The shy son of an aging comedienne tries to find a balance between his demanding home life, his new girlfriend, and his mother's second chance at fame.The shy son of an aging comedienne tries to find a balance between his demanding home life, his new girlfriend, and his mother's second chance at fame.The shy son of an aging comedienne tries to find a balance between his demanding home life, his new girlfriend, and his mother's second chance at fame.
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This film meanders around for too long. It isn't funny enough or moving enough to overcome it's clichéd nature. It's a standard coming of age affair with some romance thrown in. There are a few laughs, but not enough to keep the film afloat. The leads are all reasonable, but in the end the banal material and predictable climax overcomes the qualities of the actors. Surely the Australian Film Finance Corporation can do better than this? Perhaps it looked better on paper. On the plus side Richard Wilson does a stand out job as a retarded young man. The two young romantic leads are both very attractive and have a few good moments together, but again, not enough to bring the mediocre script to life.
I've seen quite a few indie films in my times. This one, "Introducing the Dwights" is a remarkable piece of work. Here you have a woman who's divorced, raising two sons: One is painfully shy around girls, the other who has special needs. The shy one named Tim, drives a moving van in Austrailia meets two lovely ladies: Kelly and Jill. Jill(Emma Booth) takes notice of Tim(Khan Chittenden) who clumsily approaches her. The sexual advances are making him awkward, and he later realizes he needs to put his past experience behind him. His mother works for a canteen during the day, but at night, she's a big hit at a local comedy club. She happens to be in a slump, because she's stuck in the day, and in serious need of reinventing herself. Both of her son have a certain someone. Tim's brother knows about Jill, and he's happy for him. Jill and Tim intimacy grows deeper and deeper by the minute. Looks like he's got him a soul-mate he can feel good about. A very good movie, great cast, and a great assortment of soundtracks to make it worthwhile. Don't care what the title is, I just love it!
4 out of 5 stars!
4 out of 5 stars!
This film is about a middle aged woman, who goes through life changes in her career and her family structure.
"Clubland" can hardly be described as a comedy. I did not find it a tiny bit funny. Not even the deliberate and contrived plot of Jeannie being a comedian could save it. It's simply not fun to watch Jeannie making everyone's lives miserable. The ending is rather bad, as Jeannie makes a complete change of heart for no apparent reason.
I must say Brenda Blethyn is good, and Emma Booth is really beautiful. However, these strengths are not enough to save "Clubland" from being a complete bore.
"Clubland" can hardly be described as a comedy. I did not find it a tiny bit funny. Not even the deliberate and contrived plot of Jeannie being a comedian could save it. It's simply not fun to watch Jeannie making everyone's lives miserable. The ending is rather bad, as Jeannie makes a complete change of heart for no apparent reason.
I must say Brenda Blethyn is good, and Emma Booth is really beautiful. However, these strengths are not enough to save "Clubland" from being a complete bore.
In Australia, Jeannie Dwight (Brenda Blethyn) is a cafeteria worker by day and a struggling comedian by night. Her quiet son Tim Maitland (Khan Chittenden) tries to keep everything together. They have his mildy mentally handicap brother Mark. Then he meets Jill (Emma Booth) on one of his moving jobs.
Jill and Tim has a charming awkward romance despite the unreal insecurities of the supermodel. If anything, I want more Blethyn. She's the big name and holds the potential to blow up this movie. The family dysfunction isn't that well prepared and the pretty couple manufactures some fake conflicts. Blethyn isn't really a standup comedian. Nevertheless, this has its moments and the characters have their charms.
Jill and Tim has a charming awkward romance despite the unreal insecurities of the supermodel. If anything, I want more Blethyn. She's the big name and holds the potential to blow up this movie. The family dysfunction isn't that well prepared and the pretty couple manufactures some fake conflicts. Blethyn isn't really a standup comedian. Nevertheless, this has its moments and the characters have their charms.
I recently saw a screening of this film under the title 'Introducing the Dwights'. Who knows what name it will have when it finally gets released in the US?
This film is a charmer. The characters are all very authentic, and entirely believable, and the story is told with so much love and emotional depth. As a comedy there were many genuinely hysterical moments, particularly the awkward teen romance scenes, which could have easily veered into bad 'American Pie'-style territory, but instead managed to hit the mark. The story is one of family relationships and broken dreams, set in Sydney's Western suburbs. I laughed and cried, but mostly laughed.
It's the type of film I could take my friends, boyfriend, little brother or mum to see, and I think they would all enjoy it.
This film is a charmer. The characters are all very authentic, and entirely believable, and the story is told with so much love and emotional depth. As a comedy there were many genuinely hysterical moments, particularly the awkward teen romance scenes, which could have easily veered into bad 'American Pie'-style territory, but instead managed to hit the mark. The story is one of family relationships and broken dreams, set in Sydney's Western suburbs. I laughed and cried, but mostly laughed.
It's the type of film I could take my friends, boyfriend, little brother or mum to see, and I think they would all enjoy it.
Did you know
- TriviaBrenda Blethyn, along with Jo Brand, wrote much of the material for the stand up sets in the film.
- Quotes
Jean 'Jeannie' Dwight: I don't want you coming to the funeral, Tim. And I certainly don't want a stranger in a miniskirt there, flasher her ass in the chapel.
Details
- Release date
- Country of origin
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- Also known as
- Introducing the Dwights
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Box office
- Gross US & Canada
- $379,408
- Opening weekend US & Canada
- $27,734
- Jul 8, 2007
- Gross worldwide
- $2,003,304
- Runtime
- 1h 45m(105 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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