Boy Culture

BOY CULTURE is a very fine little film and were it being evaluated solely within the confines of gay films, it would easily rate 10 stars. It is well written, well directed, well acted and has messages that cover a fairly broad territory (racism, homophobia, hustler life style, relationships, coming out tales and tales from the closet, etc). There are some technical flaws with the film and some unresolved character problems that prevent it from being what it comes close to being, but finally here is a gay themed film that is wise, entertaining, and user-friendly for a larger population than the community for which it was made.

The story is biographical in nature: "X" (Derek Magyar) is a male hustler who lives off the income from a limited clientèle of regulars, who occupies a living space with two gay roommates - Andrew (Darryl Stephens) and Joey (Jonathon Trent) - and who has what he thinks it takes to make him happy. The missing element is love, and in several ways he comes into proximity with that missing thread: his newest client is Gregory (Patrick Bauchau in a richly nuanced performance as a elderly closeted loner) who introduces X to the finer things in life, including introspection and looking for what is missing in his world. Andrew is a conflicted African American man who still misses the caring he had with a girlfriend whose wedding he is to attend. Joey has just turned 18 and looks to X and Andrew as father figures. The problem is that X and Andrew have deeper feelings of attraction and commitment to each other than either wants to admit, and the story (as narrated by X) is about how this mutual challenging need is resolved.

Q. Allan Brocka directed and co-wrote the film with Philip Pierce and the dialog is snappy at times and gently tender at others. The cast is quite fine: the young lads are top notch eye candy while bringing solid acting skills to their roles, and the older actors bring a since of resilience to the story that keeps it grounded in style. This is a very good little film that deserves a wider audience, one that needs to see this aspect of the population once considered merely peripheral. Movies like this help understanding interpersonal relationships, and everyone needs to address that. Grady Harp

I saw Boy Culture yesterday at the London Lesbian & Gay Film Festival, having seen and enjoyed Q. Allan Brocka's last film, Eating Out. Once again we are in the rarefied atmosphere of the buffed and the beautiful - three pectorally perfect young studs with an apartment from the pages of Wallpaper magazine.

But the surface perfection hides a trio of unhappy people. 'X', the un-named narrator is a high-class rent boy with a select group of only 12 clients - the Disciples. Andrew, his room-mate and object of X's affection is a stunningly handsome boy who wants both love and an open relationship. Completing the triptych is Joey (aka Blowy Joey), a cute-as-a-button twink who plays 'son' to the dysfunctional duo.

X has a problem - not only is he in love with Andrew but his life as a hustler has left him able to have sex only when there is cash involved. Enter the enigmatic Gregory - X's newest Disciple - a reclusive figure who isn't quite what he seems.

Once all the protagonists are in play, Brocka does an efficient job of keeping all the plates of the various story lines spinning in an entertaining and engaging fashion. As X, Derek Magyar is not afraid to present an unsympathetic character, albeit one who asks for no sympathy from the audience. Andrew and Joey are a little too cute to be true, but their snappy dialogue and willingness to disrobe at any opportunity are ample compensation.

Indeed, many of the scenes and much of the dialogue have a saucy snap that puts Boy Culture streets ahead of the sweet but rather formulaic Eating Out - and the supporting characters that our boys encounter (especially Andrew's razor-tongued little sister) all play their parts to perfection.

But for me the film came most alive in the conversations between X and Gregory. Inter-generational gay relationships are the missing link of contemporary gay cinema, and the way in which their friendship develops is handled with great poignancy and charm, helped by an impressive performance from the great Patrick Bauchau.

There being only one other comment leads me to make my contribution. At no point could I see this film as being dark or depressing, unless of course once wished to 'make' any form of minority life negative in aspects. The premise is hardly romantic and uses a fact of gay behaviour: escorting and 'tricks'.I saw this film as part of the local Gay and Lesbian Film Festival and liked it very much. I believe one error is to make it factual or to align it to real life, as with most celluloid productions. I 'read' the metaphors in the film and saw perspectives that were either enhanced or exaggerated to make a story, e.g lifestyles. At the end of the day it's a romance almost. I won't go into more analysis as to do so starts to remove the simple enjoyment. Is ' Queer as folk" dark and depressing? Well it can be if one uses those elements to apply to the entire series. It only uses a premise to explore relationships and situations. I found it entertaining and enjoyable and wish it were available on DVD.

X, as we are told to think of the narrator of this gay love story, is a hustler. He has only a few clients, but they each pay him well. He lives in luxurious digs in Seattle. He has a couple of roommates and they give us most of the plot. X is cynical and clever, his friends are more romantic and maybe not so sophisticated. It all turns out more or less as you will probably suspect from very early on, but you just might have a good time watching it. I did.

The performances are spotty but all are at least adequate. There are a few sex scenes, but much more is hinted at than shown. I didn't notice a rating, but in a sane world this one could be PG.

OK I have to admit I thought I was going to hate this film. After reading the synopsis I was dreading it and thought...ah some cheap gay crap full of crap actors getting their kit off to fuel other gays' sexual fantasies. But I was wrong.

OK the film has clichés, clumsiness, and pretentiousness. But these flaws are mild when taken in the overall context of the film. Essentially it's a romantic film with gay interest, but the "gay interest" part can really be ignored. The story, cast, screenplay and progress of the movie works...overall! It's charming and endearing. It's never going to be your favourite film or anything wonderful... but you'll like it. It might become one of your faves! Finally, my respect to the actors. Again, not Oscar-winning performances, but certainly commendable and enjoyable.