Kino no tabi

So what is Kino no Tabi: The Beautiful World about? The story focuses on Kino, a young dark haired girl and her talking motorrad named Hermes, as they travel from country to country, experiencing the abstract and hyberbolic customs and traditions of each land, staying only three days in each country before moving on to a different one and repeating the process.

So lets start with the setting. Kino's Journey has arguably the most impressive world building that I have ever seen in an anime. Every episode (with the exception of one 2 episode long country) we are treated to a new country with traditions completely different from the previous one. The lands that Kino and Hermes arrive in show off the different aspects of the human condition brought on by the circumstances of each country. It is jarring to comprehend this show's ability to create such distinct and fleshed out setting and to be able to do it as many times as they do during the course of the show.

The soundtrack in this show is and interesting point to discuss since music is seldom used. The saying "less is more" is something I would use to describe the way music is used throughout the show, when music is used so little during the show, you really feel the magnitude of the moment when music is used. It really captures the crucial moments in the series. Kino no Tabi's soundtrack is seamless and the music chosen is chosen perfectly for each part.

The story is not a character driven one because the events themselves are what put forward the anime's heavy messages. Because of this we get very little insight into Kino's motives, aside from episode 4 where we learn about her past, she still remains a fairly static and mysterious character. Hermes, Kino's talking motorrad, acts as Kino's voice of reason and for the most part serves as an extension to Kino's character and allows for dialogue throughout the story since Kino and Hermes are the only major characters we see. despite what may be thought of a talking motorbike as a major character, Hermes is not by any means a comic relief character and offers realism in situations where Kino is challenged. I think that character is this story's weakest point, but is by no means bad. Static characters are okay when the story does not rely on character development to present it's themes.

The art style is really quite simple, you wont get anything spectacular from the visuals but you won't be disappointed either. The colours chosen are deliberately dull and plain. The art takes a back seat to the story and serves as a canvas to convey the more important messages.

Overall, Kino no Tabi: The Beautiful World is an elegant dissection of the characteristics that compose human existence represented by foreign lands and exaggerated cultures. If it sounds like a lot to comprehend that's because it is, this is a story that must be paid close attention to in order to comprehend it's depth. Every episode raises a heavy existential question that will leave you lying awake all night trying to figure out it's meaning, that's my favourite part about it and these are the reasons that I think Kino no Tabi: The Beautiful World deserves it's 10/10.

After watching Pokemon as a kid I left anime for a long time. Then I was introduced through Sword Art Online. It wasn't the worst thing but thankfully it was the polar opposite of American cartoons in terms of art style. I did some digging for better storylines and discovered a talking motorcycle. I have never turned back on anime since!

Then perfect word to describe Kino's Journey is "intriguing". She is not always a moral character. Instead she is a pragmatic character and manages to survive. Seeing through the eyes of someone who isn't an idealistic vigilante allows us to observe events and draw our own conclusions. If you feel like watching a thinking anime, this is for you. If you want to turn your brain off after a hard day, that's okay too; honestly I do that myself a lot.

Based on a Japanese light novel of the same name, we follow Kino, a traveller, and her talking motorcycle, Hermes, as they ride from country to country in a vast, sudo-futuristic world of many peoples and civilizations. Less of an overarching narrative or large scale world building, the core of Kino's Journey lies in each of its episodic visits to a new country, typically exploring some political or organizational ideal to its extremes, along with the moral lessons or implications we could learn should a society like it exist. The art style is quite strong, with crt scanlines superimposed over all its visuals, watercolour motifs through most of its backgrounds and scenery, especially when in nature, and the foregrounds washed out colours, giving that sort of punk aesthetic. I very much enjoyed it, the characters were all fantastic, although there was the odd bit of eye-rolling at some of the reveals or melodrama. There is also certainly violence and some tackling of heavy themes, so not for children. Definitely on the more grounded end of anime, I would highly recommend if it already seems something of interest, was good.

Its a brilliant format to teach a bunch of philosophical concepts. Each country has its own philosophy, and the countries are all small. Kino travels from country to country, while the viewer gains a deeper understanding of the concept. The format is the best format I have ever seen in a TV show and it will always stay in my memories.

"Kino's Journey" follows the duo consisting of Kino and the talking motorcycle Hermes. Together, the two travel through various cities and learn something about the history of the city and its inhabitants.

This is a completely unique narrative structure, which is very refreshing if you like to watch a lot of series (like me, for example).

Each episode contains a short story, which is often quite interesting - the themes of the story range from war to technological progress to grief.

In addition, the relationship between Kino and the motorcycle Hermes is written very warmly.

"Kino's Journey" was clearly a surprise hit for me and thrilled me with its unique premise.