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Oh! Uomo

  • 2004
  • 1h 11m
IMDb RATING
7.1/10
111
YOUR RATING
Oh! Uomo (2004)
DocumentaryWar

From the emblem of totalitarianism to individual physical suffering, this is a representation of man's rampaging violence to draw up an anatomical inventory of the damaged body and examine t... Read allFrom the emblem of totalitarianism to individual physical suffering, this is a representation of man's rampaging violence to draw up an anatomical inventory of the damaged body and examine the consequences of the conflict on children.From the emblem of totalitarianism to individual physical suffering, this is a representation of man's rampaging violence to draw up an anatomical inventory of the damaged body and examine the consequences of the conflict on children.

  • Directors
    • Yervant Gianikian
    • Angela Ricci Lucchi
  • Star
    • Benito Mussolini
  • See production info at IMDbPro
  • IMDb RATING
    7.1/10
    111
    YOUR RATING
    • Directors
      • Yervant Gianikian
      • Angela Ricci Lucchi
    • Star
      • Benito Mussolini
    • 1User review
    • 4Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 1 win & 2 nominations total

    Photos

    Top cast1

    Edit
    Benito Mussolini
    Benito Mussolini
    • Self
    • (archive footage)
    • (uncredited)
    • Directors
      • Yervant Gianikian
      • Angela Ricci Lucchi
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews1

    7.1111
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    Featured reviews

    8SpelingError

    A truly powerful film about the after effects of combat.

    I've met a handful of war veterans throughout my life and, though none of them (to my knowledge) sustained permanent injuries in combat, I've heard about plenty of other soldiers they fought with who weren't as fortunate. Even after a war ends, its impact on those who survived it will still be felt for years to come. And for the soldiers depicted in this film, throughout the remainder of their lives. Throughout the film, we see numerous soldiers with missing limbs, missing eyeballs, and deformed facial features. Though it's not an easy watch, my main takeaway was how it found poetry amidst the grotesqueness. While the footage of the soldiers and children is obviously far from uplifting, Gianikian and Ricci Lucchi illustrate the ways those people can go through surgery to either reconstruct or replace what they lost and make the best with what body parts they have left, even if they can't be made whole again. One particularly powerful sequence was a montage of close ups of various soldier's deformed faces. This sequence really tested my endurance as, not only were the deformities quite graphic to look at, but each face was focused on for an uncomfortably long time. The film followed up on this though with various close ups of soldiers who presumably went through facial reconstruction surgery as they hold up a plaster of what they originally looked like. Their scars are still visible if you look closely, but given the prior montage, this one comes as a relief. Other powerful sequences included characters performing everyday tasks, like a farmer tending to his crops with a robotic arm, while another powerful sequence showed a close up of a man having a fake eye put in place of a disfigured eye. After his procedure, I honestly couldn't tell the difference between his real and fake eye at all. I finished the film over an hour ago, yet I'm still trying to make sense of the emotions it made me feel. In spite of the constant barrage of graphic injuries onscreen, it strangely felt hopeful. The people onscreen lost so much in the war, yet the worst is over for them and things will start to look up. If I had to nitpick something, this might've been better had Stan Brakhage directed it. Some of the music choices seemed jarring and unnecessary. This is the kind of film where the emotional resonance of the imagery speaks for itself, so I don't think it needed a soundtrack. Aside from this, however, I quite enjoyed this film and may return to it sometime in the future.

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    Related interests

    Dziga Vertov in L'Homme à la caméra (1929)
    Documentary
    Frères d'armes (2001)
    War

    Storyline

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    Did you know

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    • Trivia
      Film historian Adriano Apra included this film as one of the top 10 of the 21st century (to 2016).
    • Connections
      Follows Prigionieri della guerra (1995)

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    Details

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    • Release date
      • May 21, 2004 (France)
    • Country of origin
      • Italy
    • Language
      • Italian
    • Also known as
      • Oh! Man
    • Production companies
      • Museo Storico di Trento
      • Museo Storico Italiano della Guerra di Rovereto
      • Provincia Autonoma di Trento
    • See more company credits at IMDbPro

    Tech specs

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    • Runtime
      • 1h 11m(71 min)
    • Color
      • Black and White

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