Rubber Johnny

the hard back book that the DVD arrives inside is worth the price alone. if you want to see genuinely grotesque and yet alluring photo realistic images then this is a good place to start.

i think it's safe to assume that Photoshop or some other high end editing software was used to manipulate the images, but it's also obvious that a great deal of care has gone into the lighting and angles used whilst photographing the model.

the quality of the imagery really is outstanding and i think it fair to say i've never seen anything like it before.

i know it's odd to talk about a book on a film review site but it has to be pointed out that the masterwork here is in the printed form rather than in the moving image.

as for the 'movie' itself, well, it's good but it is little more than a music promo for Aphex Twin. not a bad thing by any standards but understandably a shame when even a 30 minute 'film' with a little more narrative would have been greatly appreciated.

a full length feature film from Chris Cunningham, when it finally arrives, will certainly be a disturbing, spectacular journey if this or any of his other video masterpieces are to go by.

Altogether this is an enjoyable little movie but you can really enjoy it if you imagine it as real life footage. Chris Cunningham and his crew make this out as if they are filming actual footage of a deformed teenager and if you know the back story it can strike your brain as fairly disturbing. They do it well.

This shows footage of a severely deformed super flexible teenager living in solitude in his dark basement where his parents keep him due to being ashamed of him. All he has for company is his frightened dog. This will show his reaction to someone trying to get through to him and a little dance number to keep himself occupied in his dull life.

Overall this is a great little enjoyable film and spooky at that. Bravo Chris Cunningham, you rock.

RUBBER JOHNNY is a short film by acclaimed music video director Chris Cunningham. It is a strangely emotional film about a deformed subhuman that does, something. I don't know what he does, it's a little difficult to describe. It could be interpreted as dancing, and indeed, it is pretty much the only thing it could remotely be, but there is something more elaborate at work here. He may be stoned. The film can be easily taken as a music video, but I think that to call it that would be too easy. One could easily dismiss it as Chris Cunningham showing off his prosthetic morphing techniques, but they are far too simple to be shoved off as such. There is a story here, but we are given the bare minimum of what the underlying theme is, which is boredom. Or maybe it's loneliness. What I think is especially unique about this video is the lack of any sort of purpose. It simply tells of an apparent event. There appears to be some kind of theme involving male genitalia, with the title, RUBBER JOHNNY, and the fact that the title is marked on an erect penis. The prosthetics on display here are pretty abstract and disgusting, but in a fascinating and unique way. Chris Cunningham is great because he can take something popular in our culture and completely twist and distort it in a way that allows it to be the same popular thing, but the viewer will have a completely different feeling or opinion about it. Just look at his video for Aphex Twin's WINDOWLICKER. He takes the female body and shows it in a different way that is original and simple so that they remain in the same form the viewer was into before, however, because of the way he altered it the viewer gets repulsed and even very frightened by it now. The music video WINDOWLICKER was, in away, an act of protest and rebellion. As a result, I consider today to be among the most shocking music videos ever made. However, RUBBER JOHNNY is also a protest, but on a deeper level. The paranormal idea is so attractive in our way of life that we have caused culture revolving around aliens and humans to be a funny dream. What if somebody treated the idea in an honest and original way? The creature in this film may very well be human, but he is certainly not somebody that we would ever have any interest of allowing him to adapt to our ways. Chris Cunningham is able to take things a step further by adding a sexual element into the idea of RUBBER JOHNNY. The enlarged penis of the creature is another step in the direction of the fantasies that many people have discussed about having some sort of sexual or bodily interest in otherworldly beings. The film, instead, dares you to try and think about sex while watching this horrifying movie. I think that if Chris Cunningham continues to make daring and creative films like these, people could really look back on his work after the world has continued to grow and alter itself and realize that he had ideas that none of us have ever thought honestly about. Do visual effects really have to be complicated and drawn out to be good? Is the female body really a more beautiful thing that the male body? Are the ideas behind aliens really as fascinating as we've led ourselves to believe? It's these kinds of questions that make films like RUBBER JOHNNY work.

Since Aphex Twin (who is a solo artist BTW, Richard D. James) released "Drukqs" in 2001, there has always been the Rubber Johnny video but as a short. Now that Cunningham has completed a 7 minute short it is just a closer look at this completely insane, body twisting freak. And Aphex comes through with minimal and effective sound design. The music is comes from the release "Drukqs" (somewhat modified) but it, as always, is a perfect combination of Cunningham and James. There is a 40 page book of photographs and drawing as well I believe to coincide with the short. It is actually being played cinemas in England and perhaps, at some point, it will play somewhere in USA...

I love music and visual synchronization. Some may compare this to cheesy Hollywood movie horror films, but also keep in mind that not every person finds the "shock" video/audio effect cheesy. I love it.

Rubber Johnny is not an amazing piece, but certainly accomplishes it's goal of being a very elaborate 6 minute blitz of style. One almost grows a fear of Johnny in the beginning. Not only is he extremely grotesque, but his vocalizations almost sound inhuman. With his enormous bulbous head leaning over the back of his wheelchair and his insanely disturbing babble fits, Johnny makes a hell of an impression right off the bat. Once the actual music portion of the video begins, the score intertwines with johnny's sick mind and together they mutate into one of the most fast-paced music/video progressions i've ever seen, and quite frankly, it initial impact is hard. Still, the distortion effect wears off eventually and you begin to wonder what else Cunningham will throw at you. About 10 seconds before the end of the video you are hit with some deranged visuals of Johnny, and i think those last seconds redeem the short to be worthy of what it is.