Confession d'un cannibale

Grimm Love recreates the lives of the notorious cannibal who via the Internet found someone willing to be cannibalized. It is framed within a story of an American student in Germany writing her master's thesis on the topic from a psychological perspective.

Names have been changed for the movie, but we meet both characters in their childhood. Simon, the willing victim, was a tormented homosexual boy who is traumatized by the suicide of his mother, presumably because she caught him with another boy. He is now in an apparently fulfilling relationship with Felix but still consumed by guilt. The cannibal, Oliver, was never allowed to develop as a man because of his overbearing and controlling mother. As a child he meets another kid and they spy on butchers slaughtering pigs and gets into watching real death films. Cannibalism becomes his sexual fantasy and on message boards he solicits someone to become his meal. Some who are interested back off before he takes their lives. Until he meets Simon, who thinks he can find peace only once someone removes his piece.

Presumably everything we are told is true, in particular how events unfold when the two meet as the cannibal actually filmed their encounter. That tape is the only thing that gives importance to the story of the American student. Someone offers her a copy of the film and once she sees it, it's more than she asked for.

Grimm Love, a changed but effective title, making reference to the horrific "children" stories by the brothers Grimm with which all German children have been terrorized, is a very good movie. It is not pleasant to see though. There are a lot of homosexual scenes and some gruesome scenes at the end. But the movie humanizes the characters. It's not a movie that seeks to make cannibalism cool or that delights in gore or that wants to demonize the cannibal, even though the monster in him can't be eliminated. These two characters are tormented, traumatized, suffering souls, who never managed to overcome their childhood pain, in particular Simon. The tone of the movie is mild and slower. Oliver is calculative but gentle, if one can say that. The movie is mostly filmed in tones of yellow and brown and is rather dark looking. Direction and acting are excellent. This movie is smart and succeeds at giving you insight into the darkest of dark places of the human being and of life. A recurring question is, just how was it possible that these two people with such unique but matching preferences were able to meet. An astonishing event indeed.

I have to say that this film caught me by complete surprise. I expected it to be a typical "Hostel" kind of horror movie. But the opposite was the case. Rohtenburg is an incredible shot film that draws you into a personal story and guides you slowly into the darkness of a disturbed mind. Against all odds i was pleasantly surprised about this film. I do understand though that this film will raise a lot of controversy and have people not understand it or love or hate it. This film has no grey area, it is hate or love for sure, since it doesn't slumber through the mediocre horror genre formulas and has very little blood for the die hard horror fans. It works on a psychological level and goes way deeper than i expected, actually giving me sleep trouble for two nights.

This is a very different film. I don't think i have ever seen anything like it. I would recommend it.

Before writing the review, i have to state that i already know of knew what i was getting my self into. Learned about this case ages ago, and ive seen like 2 years ago the movie Cannibal from 2006, so i already had knew what is coming up.

The movie could of been much better. Main issue is the sub plot of Katie. That whole subplot does not fit here. Instead of focusing on our main characters, Kati gets the most development, and her only purpose in the film is to watch this urban tape.

Second problem is that the movie is extremely confusing. The beginning, where we see our two prime characters growing up, it's really hard to follow. You get mixed up who are we following, are following Oliver or are we following the victim, or The Flesh.

I am shocked how tame this was compared to the Marian Dora's film, which is in every way effect wise superior over this movie. If you want to truly see how horrific this case is, i'd strongly advise the Marian Dora film.

I think if this movie did not have Katie's sub-plot, we'd have a more interesting watch. I think the whole purpose of Katie's role is that she gets so traumatized that she breaks the tape. That was the point that she breaks the tape. But if you are sensitive to human depravity, why study criminology? Why pick this case as your lead subject matter? Why is she obsessed with this case in the first place? Nothing is really explained there, she just seems completely forced into this movie.

Camera work is great, the acting seems okay, music is morbid hunting, the effects are tame as hell and when i heard about this movie, i thought it was going to be as graphic and hard core as Marian Dora's film was. But no, no where near Marian Dora's level.

This movie however was informative in some aspects, how both of the men lost their mothers, how both are lonely in a way, how both fantasized about this for years now.

I think i have to rewatch this movie mostly because of the first half.

I can't help but wonder, after reading so many negative reviews, if people really got this movie. Yes, it is a commentary on a depraved culture. But, as the narration points out, the important things are not what makes us different from people like cannibal Oliver Hartwin, but what makes us the same.

As Hartwin, Thomas Kretschmann does a great job in a role that can be described in a mastery of understatement as "difficult." He plays a man who fantasizes about eating human flesh. He finds the yin to his yang in Simon Groembeck (Thomas Huber, equally superb), a man who's veritable truckload of I.S.S.U.E.S. see him abandoning his GQ model boyfriend to be eaten by a guy with a Herman Munster haircut and a predilection for beige. Go figure. They hook up over that great haven for all the demented and depraved - the Internet. Go team!

Kerri Russell narrates the film in a somewhat unnecessary framing device. Quite frankly, what I found most irritating about the film were the most over obvious attempts to sell it internationally - Russell is the known "face" but the majority of the cast is comprised of German actors. Why not film it in German? Why not drop Russell altogether and instead focus on the relationship between the two men? A relationship which is, in its own way, oddly affecting. For as the title implies...this is a love story.

Well, come on. How many movies does Hollywood churn out annually based on the central premise of a woman (once upon a time Meg Ryan, lately her mini-me Reese Witherspoon) and a man (preferably Hugh Jackman but Mark Ruffalo or one of the Wilson brothers in a pinch) who are made for each other? When you really examine it, this film is based around the same premise. These are two men who are, in Russell's own words as she drably narrates, a perfect match. Far too much screen time is given to Russell poking around Hartwin's farm house and looking generally freaked out, at the expense of the developing of the relationship between two true oddballs. This is not monster and victim - these are two lonely men who have found each other, and not nearly enough time is devoted to the why of it all.

In it's look, the film very much honors it's subject matter, to great effect. It is shot mostly in muted tones, yet avoids the trap similar films have fallen into - namely looking too dark and leaving the audience wondering if they need to turn the contrast on their TV up. Very much a 1970s horror movie feel. Clever tricks abound - we see a grisly horror film being enjoyed by Hartwin reflected on his eyeball in an extreme close up, while in an earlier flashback the camera travels under the sheets to watch him reading under his bedclothes as a child. The running time is concise, a mere hour and a half, with the majority of the film's most difficult to watch scenes occurring in the final twenty minutes. There is the odd unexpected moment of black humor - yes, you feel guilty for chuckling - while the bare bones script is stripped of exposition and all the better for it. On the whole it is a well made movie, not what you'd call entertaining, but a worthy watch none the less.

I wanted to look away, I tried to walk away, and yet I found myself watching intently. The grisly story unfolds as Russells character investigates a serial killer for her thesis. The more she finds out the more she seems to want to know and the audience is brought along with her. I will not giveaway anything because it would ruin it for anyone. Having never heard of the film I mostly watched it since it was endorsed by Fangoria Magazine and admittedly after watching its obvious why. There is no bright spot in this dark, chilling tale, somewhere halfway thinking how can I continue watching I don't want to know the truth was I did want to know, maybe this frightened me more than the tale itself. Towards the end I was the so engrossed I couldn't stop and had to finish it, and like characters final reaction so was mine.