Le voile des illusions

I found John Curran's 'The Painted Veil' to be an exhilarating and illustrious piece of cinema. Shot entirely in China, the film takes full advantage of the spectacular landscape. So beautiful and so natural does it look thanks to the breathtaking cinematography and an intense yet whimsical soundtrack. Though most of the story is set in China, even the scenes of England were filmed in China which is quite an interesting change (since it's usually the reverse).

'The Painted Veil' is essentially about the journey of a couple, a frivolous Kitty and a stubborn Walter, and how they grow during this ordeal. While some have stated that the film is too slow for their liking, it did not feel that way to me. Growth is best shown when the story takes its time rather than rushing. Meanwhile, there is plenty of other things to enjoy such as the exquisite sceneries and the witty and creative dialogues.

Edward Norton and Naomi Watts are terrific in the lead roles. They wonderfully demonstrate the transformation of Walter and Kitty. While they have the support of great dialogues and a fine director, it is their nuances and chemistry that stands out. The supporting cast is equally noteworthy. Toby Jones is outstanding while Liev Schreiber brilliantly fits the part of the charming caddish Charlie and Diana Rigg is amazing as the good Samaritan.

Curran's direction is quite remarkable. In addition to bringing it all together, I liked how he briefly tackled some themes by suggesting both sides of the issues. For example, the scene where Kitty tells Walter about the good deeds the nuns are doing, Walter brings up the problem of acculturation. Curran cleverly puts layers and depth into the film (unlike many period pieces which end up looking shallow and clichéd).

'The Painted Veil' is one of the few adaptations that work beautifully on screen. It's really a pleasure for the eyes and ears and a treat to the heart and mind.

Greetings again from the darkness. This is a surprisingly wonderful adaptation of the W Somerset Maugham novel. Maugham passed away many years ago, but in his time was an incredibly famous and popular playwright and novelist. His best known work is probably "The Razor's Edge". Part of the surprise is the beauty of the film since it is directed by John Curran, who has no directing credits to his name since 1995's excellent "Babe, the pig". Curran's eye and talent are on full display here with the aesthetics of 1920's China and the devastation of cholera.

The story is simple, but oh so elegant. Edward Norton and Naomi Watts are a very odd couple whom circumstances bring to an ill-conceived marriage. They are quite the odd couple and not the least bit charming together, even in the good moments. Norton stumbles on an affair between Watts and Liev Schreiber and the next thing we know Norton and Watts are on a two week journey into the depths of a Chinese jungle where a devastating cholera epidemic is occurring. The horrible situation brings out the best in each as people and finally as a couple. Along the way, their lives are impacted by two rather odd acquaintances, Toby Jones (off his fine turn as Truman Capote) and the long lost Diana Rigg as the Mother Superior at the local orphanage.

The story is tight, interesting and believable ... all signs of a terrific writer. The acting is worthy of such fine material and direction. Mr. Norton is wonderful as the quietly simmering bacteriologist who lacks interpersonal skills and warmth until the tragic environment brings about self-discovery. Ms. Watts continues her amazing run of top-caliber performances and is one of our top 3 actresses today. She is so subtle at times that it is easy to take her skills for granted. Mr. Schreiber, Mr. Jones and Ms. Rigg are all excellent in their roles and lets hope that Ms. Rigg will continue to bless us with her screen magic. It has been 40 years since she was the sexy Emma Peel from "The Avengers", but her presence on the screen is very welcome and needed.

There is a haunting score that continues throughout the film and some tremendous piano work credited to Lang Lang. The mood of the music and the film setting work together to deliver the effect of reading the novel as we watch the film. Quite a knockout for director Curran, who hopefully will not now disappear for the next decade!

What an excellent movie - really exceptional. Norton and Watts are so believable and the supporting cast are amazing as well. Sets, scenery, music, and costumes are dead on. Character development and evolution make these characters well rounded and memorable.

The story is so realistic that it makes one wonder if it isn't based in fact rather than fiction, and the feelings of the time (hatred for imperialistic foreigners) is documented accurately. The only negative thing I can say is that there was a point when editing needed to be tighter because the movie dragged a bit in defining Kitty's boredom and isolation. The audience got the message much earlier. But this was only a brief irritation because the movie was so fascinating.

The movie does deviate from the novel in that the ending has changed somewhat, but few people have probably read this novel and most won't even notice. It's a longer than average movie and will probably play better in Europe than America. But for the thinking crowd, it's an absolute must see.

Naomi Watts is every bit as good as Garbo was in the 1934 version, and Ed Norton is outstanding. Great supporting cast as well - Diana Rigg is almost unrecognizable as a Mother Superior, and Liev Schreiber is, as always, terrific as a slimy lowlife. Based on one of Somerset Maugham's best stories, this is a movie that will satisfy anyone looking for an old-fashioned, romantic drama about love lost and love earned. The social quandary of British women after the first World War, which created a generation of unwilling spinsters, is taken as seriously by the filmmakers as the emergence of a new China standing up to its Colonial oppressors. Watts' character's journey from spoiled, selfish Daddy's girl in 1920's fun-loving London to a mature woman in a deprived, cholera-infested third-world country is harrowing.

Set in China in the 1920s during a cholera epidemic and the nationalist uprising, the film explores the stormy relationship of a dry British doctor and his seemingly incompatible fun-loving wife. They interact with engaging characters that include French nuns, British expatriates and a Chinese doctor and military officer. The tension is increased by the ever-present threat of death from the epidemic and the political and military unrest that is about to explode. The film is shot with a hazy green look that makes the lush Chinese countryside even more mysterious and beautiful. The film is accompanied by well-chosen music with a particularly gripping main theme by Satie. Norton and Watts do a splendid job in the leading roles.