The Devil's Miner

I have seen the documentary DEVIL'S MINER in Prague during ONE WORLD festival. It was fantastic shot, moreover I have been to that mines in 2002 and I was shocked by that fact, that children work in there :(

Your documentary brought back many of the experiences we had there, and I would like to commend you on how well you were able to bring it to life on the big screen.

I'm looking forward to contributing to the cause through CARE and KINDERNOTHILFE. Thanks again for lettings us know about their programs. Congratulation to the camera and the directors who made this movie !!! It is unforgettable !!!

A documentary about Devil-worship by devout Catholics, children included, sounds like a shock exposé from middle America. But it's South America, Bolivia to be exact, and we're talking full-blown adoration of devil effigies by the whole community, not some secret cult.

The devil in question is not the devil of abundance found in pagan ritual traced back to the horned gods of Pan, nor the closely linked neo-modern devil of the British occultist Aleister Crowley, much less the debased spectres of horror that have been a mainstay of western cinema. It is the devil of Christian Conquistadors that enslaved much of South America several centuries ago. They forced the indigenous people to work 24hr shifts in the mines with only four hours of sleep, kept awake with coca leaves. When the native Bolivians tried to revolt, they introduced fear of the devil to keep them in line.

The story is told more than once in the film, suggesting that the miners know of its invented origin but still fear and believe it. Outside the mines, Jesus Christ is supreme, and a cross surmounts the entrance. But inside, in the depths of the mountain, they are isolated. Thousands, maybe millions, have died in the mines of the 'Mountain that Eats Men', killed by explosions, accidents, or just the silicosis that eats away the lungs and kills men in their thirties. In every mine is a Devil, with an altar, and offerings are made to avert calamity. If the Devil is not given offerings, he will take them in human flesh.

The high male death rate means that many children are orphaned. Boys as young as 12 and 14 become the heads of their households and go to work in the mines to support the families. Necessity means laws against child labour are ignored. They chew coca leaves, which averts tiredness and hunger and increases their strength. About 800 children live on the mountain in Potosi, and most will never leave. At one stage, when yield from the mines had been particularly poor, we see the villagers calmly and routinely making an animal sacrifice. The blood of the unfortunate llama is splashed across the mine entrance as an appeasement to the anger of the Devil as they pray that he will not inflict harm on them and will release unto them the secret wealth of the mines. The kids are earning $2 a day.

Simply filming it looked harrowing. I asked Kief Davidson (one of the directors) if he had been scared at all or found filming in such dangerous conditions challenging. He mentioned that in one scene, where they are examining the Devil in a particular mine, one of the boys looks round suddenly a moment or two before the scene cuts. The reason (not shown in the film) was that there had been an explosion (unexploded dynamite is a constant hazard) and the miners wanted to get out before the tunnel collapsed and killed them all. But what worried them more was the fact that the film crew attempted to take some of the trappings from the Devil's altar.

This movie could easily have been a political one, a protest. The filmmakers chose instead to focus on the story of two young boys, Basilio and Bernadino. They face daily horrors, approach the shrine of the devil with awe and full knowledge of the local Catholic priest, dream of escaping the life of the mines for a better job. The humility and pride of the miners, and the strength with which the child workers bear such tragedy, is gut-wrenching.

As a footnote, Kief Davidson (at the Edinburgh International Film Festival) told me how the film company, together with a local sponsor from the first screening, had managed to ensure that for those two boys at least, the dream become reality.

Yes, this documentary is about poor, fatherless children who must work in the hazardous mines to support their families. I won't go into a lot of detail about the specifics of the film--you can find that in other user comments. There are multitudes of documentaries detailing the sad stories the less fortunate members of the world are forced to live every day. So what? What makes this movie different?

Two things: 1) the incredible maturity and strength of character of Basilio Vargas (the 14 year old miner the documentary is centered around) and 2) the expert way the filmmakers let the story tell itself instead of force-feeding the viewer pity and guilt.

I am not a filmmaker, but I think it took a great deal of wisdom for them to realize that this young man could relate the story on his own better than any amount of narration or scripted propaganda. Basilio is heroic, mature, a dreamer with goals and aspirations, a fatherless child, a father to his siblings, a breadwinner for the family, and he never complains about any of it.

Watching this film makes you want to comfort Basilio and then get down on your knees and ask God for forgiveness for being such an ungrateful and spoiled Westerner. Somehow though, you come away from it wishing you could show it to everyone you know, and wishing you could tell Basilio how much you admire him.

There are a number of excellent films about children available. This is a new one, and certainly merits attentions. It is a very moving study of the lives of children who every day face a very harsh reality. These children work in the silver mines of Potosi, Bolivia, famed for the terrible acts of depredations perpetrated on the Native Americans by the Spanish colonial powers. This is both a wrenching study of kids willingness to do what must be done to survive as well as a fantastic statement about their strength and hope. Thanks to the film and the notoriety that went with it and the support of child advocacy groups, the story has a happy ending. If you saw and were impressed by such films as Death in Gaza or Promises, which also depict children suffering at the hands of adults in today's world, you will be equally moved by this one.

Without film, we could never have The Devil's Miner. Magazines, books, photos, songs, and stories cannot convey the raw emotion and the broad story like a film can.

The story is of a Bolivian boy from Potosi who must work as a miner to help support his family. One of the main ideas captured in the film is the dichotomy between the surface world and the mine. The surface world is ruled by Jesus, but within the mine, the miners are at the mercy of the "Tio," or the devil. This framing device actually gives more direct meaning to the story: the miners have become subjugated to the earth and to the devil.

What's refreshing in this story is that there's no mustache-twirling evil businessman enslaving these miners. The evil is in the earth itself, both above and below the surface. The mine conspires to kill the miners, rob them of light and of their lungs and limbs, while the outside world also shows no mercy to the miners, as they are forced to work to make a living. The film doesn't portray this as some social evil, the rich preying on the weak, but rather the fallen world preying on its inhabitants. Whether or not the devil is real, the film obviously communicates that the miners, and by extension, all of us, are at the mercy of a fallen earth.

This documentary is nicely shot, and makes its audience feel uncomfortable in all the right ways. It makes you see and feel the situation. It's what documentary is all about.

The film doesn't have much re-watch value and is not especially influential, so I don't feel good giving anything more than an 8, but definitely a great film.