When Jason Bourne is framed for a CIA operation gone awry, he is forced to resume his former life as a trained assassin to survive.When Jason Bourne is framed for a CIA operation gone awry, he is forced to resume his former life as a trained assassin to survive.When Jason Bourne is framed for a CIA operation gone awry, he is forced to resume his former life as a trained assassin to survive.
- Awards
- 5 wins & 22 nominations total
Yevgeni Sitokhin
- Mr. Neski
- (as Jevgeni Sitochin)
Marina Weis
- Mrs. Neski
- (as Marina Weis-Burgaslieva)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The Bourne Identity was one of those films that some people will love for being different to the average action film, but others will hate for it daring to be 'too' different. Unlike the majority of action movies before it, the first Bourne film, despite having stunts and explosions never put it's emphasis on them, as the focus was always on the central characters and their use of brains, rather than brawn to accomplish their goals. The sequel is basically more of the same, but it's a welcome return in my opinion, as cinema needs films that are different to the majority. It's also a good thing as I'm a big fan of Matt Damon. It's unfair that he should continue to get lumped in with Ben Afleck due to their friendship as he has a lot of talent and I think that the fact he's gone for more art orientated films as opposed to the dumb blockbusters his friend was drawn to like a moth to the light shows that he has a genuine respect for cinema. He stars as the title character; Jason Bourne, who, like the film itself is hardly your average action fare. He doesn't utter one liners shortly before or after blowing someone away, nor does he spend most of the movie trying to look cool; espionage is the order of the day and it works very well in the context of the film.
Because it's plot heavy, The Bourne Supremacy requires the viewer to watch, and the large amount of talking goes some way to distancing this from most other action movies. However, this could also be seen as a bad point as it can, at times, hinder the movie in the excitement stakes and make it difficult viewing for those that do like their action. The movie spans across Europe to a number of different countries including Germany, Britain, France and Russia and this keeps it exciting as it allows the landscape of the movie to change constantly and the film doesn't dwell in the same area. In fact, the film is very efficient on the whole and it never overindulges in anything, which compensates for the amount of talking and allows it to be exciting. Despite it being more stealthy than most, time is still found for a number of high-octane sequences including fist-fights, explosions and a great car chase that looks as if it could have been lifted straight out of Grand Theft Auto.
Overall, I would say that this is a slightly lesser film than the original, but there is still much to like about it and fans of Bourne will no doubt enjoy themselves. It's also recommended if you're sure that every action movie since 1988 is a Die Hard clone...
Because it's plot heavy, The Bourne Supremacy requires the viewer to watch, and the large amount of talking goes some way to distancing this from most other action movies. However, this could also be seen as a bad point as it can, at times, hinder the movie in the excitement stakes and make it difficult viewing for those that do like their action. The movie spans across Europe to a number of different countries including Germany, Britain, France and Russia and this keeps it exciting as it allows the landscape of the movie to change constantly and the film doesn't dwell in the same area. In fact, the film is very efficient on the whole and it never overindulges in anything, which compensates for the amount of talking and allows it to be exciting. Despite it being more stealthy than most, time is still found for a number of high-octane sequences including fist-fights, explosions and a great car chase that looks as if it could have been lifted straight out of Grand Theft Auto.
Overall, I would say that this is a slightly lesser film than the original, but there is still much to like about it and fans of Bourne will no doubt enjoy themselves. It's also recommended if you're sure that every action movie since 1988 is a Die Hard clone...
I'm making my way back through the "Bourne" movies so I can go see "Jason Bourne" which is in theaters now. Last night I watched "The Bourne Supremacy". While it's been a while since I've seen "Ultimatum", I think "Supremacy" may be the best film in the franchise series.
There's quite a bit to like about this movie. In it we find that Jason Bourne is still struggling with amnesia in the wake of the events of "The Bourne Identity". As the film opens we find that he's making a life for himself far away from the eyes of the CIA, only to be framed by a foreign body such that he winds up on the run from the US government once more. The plot revolves around his attempt to clear his name and bring those responsible for the setup to justice.
Unlike the first movie, this film is more re-watchable in that whereas once you've seen the original film you pretty much know where it's going, the "Supremacy" is a new chapter that stays fresh even on multiple views. In other words, it's hard to forget the gist of the first movie's plot and its eventual outcome--but the "Supremacy" takes the basic concept of the franchise and crafts a tale that could have been told as any chapter in the series. If you've not seen it in a few years, you'll likely find yourself just as engrossed in it upon a second viewing as you were the first go around.
I also find that this film just simply has the best plot of the series, and has a story that keeps you on the edge of your seat. New characters are introduced that make the film fun and exciting, and by the end of the show you feel like you've got your money's worth.
That said, I've given this movie 9/10 stars. I stop short of the perfect 10/10 simply because this is a sequel that a person might be a bit lost on without having seen the first movie. That, and while it's fantastic, it's fantastic in a way that just seems to fall a teensy bit short of iconic in the way that a perfect 10 might. Still a superb movie, though. Extremely well done.
There's quite a bit to like about this movie. In it we find that Jason Bourne is still struggling with amnesia in the wake of the events of "The Bourne Identity". As the film opens we find that he's making a life for himself far away from the eyes of the CIA, only to be framed by a foreign body such that he winds up on the run from the US government once more. The plot revolves around his attempt to clear his name and bring those responsible for the setup to justice.
Unlike the first movie, this film is more re-watchable in that whereas once you've seen the original film you pretty much know where it's going, the "Supremacy" is a new chapter that stays fresh even on multiple views. In other words, it's hard to forget the gist of the first movie's plot and its eventual outcome--but the "Supremacy" takes the basic concept of the franchise and crafts a tale that could have been told as any chapter in the series. If you've not seen it in a few years, you'll likely find yourself just as engrossed in it upon a second viewing as you were the first go around.
I also find that this film just simply has the best plot of the series, and has a story that keeps you on the edge of your seat. New characters are introduced that make the film fun and exciting, and by the end of the show you feel like you've got your money's worth.
That said, I've given this movie 9/10 stars. I stop short of the perfect 10/10 simply because this is a sequel that a person might be a bit lost on without having seen the first movie. That, and while it's fantastic, it's fantastic in a way that just seems to fall a teensy bit short of iconic in the way that a perfect 10 might. Still a superb movie, though. Extremely well done.
Decent film, even if it is weakest entry of the original Bourne trilogy. I'm sure the action scenes were well choreographed too, but it's too bad the cameraman was having constant seizures everytime they happened.
I have never seen a film with so much shakey cam before aside from maybe The Blair Witch. It's so bad I actually felt nauseous at times. By the end I found myself picking up my phone whenever the action started as I knew I wouldn't see it anyway.
But the story isn't bad, so there's that.
I have never seen a film with so much shakey cam before aside from maybe The Blair Witch. It's so bad I actually felt nauseous at times. By the end I found myself picking up my phone whenever the action started as I knew I wouldn't see it anyway.
But the story isn't bad, so there's that.
'The Bourne Identity' was a very pleasant surprise, giving a fairly well-worn genre a much needed freshness. It had its imperfections, but was a very solid and even very good film with much to recommend and introduced a cast-against-type Matt Damon in one of his best roles.
It is up for debate as to whether 'The Bourne Identity's' first sequel 'The Bourne Supremacy' is better or weaker. To me, both films are about equal with a couple of improvements at the same time being achieved in 'The Bourne Supremacy'. 'The Bourne Supremacy' may lack the freshness that most of 'The Bourne Identity' had, in terms of basic structure it's a little samey if not exactly routine. The editing, using the shaky camera technique that tends to not sit well with me, does have instances where it does get a bit dizzying and too much. Really didn't like how underused Franka Potente, who brought such a great gutsiness in 'The Bourne Identity' and her and Damon's chemistry doesn't have the chance to register.
As aforementioned, along the way there are improvements. The supporting cast have more rounded and better developed characters, with the actors having more to do. The final act in 'The Bourne Supremacy' is more cohesive, more consistent and less cliché-ridden than 'The Bourne Identity' got towards its end. There is also even more substance and emotion thanks to more emphasis on that and the plotting characterisation than the more action-packed (but still intelligent and exciting) 'The Bourne Identity'.
Visually, like 'The Bourne Identity', 'The Bourne Supremacy' looks slick and stylish with even more breath-taking locations. The editing and camera-work are not perfect, but mostly the technique did intensify the intensity and atmosphere and didn't make anything incomprehensible, some of it is used more artfully than most times shaky cam is used (too often abused to excessive lengths). When it was a problem it wasn't constant and more than not there wasn't a problem. And this, and in no way is this intended to sound superior or conceited, is coming from an epileptic.
Music score is even more dynamic, atmosphere enhancing and more layered this time round, while Paul Greengrass' drama-documentary style and background to his directing is used to full advantage. The script has more prominence here, and is sharp and intelligent without being too talky in a more script and plot heavy instalment. The story is exciting and thrilling with relentless pacing, poignant and dark emotion and with nothing too hard to follow.
Despite less of an emphasis the action is very diverting and choreographed and performed beautifully. The final action sequence and the subway scene have a real adrenaline-rush quality, and in no way does the action strain credibility or get too bombastic while still delivering splendidly on the fun and thrills to edge-of-your-seat effect.
All the characters engage and are interesting, with Bourne well-established in development and the supporting cast have more to do and in general are better utilised. Matt Damon continues to impress in a departure role that proves to be one of his best. In support, Joan Allen steals every scene she's in and Brian Cox is given room for more menace and dimension this time. Karl Urban is chillingly cold-blooded. Only the underusing of Potente disappoints in this particular element.
All in all, a worthy sequel that is just as good (on the same level pretty much) as its very good predecessor. 8/10 Bethany Cox
It is up for debate as to whether 'The Bourne Identity's' first sequel 'The Bourne Supremacy' is better or weaker. To me, both films are about equal with a couple of improvements at the same time being achieved in 'The Bourne Supremacy'. 'The Bourne Supremacy' may lack the freshness that most of 'The Bourne Identity' had, in terms of basic structure it's a little samey if not exactly routine. The editing, using the shaky camera technique that tends to not sit well with me, does have instances where it does get a bit dizzying and too much. Really didn't like how underused Franka Potente, who brought such a great gutsiness in 'The Bourne Identity' and her and Damon's chemistry doesn't have the chance to register.
As aforementioned, along the way there are improvements. The supporting cast have more rounded and better developed characters, with the actors having more to do. The final act in 'The Bourne Supremacy' is more cohesive, more consistent and less cliché-ridden than 'The Bourne Identity' got towards its end. There is also even more substance and emotion thanks to more emphasis on that and the plotting characterisation than the more action-packed (but still intelligent and exciting) 'The Bourne Identity'.
Visually, like 'The Bourne Identity', 'The Bourne Supremacy' looks slick and stylish with even more breath-taking locations. The editing and camera-work are not perfect, but mostly the technique did intensify the intensity and atmosphere and didn't make anything incomprehensible, some of it is used more artfully than most times shaky cam is used (too often abused to excessive lengths). When it was a problem it wasn't constant and more than not there wasn't a problem. And this, and in no way is this intended to sound superior or conceited, is coming from an epileptic.
Music score is even more dynamic, atmosphere enhancing and more layered this time round, while Paul Greengrass' drama-documentary style and background to his directing is used to full advantage. The script has more prominence here, and is sharp and intelligent without being too talky in a more script and plot heavy instalment. The story is exciting and thrilling with relentless pacing, poignant and dark emotion and with nothing too hard to follow.
Despite less of an emphasis the action is very diverting and choreographed and performed beautifully. The final action sequence and the subway scene have a real adrenaline-rush quality, and in no way does the action strain credibility or get too bombastic while still delivering splendidly on the fun and thrills to edge-of-your-seat effect.
All the characters engage and are interesting, with Bourne well-established in development and the supporting cast have more to do and in general are better utilised. Matt Damon continues to impress in a departure role that proves to be one of his best. In support, Joan Allen steals every scene she's in and Brian Cox is given room for more menace and dimension this time. Karl Urban is chillingly cold-blooded. Only the underusing of Potente disappoints in this particular element.
All in all, a worthy sequel that is just as good (on the same level pretty much) as its very good predecessor. 8/10 Bethany Cox
In The Bourne Supremacy, Jason Bourne is living a secret life with his girlfriend Marie, still trying to discover who he is. When he is framed for a crime involving the CIA, a hit-man is sent to kill him. This causes Jason Bourne to respond to a previous threat he made...Anybody from his past life that confronted him, he'd get revenge. He sets out to find out what happened and why he's being blamed.
A lot of the principal players return for this sequel, and it's good to see how their characters evolved since the first film. Some new characters are present as well, and they are good additions to the series. Matt Damon is even better as Bourne this time around, seeing as he's comfortable in the role now. I really enjoyed Joan Allen in her role as well.
The movie never gets too boring, and there is a nice blend between the action and the drama. This movie also features one of the best car chases since Bullitt. The only big flaw is the cinematography. The camera whips around so fast in some scenes that you can barely see what's going on. The movie ends with promise of a third installment, and I personally can't wait.
8/10
A lot of the principal players return for this sequel, and it's good to see how their characters evolved since the first film. Some new characters are present as well, and they are good additions to the series. Matt Damon is even better as Bourne this time around, seeing as he's comfortable in the role now. I really enjoyed Joan Allen in her role as well.
The movie never gets too boring, and there is a nice blend between the action and the drama. This movie also features one of the best car chases since Bullitt. The only big flaw is the cinematography. The camera whips around so fast in some scenes that you can barely see what's going on. The movie ends with promise of a third installment, and I personally can't wait.
8/10
Did you know
- TriviaTo give this movie its gritty, documentary-style appearance, director Paul Greengrass used mostly handheld cameras, and a muted color palette. Greengrass also made sure to avoid computer graphics at all costs, and all of the stunts shown in the movie were achieved practically.
- GoofsThe banners carried by the protesters contain several spelling errors, including "Meer" (ocean) instead of "Mehr" (more). This is inspired from a real incident where the Germans protested against education budget cuts by putting spelling errors into their banner texts.
- Quotes
Pamela Landy: [over the phone] What if I can't find her?
Jason Bourne: [while watching her through the rifle scope] It's easy. She's standing right next to you.
- Crazy creditsDuring the end credits the Marines are listed as Jarheads.
- Alternate versionsThe NBC TV network version does the usual time and content edits. The most obvious change is Abbott's suicide being shown off-screen with a cut to outside the building and the gunshot sound and audio of Pamela Landy's shock being heard, all contrary to the theatrical version which showed it in more intense detail.
- ConnectionsEdited into La Vengeance dans la peau (2007)
Details
- Release date
- Countries of origin
- Languages
- Also known as
- La supremacía Bourne
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $75,000,000 (estimated)
- Gross US & Canada
- $176,241,941
- Opening weekend US & Canada
- $52,521,865
- Jul 25, 2004
- Gross worldwide
- $292,542,992
- Runtime
- 1h 48m(108 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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