Tirante el Blanco

Magnificent costumes, dramatic locations, stirring music and elaborate sets for a tale of bravery and treachery, sex romps and romance among the lost splendours of Byzantium, under attack from the Turks in the 1400s.

The handsome and gallant knight Tirant (Casper Zafer), placed in charge of the armies of the Emperor (Giancarlo Giannini), hopes also to win his lovely daughter Carmesina (Esther Nubiola), who is willing in theory but hesitant in practice. The ladies of the court are full of wiles, both political and sexual, and a faction want to give her to the Turkish sultan (Rafael Amargo).

So the scene is set for battles under arms, battles of plot and counter-plot and many amorous battles around and in beds, involving lots of nudity and lively sex. Even the sardonic Empress (Jane Asher, who must have been pushing pension age but still looks lovely) strips off and seduces a handsome young squire (Sid Mitchell), muttering to her mirror that he could be her grandson.

Why isn't everybody entranced by the lush spectacle and adventurous story? I think the main reason is that to the ears of English speakers both the actual dialogue and the delivery of the dubbed speech often does not convince. Sometimes it is mock-medieval, which is very dangerous to write unless one's touch is perfect, and sometimes just uninspired. Ironically, it might work better in Spanish with subtitles.

The film presents a highly fictionalized alternate history narrative of the events leading to the Fall of Constantinople . It tells the feats and adventures of Knight Tirant lo Blanc (Casper Zafer) from Turkey . In 1401, Tirant lo Blanc, a famous knight, arrives with his small but battle-hardened troops of Almogavars, to the port of Constantinople . Constantinople is under treat of a Ottoman invasion and therefore it is in desperate need of a skillful military leader . Tirante the knight is as committed to fighting the Turks in Constantinople as he is to relieving Carmesina, (Esther Nubiola) the heiress to the Byzantine Empire, of her virginity . Carmensina confides her love for Tirant to her guardian Ines, nicknamed the 'Placid Widow' (Victoria Abril) . Carmensina's friends and confidantes, her maidens: Pleasure-of-My-Life (Leonor Watling) and Estefanía (Ingrid Rubio) , think otherwise . Estefania, another lady-in-waiting, supports Tirant's affair with Carmesina because she has fallen in love with Tirant's right-hand man Diafebus (Charlie Cox) . Meanwhile, the Emperor (Giancarlo Giannini) and Empress (Jane Asher) contemplate that Constantinople stands no chance against a Turkish onslaught and sees their daughter's marriage to the Sultan as the sole way to accommodate him .

This lavish film contains impressive battles , love stories , erotica with a lot of nudism , luxurious costumes by Oscarized Yvonne Blake and historical events . This historical resemblance is also evident in the description of events occurring around Constantinople and the defeat of Sultan Mehmed II "the conqueror," and ultimately leading to the fall of Constantinople in 1453 . The script was written by Aranda and was shot in English, being based on hero Tirant lo Blanch, a Valencian language chivalry novel dating to 1490, written by Joanot Martorell . The plot is based on the later part of the Tirant book , and events leading to his involvement in Constantinople and afterwards. It tells the story of a medieval knight Tirant from Brittany who has a series of adventures across Turkey . The main characters are full of life and sensuous love, sarcasm , and human feelings . Emotive and sensitive score full of oriental and Arab chores by Jose Nieto , Aranda's ordinary . Colorful and glamorous cinematography by Jose Luis Alcaine , it was filmed in Madrid, Istanbul, Palermo, Granada, Huelva, Barcelona and Valencia . ¨Tirante El Blanco¨ or ¨The Maidens' Conspiracy¨ was spectacular and deliberately directed by recently deceased filmmaker Vicente Aranda .

Tirant lo Blanc is a romance written (1490) by Joanot Martorell , is the most famous chivalric romance in the Valencian language . It is one of the best known medieval works of Spanish literature and it tells the story of a medieval knight Tirant from Brittany who has a series of adventures across Europe in his quest. He joins in knightly competitions in England and France until the Emperor of the Byzantine Empire asks him to help in the war against the Ottoman Turks, an Islamic tribe of invaders threatening Constantinople, the capital and seat of the Empire. Tirant accepts and is made Megaduke of the Byzantine Empire and the captain of an army . He defeats the Turkish invaders and saves the Empire from destruction. Afterwards, he fights the Turks in many regions of the eastern Mediterranean and north Africa, but he dies just before he can marry the pretty heiress of the Byzantine Empire. The loss of Constantinople by Constantine XII to the Ottoman Empire in 1453 was considered at the time to be a major blow to Christian Europe. Miguel de Cervantes y Saavedra, author of the great Spanish classic "Don Quixote", thought very highly of "Tirant", in contrast to his unfavorable opinion of many other books of chivalry . In writing his novel, Martorell perhaps rewrote history to fit what he wanted it to be , which in a way makes it a precursor of the present-day genre of alternate history.

Of course it's not the book, but what screen adaptation ever is? There's no way a work of over 800 pages and full of digressions can be adequately condensed into a two-hour film. As some people have said in the Message Boards section, we should be grateful that the film will make this neglected masterpiece known to a wider audience.

So Aranda does what so many other screenwriters have done in the circumstances: chooses one incident or aspect out of a multitude, elaborates on that and tries to remain faithful to the spirit of the book. But does he remain faithful? That's the trouble. Certainly there's a love story with sensuality in the Tirant and not the platonic stuff of other mediaeval romances, but Aranda piles on the sex until it becomes a bawdy romp. It's a pity that people will get the impression the whole book is like that.

That said, the acting is good, the hero is handsome, the heroine is delicious dressed and undressed, Yvonne Blake's costume designs are truly gorgeous, and the film has humour - in fact it could be classed as a romantic comedy. I especially liked the ending, but no spoilers! You can also learn a bit of romanticised history about the Turks and the end of the Byzantine Empire. (Tirant goes to Constantinople to defend it, but truth is that Constantinople had already fallen before the book was written.)

A special tribute to the dubbers is in order. I saw the version in Valencian, and the dubbing was so perfect that it could well have been the original.

This film is unwatchable. I tried twice. I love stories like this, so was willing to give it a look. The costumes are spectacular. The acting is truly horrible across the board. It begins with the hero we see, who when he finally speaks has the squeaky high pitched voice of an obnoxious child. This is followed by a meeting with the king, and he is dressed to the nines. Immaculate and awesome king clothes. The actor stuffed inside of them must have been a relative of the director or an investor. His acting is that of one who has no idea, no idea at all. Given the spectacular sets and costumes, somebody had some money. Sometimes a film is just to bad to coherently review. The work that went into the sets and costumes makes the poor direction and acting confusing. You keep wanting to give it a chance because it looks delicious. I couldn't.

I hadn't read the book prior to seeing the movie, so I can't compare them. Honestly, I expected it to be deadly bad. And I was really surprised. The story is beautiful, filled with both humor and drama. It's not the "Troya" kind of film, the battle scenes are somehow poor (maybe due to a bad production?) yet Aranda gives them a personal touch. Aranda surprises again with his ability to investigate love, passion and human feelings. I loved the fact that Tirant is not the typical hero. Shame that the actor is sometimes empty...specially in comparison to the women of the film. Sure that Esther Nubiola is a discovery, we can read everything from her eyes and she's the perfect image for sensuality. Leonor Watling and Ingrid Rubio bring brightness to the movie, as well as Victoria Abril,able to catch the eye of the camera even from the back. A special congratulations to Giancarlo Gianini, this guy is always perfect whatever he does. Amazing dresses,by Ivonne Blake and beautiful music, with those breathtaking child chorus. The only shame, that Vicente Aranda didn't have the right producers and sometimes you can feel it through the movie.