IMDb RATING
5.7/10
6.8K
YOUR RATING
A wife and mother is consumed by the thought that her husband's co-worker is trying to win him away from her and their family.A wife and mother is consumed by the thought that her husband's co-worker is trying to win him away from her and their family.A wife and mother is consumed by the thought that her husband's co-worker is trying to win him away from her and their family.
- Awards
- 1 nomination total
Charles 'Bud' Tingwell
- Sam
- (as Bud Tingwell)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I was pleasantly surprised by "Irresistible", which turned out to be a deftly made thriller with just enough twists and turns to keep the viewer guessing. Some were a bit more predictable than others, and others really came from left field and will likely be the dividing point on this one, but it was a surprisingly enjoyable view. What seems to begin as a genre piece leaning heavily on the excellent 1940's films "Gaslight" really mentally becomes three different parallel story lines. The questions that stick in your mind throughout much of the film and offer those three simultaneous scenarios are due to a first rate performance by Susan Sarandon. A lesser actress would have been a complete embarrassment in this film, but her no holds barred presence builds up what could have been a little throwaway flick.
With a messy script and quite tedious pacing, this film doesn't really work. Sam Neill and Susan Sarandon do their best with desperately underwritten parts and Emily Blunt feels at times wasted in the role and at other times very miscast. The whole adds up to a waste of your time if you take the risk of watching it. You have been warned.
IRRESISTIBLE is a little film from Australia with big ideas and a clumsy script. The story itself is good with enough variation from the usual thriller scripts to make it enjoyable, but the writing borders on improvisation and doesn't provide the motivation for the development of the story to flow smoothly enough to maintain the credibility of the characters.
Set in contemporary Melbourne, Australia, the story begins in media res with our heroine Sophie (Susan Sarandon), a successful illustrator, wife of an equally important architect (Sam Neill), and mother to two little girls, hearing noises and finding odd incidents. Recovering from the death of her beloved mother and caring for her grieving father (Charles 'Bud' Tingwell), Sophie's stress factor is further heightened by the fact that she has a block about the illustrations for a book whose deadline is nearing. Her husband is supportive and encourages her to get away from her problems by attending a party given by a new associate of his at the firm - the bright and beautiful Mara (Emily Blunt) - who just happens to be wearing the same new dress Sophie has purchased for the party. The two meet, dance together, drink together, but innuendos have started: party guests offer condolences for her mothers death but also suggest she join AA for her 'drinking problem'.
Sophie's mind continues to fragment as she imagines she is being stalked by Mara because of events that happen in her house, with her wardrobe, and with paranoia that her husband and Mara are having an affair. She decides to observe Mara closely, discovering facts that feed her paranoia, and is caught in Mara's house - and arrested. From there the story disintegrates into revelation of facts that border on melodrama with ill-defined motivations marring every scene. To reveal the ultimate nidus for the story's plot would rob the viewer of what little surprises there are here.
Ann Turner could have used a script doctor before shooting this film, as the story is fine: it is just clumsy and not finessed. But once again Susan Sarandon proves she is such a fine actress that she can pull off even a spotty script and create a credible character. Sam Neill and Emily Blunt likewise do the best with what they are given with lines and direction. This is not a bad movie at all, just one that needed a bit of surgery before placing it on the screen, and the film is well worth watching for Sarandon fans. She still is one of our finest actresses on the screen today. Grady Harp
Set in contemporary Melbourne, Australia, the story begins in media res with our heroine Sophie (Susan Sarandon), a successful illustrator, wife of an equally important architect (Sam Neill), and mother to two little girls, hearing noises and finding odd incidents. Recovering from the death of her beloved mother and caring for her grieving father (Charles 'Bud' Tingwell), Sophie's stress factor is further heightened by the fact that she has a block about the illustrations for a book whose deadline is nearing. Her husband is supportive and encourages her to get away from her problems by attending a party given by a new associate of his at the firm - the bright and beautiful Mara (Emily Blunt) - who just happens to be wearing the same new dress Sophie has purchased for the party. The two meet, dance together, drink together, but innuendos have started: party guests offer condolences for her mothers death but also suggest she join AA for her 'drinking problem'.
Sophie's mind continues to fragment as she imagines she is being stalked by Mara because of events that happen in her house, with her wardrobe, and with paranoia that her husband and Mara are having an affair. She decides to observe Mara closely, discovering facts that feed her paranoia, and is caught in Mara's house - and arrested. From there the story disintegrates into revelation of facts that border on melodrama with ill-defined motivations marring every scene. To reveal the ultimate nidus for the story's plot would rob the viewer of what little surprises there are here.
Ann Turner could have used a script doctor before shooting this film, as the story is fine: it is just clumsy and not finessed. But once again Susan Sarandon proves she is such a fine actress that she can pull off even a spotty script and create a credible character. Sam Neill and Emily Blunt likewise do the best with what they are given with lines and direction. This is not a bad movie at all, just one that needed a bit of surgery before placing it on the screen, and the film is well worth watching for Sarandon fans. She still is one of our finest actresses on the screen today. Grady Harp
Once you start watching this film you have to see it through to the end. It draws you in with a very strange tale which twists and turns and keeps you routed to the screen.
The acting from the 3 main characters is superb. Emily Blunt's performance is absolutely stunning as the suspected source of Susan Sarandon's character's concerns and Sam Neill's character's attention.
No spoilers!
Watch and see. My ideal rating would be 6.5/10
Watch and see. My ideal rating would be 6.5/10
Okay first of all let me tell this. The reviewers that think this is one of the worst movie they ever saw must not have watched a lot of movies in their sorry life. I am the first to admit Irresistible is not a masterpiece but saying it's the worst is just ridiculous. The story is watchable even though you kind of see it coming from miles away. But it still remains a movie that keeps you entertained for an evening. Susan Sarandon en Emily Blunt are good actresses and in this movie they are as well. So for all the haters just watch some more movies, I'm sure you will watch thousands of worse movies then this one. I'm glad I watched this one. I probably won't watch it again but does it really matter?
Did you know
- TriviaSusan Sarandon worked on the script with writer/director Ann Turner for six months before principal photography began in Australia (from early March 2005 through late April 2005).
- GoofsAt the beginning of the film where Sophie is in the Kitchen cooking, she picks up a pepper grinder and shakes it into the pot from the wrong end.
- ConnectionsReferences Diabolique séduction (1993)
- SoundtracksTime After Time
(Rob Hyman / Cyndi Lauper (as Cindi Lauper))
(c) Dub Notes and Rellla Music Corp
(By Kind Permission of Warner/Chappell Music Australia)
Sony/ATV Music Publishing
Performed by Bernadette Robinson
- How long is Irresistible?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Irrésistible
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 43m(103 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content