Les dix commandements

It is a honest, fair, correct version. Dry , out of temptation to become spectacular, simple and modest. And , for me, this is just a fundamental virtue.

Because it is the story of Moses and his people a cold, bitter story, a chain of vulnerabilities, incredulity, risks, some madness, descouragements, courage and humbly and not source of magnificent field for special effects. And this film reflects, in more than honorable way, this.

And Dougray Scott is a meritous Moses. Yes, Charlton Heston, like Ben Kingsley were admirable interpreters of this father of his people but Robert Dornhelm and. Geoffrey Madeja are only crafters of a pure and honest remind.

You know so well the story.

They offer only the basic colors of it.

Biblical story developed in a great scale for TV , though no such as the classic Cecil B. De Mille's version. This vivid storytelling although fairly standard , follows appropriately the Moses' life , the son of a Jew slave, from birth and abandonment on a basket over river Nile, as when Pharaoh Seti ordered the killing of all newborn babies, being pick up by Egyptian princesses (Padme Lasksmi , Claire Bloom) and he's raised in the royal court, becoming a Prince of Egypt. Once grown-up Moses (Dougray Scott) embarks a supernatural mission, getting the freedom for Hebrews. Then , Moses retires to desert where meets Jethro (Omar Sharif), and marring his daughter Sefora. The stoic Moses along with his brothers Aaron (Linus Roache) and Miriam (Susan Lynch) confront Pharaoh Ramses (Paul Rhys) and his fostered brother (Naveen Andrews). Moses asks Pharaoh for liberate them but he refuses, causing the Egyptian plagues : invasion of locusts, fogs ,epidemic , water turns into blood and death of the first-born. Moses takes charge of God's people and take them from Pharaoh's punishing grip . Moses like liberator of the Jewish leads his people throughout desert battling Malaquitas , Filisteos , and with holy intervention : emerging water hitting on a rock, and dropping divine food . Finally , Moses climbs the Mount of Sinai bringing the holy tablets, meanwhile Jewish people worshipping the golden calf.

This is a monumental version for television of the book of ¨Exodus¨with impressive special effects, including the computer generator parting of the Red Sea; in spite of making by means of usual 3D C. G. , the effects still look great. The Hebrew lawgiver is well-suited and roughly played by Dougray Scott . Remainder casting play with utter conviction and hold the lengthy movie together . However , the movie , is trimming down for TV miniseries , it makes lost the really spectacular scenes on the small screen. The picture is suitable for family viewing and religious people . Other adaptations about this story are the classic mute (1923) by Cecil B. DeMille , the second handling and the greatest with a gargantuan scale (1959) played by Charlton Heston and Yul Brynner, Anne Baxter and a TV rendition (1975) by Gianfranco De Bossio with Burt Lancaster and Anthony Quayle.

The film is produced by Robert Halmi of ¨Hallmark TV¨ which has produced several movies and series about historical events and famous characters , such as : Cleopatra, Odyssey (Ulises), Hercules , Jason and the Argonauts , Joan of Arc , Lion in winter (Henry II and Leonor of Aquitania) , Prince and pauper (Henry VIII and Edward VI)..This television movie was professionally directed by Robert Dornhelm , a mini-series expert based on historic roles : Spartacus , Archduke Rudolf and Mary Vetsera , Anne Frank, War and peace and even Rudy Giuliani as Mayor of N. Y.

Seeing Biblically-based movies makes one wonder if the movie makers cracked open a resource like. . . Oh, let's say the Bible.

They're a bit confusion. The Hebrews boys weren't killed but Pharoah because of a prophecy. That's thousands of years in the future, in the New Covenant's life of Christ. You might recall three Magi appearing before Rome's pal Herod and saying they'd seen a star, and Herod's experts chimed in . . . It's part of the pagentry we use around something called Christmas. You may have heard of it. Unless you live in Hollywood. The Hebrew boys were killed because the Hebrews were being fruitful and multiplying and Pharoah was scared of being outnumbered.

And that's scratching the surface.

The older version of this story had its problems, too, being based on novels. The next time you see it, watch the source materials. Scripture comes last. And Charlton Heston hardly fits Scripture's description of Moses as humble.

Anyhow, like the pre-conversion Augustine of Hippo, folks in Hollywood probably see Scripture as a lot of fairy tales and metaphors (they probably can't tell you what a metaphor is but they know it when they see it. They think.

I'd rather they not make movies and TV shows like this at all if they can't get them right.

I watched this series out of curiosity,wanting to see if they could possibly and with ALL this modern technology,out do Cecil B. DeMille's classic epic of 1956, starring Charleton Heston,Yul Brenner and Sir Cedric Hardwicke. Of course, I was let down. Yes, they had all the Biblical characters correct, but they didn't give us any of the spectacular theatrical scenes, that held your interest throughout the first movie. If you going to have a mini-series, you have to have some "rivoting" scenes, the "Burning bush", Parting the "RED Sea",drowning "Pharohs Armies", "building Sethi's Pyramids", could have been done with todays' technology on the scale of blockbuster movies such as "Lord of the Rings" or the Matrix. Obviously, they didn't want to leave a LASTING impression of "faith and sacrifice", which is much needed in these trouble times.

I read bad reviews of this one after the other before I saw this and I was prepared not to like this. My friend bought this for $5.00 about a year and a half ago and it became one of those DVDs that sits unwatched in storage. Being Easter Sunday and not being able to access either the 1956 version or Ben-Hur, we decided to give this a spin. I was surprised at how good this was. This was a somewhat grittier version of the story, but, as it is explained in a "making-of" documentary extra on the disc, this was the film maker's intent. The production values are excellent as is the music score. The 3-hour film is broken into two parts, thus allowing a natural "intermission". The acting is good, the direction is good and it really holds your attention so what's not to like?