Jason Bourne dodges a ruthless C.I.A. official and his Agents from a new assassination program while searching for the origins of his life as a trained killer.Jason Bourne dodges a ruthless C.I.A. official and his Agents from a new assassination program while searching for the origins of his life as a trained killer.Jason Bourne dodges a ruthless C.I.A. official and his Agents from a new assassination program while searching for the origins of his life as a trained killer.
- Won 3 Oscars
- 29 wins & 42 nominations total
- Paz
- (as Edgar Ramirez)
Featured reviews
From the moment that the opening title appeared, I knew we were in for a ride. Paul Greengrass has done it again. Everything we love from the previous Bourne films is here once again: the action, the dialogue, and of course the shaky camera. However for me, that last one was never a problem. I think it adds to the suspense.
I will be back to see this film several times before it is released on DVD, simply because it is genius. It is a perfectly satisfying conclusion, and should stand the test of time as a fantastic movie, and altogether, an unforgettable trilogy.
Like the second entry in the series, I wished Paul Greengrass' shaky hand-held camera would go static at least for the few minutes of downtime. However, that being said, it's a perfect way to capture the tense, claustrophobic feel of the intimate hand-to-hand-combat scenes and works equally well in the chase scenes which are mostly on foot and across rooftops with the occasional big car pile-up. Part of the fun of the Bourne series is the constant globe-hopping and manipulation of technology and communications that seem to defy the laws of physics and current capabilities. The Bourne films seem to exist in some sort of gritty hyper-reality that is full of technological-based magic. It makes no sense that everyone seems to be just in the right place at the right time, but I'll be damned if it isn't a blast to watch them get there.
With the absence of the emotive and involving Franka Potente, the writers attempt to create some emotional connection between Damon and Stiles, but she is so blank-faced an actress it never really leads to anything. Still, this can be forgiven, for unlike the "Identity" and the "Supremacy", this "Ultimatum" reveals all and we finally learn the truth about Bourne's past. It's an entertaining and satisfying conclusion to the series, and if they have any good sense, and Damon gets his wish, this will be the perfect end to it.
'The Bourne Identity' was a very pleasant surprise, giving a fairly well-worn genre a much needed freshness. It had its imperfections, but was a very solid and even very good film with much to recommend and introduced a cast-against-type Matt Damon in one of his best roles. 'The Bourne Supremacy' was an example of a sequel that was every bit as good as its predecessor, maybe lacking its freshness but also made a few improvements along the way. The original Bourne trilogy ends with 'The Bourne Ultimatum', which has been regarded often as the best of the three, cannot disagree.
Some of the hand-held shaky cam is used a little too excessively (epileptics be warned!) and the ending could have been a little less frenetic and confused and had more careful tying things together and explanation.
Visually, on the other hand, a vast majority of the time 'The Bourne Ultimatum' like its predecessors looks slick and stylish with even more breath-taking locations. There were many instances when the hand-held shaky cam did intensify the tense claustrophobia of the atmosphere and intensity to very good effect, never making things incomprehensible.
Like 'The Bourne Supremacy', the music score is even more dynamic, atmosphere enhancing and more layered this time round, while Paul Greengrass' drama-documentary style and background to his directing is used to full advantage. 'The Bourne Ultimatum' has the sharpest, most intelligent and subtle script of the three films, in a way that is just dazzling.
The story never lets go of its grip and never strains credibility or reality. It is a tense adrenaline rush throughout, with the best mix of exciting action, the best of it is absolutely thrilling, and meaty story-telling, with lots of emotion and characterisation meat, that develops Bourne the best of all three films. Paul Greengrass' directing style and his experience in drama-documentary is once again used to full advantage.
Matt Damon has really made the character of Bourne his own, at the time of 'The Bourne Identity' it was very much a cast-against-type role but now it is one of his best. Julia Stiles and particularly Joan Allen are marvellous, as is a suitably malevolent David Strathairn, and while the supporting cast are a little underused they all do uniformly sterling work (one would be very hard pressed to get a bad performance out of Albert Finney for example).
In conclusion, what a conclusion to the Bourne trilogy. 9/10 Bethany Cox
First, I highly advise you watch The Bourne Identity and The Bourne Supremacy, the two fancy-titled prequels to Ultimatum. There may be three different movies, but in reality they are all a continuance of one another: missing one leaves you stranded and confused, just like I was. You will still be about to enjoy the action and fight scenes of Ultimatum if you missed the first two, but then the story will definitely lead to some confusion.
If you were lucky enough to view the prequels to this movie, you probably had a treat watching Bourne take down his enemies and track down the man who screwed him from Supremacy. Jason Bourne is played very well by Matt Damon. Damon does nothing to deserve an Oscar nod, but his work here is good enough to hold it's own. Bourne's adventures take place in many different cities; the cities are all varied enough to keep the movie from becoming bland at times. The agency tracking Bourne takes advantage of every technological tool known to mankind to track him down.
I won't go into detail on the characters because they are continuations off of the first two movies. However, it wouldn't hurt the movie to spell a few things out for the audience- not every viewer is a die-hard movie watcher who can pick up on every little hint about story development. Ultimatum wouldn't have been harmed at all if the story was a little more up front.
It seems most people agree that Ultimatum was a success of a film: the movie opened to $69 million, and -box office total now is up to $216 mil- is currently still going very strongly for a movie that has been in theatres since August 3. It's the best action movie I've seen since Live Free or Die Hard.
Good) Damon is solid but not spectacular, very smart movie Bad) Story is like many others
Did you know
- TriviaThis is the only Bourne film to win an Academy Award. It won three, in all the categories for which it was nominated, while the other Bourne movies weren't even nominated.
- GoofsAt the end of La Mort dans la peau (2004), when Jason is talking on the phone with Pamela Landy (and subsequently walking through the streets of New York), it is clearly summer time, with the trees in full bloom and people in short-sleeve shirts. During the middle of The Bourne Ultimatum (when this scene is re-shot as a significant part of Ultimatum's plot structure), it is now suddenly winter, with Pamela Landy having to wear a heavy coat, gloves, and a scarf outside, and there is clearly snow on the ground.
- Quotes
Noah Vosen: [in car, on cell phone] Perhaps we can arrange a meet.
Jason Bourne: Where are you now?
Noah Vosen: I'm sitting in my office.
Jason Bourne: I doubt that.
Noah Vosen: Why would you doubt that?
Jason Bourne: If you were in your office right now we'd be having this conversation face-to-face.
[Bourne hangs up]
- ConnectionsEdited from La Mémoire dans la peau (2002)
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Bourne: El ultimátum
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $110,000,000 (estimated)
- Gross US & Canada
- $227,471,070
- Opening weekend US & Canada
- $69,283,690
- Aug 5, 2007
- Gross worldwide
- $442,824,138
- Runtime1 hour 55 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1