Boy Culture

As more or more gay themed movies are released, it seems that the percentage of bad films has risen dramatically. That is why it was such a joy to discover this smart, funny, and wise movie that I can recommend to my straight friends as much as to my gay friends.

"Boy Culture" is not a good gay movie, but a very good movie period. It sports a terrific cast of three-dimensional characters and it is hot and sexy to boot. I have not seen their previous work, but if this is an indication of their output, I look forward to seeing everything they've done.

Kudos to everyone involved!

It is rare to see gay cinema that is thoughtful, witty, romantic and sexy all at once. Boy Culture is all that. The actors are great! The photography is rich and evocative. The setting (Seattle) is believable and supports the particular urban attitudes embodied by the characters. The story took me into a world different from my own. I laughed and was moved. It resonates in a larger sense with gay life (or male life) in contemporary society: What are the emotional risks needed in order to live a connected life? Our hard-won freedoms bring up questions -- about choice, and how we limit ourselves to guard our emotional wounds... This story is funny (rare in so-called "romantic comedies"!!) as well as touching and good-looking and sexy and smart! I loved it.

OK I have to admit I thought I was going to hate this film. After reading the synopsis I was dreading it and thought...ah some cheap gay crap full of crap actors getting their kit off to fuel other gays' sexual fantasies. But I was wrong.

OK the film has clichés, clumsiness, and pretentiousness. But these flaws are mild when taken in the overall context of the film. Essentially it's a romantic film with gay interest, but the "gay interest" part can really be ignored. The story, cast, screenplay and progress of the movie works...overall! It's charming and endearing. It's never going to be your favourite film or anything wonderful... but you'll like it. It might become one of your faves! Finally, my respect to the actors. Again, not Oscar-winning performances, but certainly commendable and enjoyable.

BOY CULTURE looks like it might be trash, but it really is a treasure. The saga of a male prostitute dubbed X and his falling into love with his roomie. First off, the film looks terrific. This is a smart and classy movie. Second, the writing and performances are really quite good. Even the supporting cast is terrific - I only wish there were more time for them in the story. I loved the lesbian waitress and the entire family of the roomie. The story could have easily been trite and the dialogue cliché, but it neatly avoids that most of the time. It reminded me of an upscale episode of QUEER AS FOLK (before it devolved into soap opera hysterics). All in all, this is well worth a look see - gay or straight.

BOY CULTURE is a very fine little film and were it being evaluated solely within the confines of gay films, it would easily rate 10 stars. It is well written, well directed, well acted and has messages that cover a fairly broad territory (racism, homophobia, hustler life style, relationships, coming out tales and tales from the closet, etc). There are some technical flaws with the film and some unresolved character problems that prevent it from being what it comes close to being, but finally here is a gay themed film that is wise, entertaining, and user-friendly for a larger population than the community for which it was made.

The story is biographical in nature: "X" (Derek Magyar) is a male hustler who lives off the income from a limited clientèle of regulars, who occupies a living space with two gay roommates - Andrew (Darryl Stephens) and Joey (Jonathon Trent) - and who has what he thinks it takes to make him happy. The missing element is love, and in several ways he comes into proximity with that missing thread: his newest client is Gregory (Patrick Bauchau in a richly nuanced performance as a elderly closeted loner) who introduces X to the finer things in life, including introspection and looking for what is missing in his world. Andrew is a conflicted African American man who still misses the caring he had with a girlfriend whose wedding he is to attend. Joey has just turned 18 and looks to X and Andrew as father figures. The problem is that X and Andrew have deeper feelings of attraction and commitment to each other than either wants to admit, and the story (as narrated by X) is about how this mutual challenging need is resolved.

Q. Allan Brocka directed and co-wrote the film with Philip Pierce and the dialog is snappy at times and gently tender at others. The cast is quite fine: the young lads are top notch eye candy while bringing solid acting skills to their roles, and the older actors bring a since of resilience to the story that keeps it grounded in style. This is a very good little film that deserves a wider audience, one that needs to see this aspect of the population once considered merely peripheral. Movies like this help understanding interpersonal relationships, and everyone needs to address that. Grady Harp