A dance teacher offers to conduct detention for a group of misfit students by teaching them ballroom dancing. He overcomes their insecurities and prejudices, to enter them in a dance competi... Read allA dance teacher offers to conduct detention for a group of misfit students by teaching them ballroom dancing. He overcomes their insecurities and prejudices, to enter them in a dance competition.A dance teacher offers to conduct detention for a group of misfit students by teaching them ballroom dancing. He overcomes their insecurities and prejudices, to enter them in a dance competition.
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- 1 win & 6 nominations total
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Featured reviews
Along the lines of similar films regarding inner city schools and the use of fine arts to motivate students, this film chooses dance as its educational medium. It provides a realistic examination of true life in the New York public school system, and of New York City in general...no "Sex and the City" or "Friends" glamor here. I applaud this film for its casting of Antonio Banderas as the teacher who really cares for his student's lives in a world of despair. He does a great job conveying the inner struggle of a person who yearns to offer their help despite limited resources and support. Meanwhile, the students that make up his class are relative unknowns, but all are fantastic dancers with acting skills to match.
Even if you are not a fan of either Hip Hop/Rap or Ballroom/Jazz/Ballroom styles of music and dance, this film will have your foot tapping and imagination wandering..."maybe after some lessons, I could dance like that". Both worlds are depicted with accuracy and realism, allowing followers of either genre to spy on the other.
For parents looking for the suitability of this film for their children, I would say the minimum age should be 13-ish. Other than the odd curse word or gun play, there is not much else to worry about. The benefits and moral lessons taught by this movie far outweigh the negative aspects.
If you've ever secretly wanted to join a dance class, this film will (hopefully) push you past your fears and have you dancing in no time.
Altho based on a true story, one has to wonder how much was added for dramatic effect. Some of the relationships/developments seem just too trite and stereotyped -- and yet the portrayals are enjoyable enough that ultimately you don't care. After the number of times audience members laughed or exclaimed over scenes or lines in the movie, I was surprised that they didn't clap at the end -- it's that kind of movie. It reminded me of both Strictly Ballroom and Stand and Deliver. You won't be sorry you've seen it.
This film was much better than I had expected. The story brings to mind movies such as Mad Hot Ballroom or Dangerous Minds, but is different enough that it is able to stand on its own.
Overall I thought the acting was well done. The dancing was great (both the hip hop dancing and the ballroom). And while I am not a huge Antonio Banderas fan, I thought he was excellent, and I really liked him. He was able to be the star of the movie, but not the center of attention at all times. He looked good and seemed to provide a different element to what could have been the same old "help the inner city kids find hope" story.
The script and dialogue had nothing too cheesy or corny, which is usually found in "feel good" films, or movies about highschool students. There are plenty of funny parts, as well as enough drama and interesting character conflicts to keep everything interesting.
My only complaint was that the ending didn't seem to wrap up everything - there were some back story lines and issues that weren't resolved. But a few unanswered questions can sometimes be better than a cheesy, unbelievable ending where suddenly all is right in the world. I'll be curious to see if they make any changes before it is released in theatres.
I give it an 8 out of 10, because I was genuinely entertained.
But what is probably a very interesting story is tossed out in favor of a very shallow Hollywoodization.
This is not to say the movie isn't watchable. The cast is engaging and there are some nice dance numbers in it, and of course Hollywood clichés can have a certain manipulative power. But the problem is, every new ridiculous event in the movie pushed me further from enjoyment and towards irritation.
When people complain about Hollywood movies, this is exactly what they're complaining about.
Did you know
- TriviaThe youthful members of cast worked with the real Pierre Dulaine to get their dance moves correct for the movie.
- GoofsWhen Morgan comes to the school to dance with Pierre for the students, she descends the steps to the room fully costumed, including her shoes. Ballroom dance shoes have soft suede soles that are are easily damaged by wet or dirty floors, so most dancers, especially serious ones like Morgan, will not put risk their shoes by putting them on at a non-competition venue until they are ready to step onto the dancing surface.
- Quotes
Pierre Dulaine: To do something, anything, is hard. It's much easier to blame your father, your mother, the environment, the government, the lack of money, but even if you find a place to assign the blame,it doesn't make the problems go away.
- ConnectionsFeatured in HBO First Look: Take the Lead (2006)
- SoundtracksI Got Rhythm (Take the Lead Remix)
Written by George Gershwin and Ira Gershwin
Performed by Lena Horne
Additional vocals performed by Q-Tip
Remixed by Swizz Beatz and Aaron Zigman
Courtesy of RCA Victor Group by arrangement with Sony BMG Music Entertainment
Q-Tip appears courtesy of Motown Records a division of UMG Recordings, Inc.
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Details
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $34,742,066
- Opening weekend US & Canada
- $12,775,000
- Apr 9, 2006
- Gross worldwide
- $66,500,090
- Runtime
- 1h 58m(118 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1