Possédée

I was on holiday visiting my friend in Sacramento, California, and we decided to go to the movies. Our choice was between this movie and another called 'The Apparition'. We opted for this one as creepy kids always seem to make a horror movie much more appealing. Usually, I avoid possession films. I can't even force myself to consider 'the exorcist' a horror classic. I just think possession and exorcism films are always poorly done and are slightly altered versions of each other. However, seeing the trailer of this film beforehand made me want to see this movie and again, the little girl Emily 'Natasha Calis' drew me in. I thought this film had an interesting storyline which kept me gripped throughout and superb performances by the cast, especially Natasha Calis who portrays the little girl Emily who is possessed throughout the film. Without giving away any spoilers, I felt the ending was well done and made me leave the theatre thanking the screenplay writer for a non-stereotypical ending - well done! This film is definitely worth a watch. I may even buy it on DVD when it's released. It's not your average 'lets walk down the stairs backwards and puke over a priest' possession movie. It's well acted, well written and well worth a see. It has some jumpy moments for those who aren't desensitised to the ways of a horror movie but mainly it's gripping and you want to find out what's in that box.. GO SEE IT! I hope to see the young cast in some more films in the future! Loved it!

The parallels between this film and The Exorcist are obvious even from the trailers, so I won't go too far into that. Just suffice it to say that The Possession contains none of the impact or shock value that The Exorcist has. In short, it's just not as good of a film.

However, in its own right, it's a pretty competent horror movie. The story of the central characters is kind of cliché. Husband and wife have divorced, they share custody of the children, there's a new boyfriend/girlfriend in the picture, etc. This type of set up is always convenient when dealing with a "messed up kid" film. That way whatever is wrong with the child can inevitably be blamed on the fact that the child is just not dealing well with the break up of his or her parents. And that's exactly what happens in The Possession; except there is actually something VERY wrong with the youngest daughter and it has absolutely nothing to do with her parents. Without giving away too much, the plot centers around an ancient wooden box the youngest daughter finds at a yard sale. Of course she wants it, and so she gets it. And there begins to occur some rather strange phenomena; most of them downright spooky, a couple kind of hokey.

All in all, I was pleased. This film has got good pacing, decent acting, and exceptional cinematography. There's not much I can find as a fault here. If I had to name my major complaint about this and similar movies it would be this: I'm not thrilled about the influx of PG-13 horror films. I've a suspicion this is due to a need to bring in a wider audience (younger viewers/teenagers), and make more money on ticket sales. Because of this the final product tends to be a little too watered down for my tastes. The Possession shows a lot of promise, but I can't help but wish the writers/director would have pushed the envelope a bit more; fleshed out the story. Then it would have been great. As it stands now, I'll just say it's a "good" little horror film. Nothing that will be talked about this time next year, but I consider my money well spent.

My rating: 6.5/10

Based on the allegedly haunted Dybbuk box, 'The Possession' is a fairly interesting watch, that works in parts & Jeffrey Dean Morgan Delivers A Super Performance! He's in Complete Form this time around!

'The Possession' Synopsis: A young girl buys an antique box at a yard sale, unaware that inside the collectible lives a malicious ancient spirit. The girl's father teams with his ex-wife to find a way to end the curse upon their child.

'The Possession' works in parts. The second-hour is pretty good, but the First-Hour is slow & not very engaging. The Climax stands out, its spooky & nicely done. Juliet Snowden & Stiles White's Screenplay works in parts. Ole Bornedal's Direction is a plus-point. Cinematography & Editing are good.

Performance-Wise: Jeffrey Dean Morgan is up for top honors. He's in Complete Form this time around! Kyra Sedgwick is decent. Natasha Calis delivers aptly. Madison Davenport & Matisyahu support well.

On the whole, 'The Possession' is a fairly interesting watch.

Horror/possession/exorcism movie. One of the many films inspired by the timeless Exorcist in the special genre of films it established, of demonic possession and attempted exorcism. This film has many similarities to the exorcist, although in this case it is probably the first film to attempt an exorcism not by Christian priests, but by Jewish rabbis. It starts promisingly with intense suspense, but then although it continues with interest without being boring, it does not retain the same suspense, nor does it have any particular ending. On the plus side, the performances were very good by everyone, as the story was ok and had no vulgarities and immoralities in general as unfortunately there are in many films of the genre. Although not one of the top of the genre is a pretty good overall recommendation to the fans of the genre.

I'm a little bit wary when a horror film touts itself as based on a true story, because one can only take that with a pinch of salt, given that it's a film after all, and there's a need to dress it up for the silver screen and for dramatic purposes. Moreover, having to state the events took place in less than a month, seemed a little bit far fetched, given how the screenplay played things out, which made it look like months instead. Still, for the curious, you may want to look up an article called Jinx in a Box written by Leslie Gornstein, which the events in this film is purportedly based on.

So is it any good, given that the trailer essentially told the entire story from beginning to end? It got better as it moved along, and really tested your patience in the first half of the film since it really took a long time before a turn of events leading to the first boo. It introduced the characters of a dysfunctional family, where Clyde (Jeffrey Dean Morgan) has already divorced from wife Stephanie (Kyra Sedgwick), with the former getting only the weekends to spend time with daughters Hannah (Madison Davenport) and Em (Natasha Calis). The arrangements seem pretty well oiled, with Clyde having moved to another house of his own conveniently located in a new neighbourhood. As part of moving in, they pick up extra dishes at someone's backyard jumble sale, and Em gets attracted to a mysterious box, which gets bought and brought home.

Warning lights are probably flashing now, since stories of old have already warned never to pick up strange looking objects from anywhere and bringing them home. Opening Pandora's Box is also something nobody should do, and when done, welcomes a whole lot of trouble. Em becomes possessed and Natasha Calis almost got a chance to be the next Linda Blair in The Exorcist, except that The Possession minus all the kinky moves that would make parents frown and grown ups blush. Make up also helped to make her look her zombie best, coupled with fans borrowed from a Bollywood studio to let her hair fly around when the air around is still. And for those who object her bout of violent behaviour, especially when becoming possessive and protective of the mysterious box, even stranger things happen, and her unusual behaviour soon triggers Clyde to do some sleuthing of his own.

Credit must be given when credit is due, so Danish director Ole Bornedal did what he could in avoiding the usual clichés of slamming doors and jump scares. Instead, the focus was on building atmospherics through the use of creepy crawlies, and he succeeded to an extent in doing that. It took a while to build up a story, which could have done a lot more with its context of dismissing the change of the child's behaviour because of the psychological pressures in dealing with her parents' divorce, but this never really quite took off.

Instead, the last half hour floored the pedal to the metal, moving at breakneck speed and allowed a battle of good and evil, and dealing with a parent's undying love for his child, complete with self-sacrificing gesture to try and lure the evil that is inside. While there are a whole host of exorcist type films of late, to varying degrees of success and presentation, this one probably was one of the first that I've seen that was a Jewish exorcism, not involving a priest but a rabbi (Matisyahu) instead, with certain rites performed I'm sure didn't had much of an authentic ring to it (I may be wrong). And to make things a little laughable, there was a scene where Clyde thought he could do it alone through the learning of the rites on Vimeo (wonder how much they had to pay to displace YouTube), before seeking professional help.

But the unforgivable element in the film, is the editing. For all the good work that was done in the film, with the actors trying their best to flesh out a relatively flimsy storyline, everything got let down by the poor, poor editing. This probably came from having 2 editors in Eric Beason and Anders Villadsen handle the film, so one can only speculate on the clash of ideas. Ultimately it really reflected their weak editing skills and the limited scope of their abilities, making almost every transition here a fade to black, probably the only technique they can both agree on. This irritates since it's so frequently used, especially at the beginning of the film, and made it all worst when it was used so carelessly in the gripping finale, totally spoiling the mood and threw a spanner in the works. It's really choppy work, got in the way and drew attention to itself, so it was bewildering why the filmmakers had let this pass, rather than to fire them both and get someone else instead.