Novelist Catherine Tramell is once again in trouble with the law, and Scotland Yard appoints psychiatrist Dr. Michael Glass to evaluate her. Though, like Detective Nick Curran before him, Gl... Read allNovelist Catherine Tramell is once again in trouble with the law, and Scotland Yard appoints psychiatrist Dr. Michael Glass to evaluate her. Though, like Detective Nick Curran before him, Glass is entranced by Tramell and lured into a seductive game.Novelist Catherine Tramell is once again in trouble with the law, and Scotland Yard appoints psychiatrist Dr. Michael Glass to evaluate her. Though, like Detective Nick Curran before him, Glass is entranced by Tramell and lured into a seductive game.
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Our story here has Ms. Tramell, notorious author from Basic Instinct at the epicenter of a death, accidental, or perhaps...intentional??? She is handled by Scotland yard in this one, a far cry from the San Fransisco PD and Detective Nick Curan, who is sorely absent. Rather than prance around with her sexuality tugging at the police, and seducing them blindly, she is more a bully here, and she pushes authoritative figures, especially Michael Glass the professional assigned to her case, into her game this time around.
Sharon Stone turns in a mostly witty and sharp (no pun intended) continuation of Catherine Tramell, Complete with incomparable physique, sexy sultry voice, and some more blonde poison. Her co-stars, however, do not measure up.U.K. veteran Charlotte Rampling is the only other cast member/character on Stones level. The rest of the cast are like fish out of water. I think it's part of why the film doesn't work. We have very stiff European authoritative figures, bent on the unraveling of the case, as well they should be, except it doesn't feel like Basic Instinct, and the good moments that are had, are reminders that it might have been better had they stuck with the original idea which was to have been set in NYC.
The production design and art direction are diabolical though (again, no pun intended), and it's a scene set greatly, if only the expectations were met. Ultimately I feel the writing was the biggest let down. It's as if Leora Barish and Henry Bean didn't know the character of Catherine, and thusly could not completely tell her story. Whatever they have for every one else is a more or less lacking shadow of what the original was.
Michael Caton-Jones is okay, but this flick, released in 2006, looks like EVERY other action thriller from that time period, and that's sad. The original was a cut (there I go again)above the rest of what was released back in 1992. It had so much style and charisma, and even charm, mixed with an extremely interwoven and complex, even abstract plot/story. This is just a run-of-the-mill follow up sequel that is as bland and boring as every other product that was churned out by studios at the time. It's all in your face at value, which is not very high. There is noting beyond the cheese & crackers. The cigar is just the cigar, and in this films case, it needed to be a highly intoxicating cigarette.
The opening sequence could have triggered an intriguing set of plot developments using a considerably talented and able cast. Unfortunately we are treated to a 90 minute dissertation in the self-indulgent life of Catherine Tramell... or is it Sharon Stone. Possibly a copulation of both.
If the desire is too see a continuation of the sensually provocative stying of sex as in "B.S.1", forget it. You wind up with soft-porn boredom which ultimately upholds the old adage that a woman can be more alluring in clothes than out of them. It's interesting to note that the wonderful Charlotte Rampling was romping around in her skivvies, via the 1966 GEORGY GIRL, when Ms. Stone was only 8 years old. A very talented actress and quite adept at holding her own even here.
If you're a true cinema fan then you must see this film and judge it using your own rating system. If not, you might as well wait for the DVD release in the "rated" version, "unrated" version, "collectors" edition, or "ultimate" version, and perhaps in another 14 years we will be saturated with news of "Basic Instinct 3" at which point Ms. Stone will be 62 years old and nobody will really care.
London is a perfect location for the grown up Catherine, and the city reflects the new sophisticated evilness which she is weaving into another book of her deadly sins. The British cast, Charlotte Rampling and the handsome David Morrisey especially, provide the perfect moments in the film to send Stone/Tramell into her evil ways. The sets are so dark, reminded me of ASYLUM, and Stone perfectly matches the glamor of London.
BASIC INSTINCT 2 will never be the first BASIC INSTINCT, and it shouldn't, as Catherine Tramell has moved on from Nick and pretty little San Francisco to something bigger-London, and with the ending, also reminded me of ASYLUM, you wonder if our Catherine is onto new and more deadly games. Hope so...
The enigma of Tramell is whether, in researching her novels, she just gets very close to actual murders, or whether she actually commits them. In Basic Instinct II we become aware of a third possibility that she manipulates people into creating interesting story lines, even if it means pushing them over the edge mentally and emotionally so they perhaps commit crimes they would not otherwise have committed. Following in the footsteps of twisted real-life authors recently depicted on screen such as Capote, such a possibility does not seem so preposterous.
Where Basic Instinct II fails, is in capturing a suitable target audience. The original Basic Instinct, however good a thriller, is linked in the public imagination with a particularly explicit scene involving Stone uncrossing and crossing her legs during a police interview. Given the raunchy nature of Tramell's personal life, to which the film gave ample reign, the movie drew adult audiences hoping to be shocked. This creates a number of problems for Basic Instinct II. Firstly, the public taste for sexual explicitness seems to have ebbed. Sex scenes are more likely to kill a blockbuster than boost attendances. The independent and European films featuring explicit sexuality tend not to get multiplex coverage and the limits are now so broad that most mainstream actresses are unlikely to want to push the envelope with such explicitness unless it is to test the limits of art and Basic Instinct II, like its forerunner, is a thriller not an art house movie.
Yet it suffers from the 'sex-movie' tag. Re-shot in black and white, with a shorter running time, and minimizing any nudity, Basic Instinct II could have been marketed as film noir. The difficulty of puzzling out the who-dunnit keeps the attention, but waiting for the next sex scene it just fizzles (as there's very little to wait for). With a running time of nearly two hours, some of the direction could have been tighter, but the overall feel of the movie almost creates a genre. Sharon Stone hones Tramell's character even better than in the original, and the final twist is difficult to anticipate. As a portrait of a genius writer that can run rings around police detectives and psycho-analysts, Basic Instinct delivers in spades. While Sharon Stone is a good-looking fortysomething, those watching it for sexy thrills may be disappointed.
Did you know
- TriviaPaul Verhoeven, director of the original Basic Instinct (1992), disliked the movie. He named the lack of a strong male character to balance out the character of Catherine Tramell (Sharon Stone) as one of the reasons for the film's failure.
- Goofs(at around 1h 35 mins) When Michael Glass gives Washburn Milena's street address in a telephone message, he clearly says 23. When Michael gets to her house, the number above the door is 14.
- Quotes
Catherine Tramell: When you think about fucking me, and I know you do, how do you picture it... doctor?
- Alternate versionsAs with the first film, the US version was cut in the sex scenes because the MPAA threatened the film with a NC-17 rating.
- ConnectionsFeatured in Siskel & Ebert & the Movies: The Worst of 2006 (2007)
- SoundtracksTheme
From the Motion Picture Basic Instinct (1992)
Written by Jerry Goldsmith
Published by Le StudioCanal+ Music, Inc. (BMI)
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- Bajos instintos 2
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Box office
- Budget
- $70,000,000 (estimated)
- Gross US & Canada
- $5,971,336
- Opening weekend US & Canada
- $3,201,420
- Apr 2, 2006
- Gross worldwide
- $38,629,478
- Runtime
- 1h 54m(114 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1