Third Man Out

Based on the novel by Richard Stevenson, "Third Man Out" presents a flawed but interesting mystery. Where gays have often been presented as flat characters in mysteries, and only as either victims or villains, "Third Man Out" attempts to show a broader picture of being gay while also revealing the seedy underside of the "normal" heterosexual community. There are some weak points in the plot as the film attempts to hide from the viewer who is responsible for the threats, and a few minor characters don't seem invested in the movie. However, I think Chad Allen and Jack Wetherall portray their characters well, and make the movie a worthwhile viewing experience.

This is one of the most satisfying "gay" films I've seen since "Beautiful Thing," and one of the best mystery-married pairings since John and Sherlock, or should I say Nick and Nora. It's the story of Donald Strachey, tough guy P.I. with a shady past and a sweet tooth for guy pal Sebastian Spence. It's a good story, not a great one, with a sultry jazz score and topical references to such controversial subjects as celebrity outing and pedophiliac priests. What makes it work is the unconventional casting of Chad Allen (who is gay himself, but doesn't look it--although one character dubs him "Nancy-boy Drew") as Strachey, who just happens to be very happily married to Timothy (played by Sebastian Spence, who is apparently straight, and maybe that's why his character overdoes the nelly a bit). Allen, as Strachey, is developing very nicely as an actor, and he's more interesting looking now than he ever was as a child. In "Third Man Out," he gets solid support from QAF's Jack Wetherall and Sean Young. Apparently, this is the first in a series, based on the novels by Richard Stevenson and set, contrarily, in Albany, rather than in New York City or San Francisco. Hopefully, it will prove popular enough with its intended audience that other books in the series will also be filmed. Apart from the rather pedestrian direction (by Ron Oliver) and a couple of too obvious twists in the plot, "Third Man" is entertaining throughout.

Well done movie, with some great acting. This movie, will keep viewers on the edge of their seat for part of the movie, first time through. You'll want to view it a second time, to pick up a few more clues, and just plain out enjoy the acting. I felt that the content of the 'publisher' in the story could have been just about anything controversial. It was about outing men that appear to only be straight in society. If it was not so "push the gay envelope, to appear normal" I would have enjoyed it more, and would have rated it 10 stars/excellent. The lead actor is gay, and he and his lover do a great job as showing gay men, as everyday normal people. Everyone will love that, straights/gays alike. I now look forward to the next film ... Shock to the System.

The gay private eye thriller Third Man Out is, hopefully, the first of a new film genre that I'll dub "Queer-Noir". Third Man's plot may be a bit serpentine and it's dialogue stretched at the corners to cover maximum political ground, but Chad Allen's nuanced and sexily hard-boiled performance easily compensates for these shortcomings. As Private Eye Donald Strachey, Allen comes off as Spenser crossed with Columbo with a dash of Brian Kinney tossed into this enticing mix.

Though Ron Oliver's direction isn't flashy, it's very appropriate for a noir flick set in Albany. Like Richard Stevenson's books--on the pages of which Donald Strachey was conceived--this film is about character and concept and the tension between these two dramatic elements. Stevenson was one of the first writers to infuse the pragmatic, ultra-masculine private eye genre with an unabashedly gay aesthetic. A perfect synthesis of these two influences, Third Man Out gives us a detective who shares waltzes and moonlight martinis with his hubby, drives a banged up Toyota Tercel and can lay bad guys flat with an unsparing right hook.

Third Man's production values are outstanding for a cable film. Keeping Richard Stevenson's Albany setting was a smart move by Here! network, as so many well intentioned films go astray when they aim for glitzy settings and end up with cheap Canadian photocopies.

The only flaws worth citing were: a couple of actor Sebastian Spence's scenes (during which he portrays Donald Strachey's husband as a cross between C3PO and Uncle Arthur from Bewitched) and a heavy-handed score (with good feature songs that are sandbagged by some very obtrusive "tension and suspense" instrumentals).

What most delighted me about Third Man was the thrill of watching a genuine and polished noir flick which was, in every respect, thoroughly but naturally queer. While Third Man isn't Brokeback Mountain, it is a milestone in its own right. It's a well executed, enjoyable film about a hard-boiled detective who wears bad ties and breaks out in a blushing grin when his boyfriend kisses him on the cheek.

Chad Allen is perfectly cast as Donald Strachey, a slightly haggard and totally "out" gay PI who lives with his Brooks Brothers hubby, Timmy (played by Sebastian Spence). Set in Albany, New York, of all places, Strachey investigates the attempted murder of gay activist John Rutka (Jack Wetherall), who has made enemies by "outing" still-in-the-closet VIPs.

The film's final ten minutes transform what had been a mildly interesting story into a blockbuster whodunit that even Agatha Christie would be proud of. It's been quite some time since I have watched a film wherein the plot twists were so startling and stunning. The film's writers give you the clues you need to solve the puzzle. But those clues are so subtle that the probability that you will latch onto them is slightly greater than zero. It's worth every bit of the viewers' time to endure a tangled, serpentine plot, and some minor plot holes, one of which could have been corrected by the use of a different camera angle.

The somewhat muddled plot conceals a substantial theme. But again, that theme does not appear until the final ten minutes. This is the kind of film you have to stay with, to appreciate its significance.

Apart from the great story, "Third Man Out" exudes a classy, cosmo-chic style, reminiscent of 1940's crime noir, by way of the sultry jazz sounds of "In Heat, In Love" and "Martinis By Moonlight". At appropriate intervals, shadowy induced suspense punctuates the trendy atmosphere, consistent with what viewers would expect, for a whodunit.

The film's cinematography, especially the lighting, is excellent. Production design and costumes (love those black suede jackets) render high quality visuals. Overall, acting is adequate. And some of the dialogue sparkles: "You know, I'm starting to wonder if maybe life isn't always so black and white, in Kansas maybe, but not here in Emerald City".

Despite a slightly tangled plot, "Third Man Out" is a terrific film that can be enjoyed by viewers, gay or straight, who revel in stylistic murder mysteries.