Le contrat

You won't see anything new in this movie. If you've seen some thrillers, than you will foresee a few things. Surprisingly enough that doesn't hurt the movie as much as I thought it would. That might be the case, because you've got Morgan Freeman and John Cusack in the movie. They play very good at/off each other. And although, there are a few bumps in the thrill ride, they obtain the high adrenaline level almost every single time.

I had mixed feelings about the ending, but then again some might think it's perfect. Others might not like it at all and it might spoil all the fun they might have had up until that point ...

Anyway, it's a nice little thriller with good acting in it! :o)

Ray Keene is a former policeman who is struggling to build his relationship with his young son. His plan to bond over a camping trip in the woods goes sour though when they come across a hit-man (Cordell) in the middle of escaping Government custody. Keene holds Cordell at gunpoint but without a mobile phone signal they begin to trek towards civilisation. However with Cordell's men hot on their heels, Ray becomes increasingly desperate as he tries to get to the protection of the authorities.

I saw this film on an overnight bus crossing Argentina. I mention this not as name dropping but to admit that the sound was very low as must passengers were sleeping and relying on headphones or the Spanish subtitles. Without headphones or a working Spanish, I prepared to strain my ears and also use the subtitles the best I could. I needn't have worried because I could have followed this if the sound was on mute and the DVD was playing all the scenes on random shuffle. The plot is simple perhaps but it did offer a sort of moral ambiguity that was interesting to me at first. With two strong actors in the leads I expected the verbal fireworks to be more interesting than the action. In a way I was correct but this is not to say that the script was good – just that the action was poor. The moral complexity of good and bad is skirted on but is ultimately dumped in a ending that is nothing more than insultingly lazy writing.

Fortunately anyone getting to the end will not be surprised by this as it is pretty much what the previous hour or so had been like. The narrative is totally unconvincing and offers little to make up for it. The tension that could have covered the plot holes is absent and the action is mostly just dumb. Writers Katz and Darrouzet deserve much of the credit for this because really nobody is given much to work with. Director Beresford does the basics with little conviction but I did feel sorry for the cast. Freeman and Cusack both deserved much better than this nonsense. Freeman I assume was attracted by the chance to play a baddie and it is a shame then the script doesn't really let him do this with any effort. Cusack does what is asked of him but nothing more. The support cast are average at best in keeping with their cardboard characters.

Overall then a roundly poor film that offers nothing of interest and wastes the talents of the two actors in the lead. If I hadn't been a captive audience I would have struggled to make it past the 30 minute mark.

This is proof that an otherwise good movie can be hampered by not enough script re-writes (or maybe too many?). The dialogue is laughable and laudable.

The writer's style is such that the lines are delivered in a very staccato style: A quips to B, B responds with quip to A. There are no real "conversations" in the movie, and it makes it had to develop any of the back-story of the characters. "Quips" about someone's past are usually quickly dismissed into the script, never to be seen again.

Some of the movie made me laugh, it was so poorly written. In a scene where a death occurs, there was no emotional outburst from their family member. It was crazy, and felt very rushed, like the director or writer was trying to push us forward quickly to the next scene, without slowing the camera down and exploring the actor's emotions.

Badly written. C-

The Contract presents itself as an engaging action thriller with lots of twists. Including the always enjoyable performances of John Cusack and Morgen Freeman one should be in for a great ride. But after several moments into this film it becomes clear why the script has been lying on a dusty shelf somewhere for so long, waiting for top actors to get involved.

Even with the star involvement, the movie just fails to surpass its weak plot and tired premise. Ex-cop Ray, (Cusack) estranged father, and his son are on a hike to better their relationship when they stumble upon a fatally injured policeman and his prisoner, the hit-man Carden (Freeman). In stead of just letting Carden walk as Carden suggests, Ray, for no apparent reason, decides to turn him over to the police at the risk of his own life and that of his son. After this the chase through the woods for Carden by both the police and Carden's accomplices begins. With people running through bushes, occasional gunfire and certain bad weather.

Although Freeman and Cusack give away ample performances, the dialog seems to be that of some average TV-series. The villains and the characters of the police fare even worse. The movie just doesn't pick up any speed as it steers clear from any interesting action or build up of suspense. And especially the lack of motive for Ray to keep going with his plan to turn Carden in gets annoying after a while and this doesn't work very well in terms of sympathy for his hero-character. It is obvious that Catz wanted to write a story in which the bad guy develops sympathy for his capturer and maybe the other way around as well. But the cheesy, almost campy way this is attempted and the high number of scenes that just don't make any sense, stand in the way of its success.

Like the former reviewer pointed out, the movie is crammed with clichés and is lacking any originality. There are no mentionable plot-twists to keep the film interesting and the hackneyed screenplay is often accidentally comical.

I wouldn't even recommend getting the DVD. Just wait till it's the movie of the week and then see something else in stead.

Every once in a while, they release another movie about a government agent going on the run from his supposed friends (Sydney Pollack's "Three Days of the Condor" brought the genre to its apex 32 years ago, owing in part to widespread distrust of the government at the time). "The Contract" is one such movie, with Morgan Freeman on the run and John Cusack trying to help him. If you turn on the movie not expecting any kind of masterpiece (or not expecting much at all), you won't be a bit disappointed. I could predict much if not most of what was going to happen.

What I found most fascinating about this movie is that it was filmed in Bulgaria. I never would have guessed that that country looks so much like the Pacific Northwest (the setting seriously did look like Washington and Oregon).

But mostly, this is the sort of movie that you rent if there's nothing else to watch. Though in the thick of things, I will say that "Did you learn how to fly in Disneyland?!!!!!" was a pretty entertaining line. Also starring Jonathan Hyde and Bill Smitrovich.