often hilarious disintegration of an American housewife. "Laura" could become an indie "American Beauty.""

I saw this film in Vail, (definitely a cool festival by the way) and have found myself increasingly coming back to it in my mind. Ruscio plays chronological constructs brilliantly. "Laura" was reminiscent of Cassevettes work and the great films of the 70's. Ruscio purposefully gaps in the audience's understanding which is very effective in creating tension which are satisfied in lighting bolt bursts of realization.

This is an examination of the very real trouble we can find ourselves in so swiftly as life trundles by, when we refuse to face the truth, or love ourselves at the core...even if it is just enough to see another day, or find another love.

Jonathon Silverman's portrayal of the lover who gets run over by the train of Petra Wright's (Laura) madness is nothing less than an accumulated and focused sum of the skills he had developed in "....". In my mind, he adds an incredible ground wire to the voltage Ms. Wright delivers from beginning to end.

I'd say that Laura Smiles is a definite must see.

the past as only side of reality. a woman and her need to escape far from her life. a psychiatric case. or only portrait of a crisis who is not really different by many of viewers. a film who has one ambition - to be realistic. to explore each part of a vain search of sense. to use each scene not for sympathetic verdict by for true image of fall. it is not an easy movie because reflects pieces from ordinary life. Madame Bovary, maniac-depressive, each is at right place. but scene by scene you discover common experiences of a woman who becomes part of her past. and who has not force to accept reality more than shadow of a fundamental experience. far to usual dramas, it seems be a Bergman sketch. a film not about sickness but about a crisis who defines large parts of society.