IMDb RATING
5.6/10
3K
YOUR RATING
A college film student, obsessed with the works of Alfred Hitchcock, investigates a murder committed in the apartment building across from his and suspects that his seductive neighbor hired ... Read allA college film student, obsessed with the works of Alfred Hitchcock, investigates a murder committed in the apartment building across from his and suspects that his seductive neighbor hired a girlfriend to commit the deed.A college film student, obsessed with the works of Alfred Hitchcock, investigates a murder committed in the apartment building across from his and suspects that his seductive neighbor hired a girlfriend to commit the deed.
- Director
- Writers
- Stars
- Awards
- 1 nomination total
Giampiero Perone
- The Fiancee
- (as Gianpiero Perone)
Nicola Rondolino
- Priest
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Me and my girlfriend had the opportunity to watch Ti Piace Hitchcock at the Brussels fantastic film festival last Saturday. He directed this movie for the Italian television (RAI) and in mine opinion with success.The movie was introduced to the crowd by the master of horror himself.
The movie isn't as gory like the seventies eighties Argento movies but it still contains a lot of suspense and the murder scene is in "Argento style". If you are looking for a real gory giallo then you'll better skip it. It's an Argento movie and expectations may be high but it's a television movie and when you are an Argentofan you'll notice.
I'm really looking forward to his next movie.
greets
The movie isn't as gory like the seventies eighties Argento movies but it still contains a lot of suspense and the murder scene is in "Argento style". If you are looking for a real gory giallo then you'll better skip it. It's an Argento movie and expectations may be high but it's a television movie and when you are an Argentofan you'll notice.
I'm really looking forward to his next movie.
greets
With this film, made for television and shot with DV camera, Argento delivers a very enjoyable and stylish little thriller. There are lots of references to several Hitchcock-films, but Ti Piace Hitchcock also reminds us a lot of the thrillers of Brian De Palma (such as Sisters, Dressed to Kill, Obssesion...).
Its not the greatest film of the Italian master of suspense but with this film Argento re-found his former style. A style that goes back to his films he made during the 70 or 80 period (Suspiria, Deep Red, Inferno...).
Of course being made for television the production values are not as high as in the films I quoted above. Sometimes the colors are (too) saturated and there is more emphasis on the story then there is on the visual style of the film. On the other hand the photography and the overall style of the film really look fine: certainly a lot more then the average TV-film. That also counts for the scenes involving nudity and violence. There is at least one scene of violence (a typical Argento-style murder) and several scenes of nudity which won't be pleasing several TV-censors. Hopfully this film will soon be available, uncut, on DVD. Catch it if you can.
Its not the greatest film of the Italian master of suspense but with this film Argento re-found his former style. A style that goes back to his films he made during the 70 or 80 period (Suspiria, Deep Red, Inferno...).
Of course being made for television the production values are not as high as in the films I quoted above. Sometimes the colors are (too) saturated and there is more emphasis on the story then there is on the visual style of the film. On the other hand the photography and the overall style of the film really look fine: certainly a lot more then the average TV-film. That also counts for the scenes involving nudity and violence. There is at least one scene of violence (a typical Argento-style murder) and several scenes of nudity which won't be pleasing several TV-censors. Hopfully this film will soon be available, uncut, on DVD. Catch it if you can.
6OJT
A boy cycling in the woods discovered a couple of women acting strange, and starts spying on them, until he is discovered. That's the start of this film by cult film director Dario Argento. A clear and present homage to the great director Alfred Hitchcock in absolutely all that is done on screen, and more so, even to the art of film.
After the start we get to know a real film buff, working in a room full of movie posters. Is it the young boy at an older age? Yes, it is. He's Giulio, and a real Peeping Tom. Now he gets a chance to spy on a neighboring women undressing, just like the photographer in Hitchcocks "Rear window". I'm already sold... But the references go on. "Strangers on a train", "Psycho", "Dial M for murder", "Blackmail", "Family plot", "Vertigo"...
The film refers to so many classics that it's a gem in itself, and the plot is well made up in this story as well. Filmed in the typical Argento style, with the occasional mystical lingering on nature, city scapes and artful Gothic sculptures, this manages to make the right tension. Add music highly inspired by Hichcock and 80'ies thrillers like "Dressed to kill" (DePalma) and all the other ingredients, even down to finger movements, and you're in for a treat. It's not splattery, except from in one scene. OK, but has so much going for it, that it's impossible to dislike, if you got the references on.
This Italian/Spanish production is English spoken, dubbed probably due to to bad English, though filmed with Italian actors in Turin, Italy. Maybe some might feel it a bit forced and artificial due to this, and the perfect English voice-over which make our hero more recipient than actually possible. Never mind, it does only add to the fascination.
The only disappointment here is that Argento doesn't have a cameo in this film, like sold Hitch did in his!
After the start we get to know a real film buff, working in a room full of movie posters. Is it the young boy at an older age? Yes, it is. He's Giulio, and a real Peeping Tom. Now he gets a chance to spy on a neighboring women undressing, just like the photographer in Hitchcocks "Rear window". I'm already sold... But the references go on. "Strangers on a train", "Psycho", "Dial M for murder", "Blackmail", "Family plot", "Vertigo"...
The film refers to so many classics that it's a gem in itself, and the plot is well made up in this story as well. Filmed in the typical Argento style, with the occasional mystical lingering on nature, city scapes and artful Gothic sculptures, this manages to make the right tension. Add music highly inspired by Hichcock and 80'ies thrillers like "Dressed to kill" (DePalma) and all the other ingredients, even down to finger movements, and you're in for a treat. It's not splattery, except from in one scene. OK, but has so much going for it, that it's impossible to dislike, if you got the references on.
This Italian/Spanish production is English spoken, dubbed probably due to to bad English, though filmed with Italian actors in Turin, Italy. Maybe some might feel it a bit forced and artificial due to this, and the perfect English voice-over which make our hero more recipient than actually possible. Never mind, it does only add to the fascination.
The only disappointment here is that Argento doesn't have a cameo in this film, like sold Hitch did in his!
Argento's made-for-television "Ti piace Hitchcock?" is an entertaining giallo which pays tribute to the works of the old master.
A "Rear Window" for the noughties, Argento's offering delivers some great moments and there are fleeting glimpses of the genius behind such classics as "Deep Red" and "Tenebrae".
Elio Germano is excellent as the geeky voyeur who's nosiness leads him into no end of trouble. His performance is believable and his character is both likable and sympathetic.
While the violence has been toned down for this production, it's still a very watchable tale.
A "Rear Window" for the noughties, Argento's offering delivers some great moments and there are fleeting glimpses of the genius behind such classics as "Deep Red" and "Tenebrae".
Elio Germano is excellent as the geeky voyeur who's nosiness leads him into no end of trouble. His performance is believable and his character is both likable and sympathetic.
While the violence has been toned down for this production, it's still a very watchable tale.
Giulio is a peeping Tom and lovely Sascha from across the street catches his eye from time to time. At a local video store Giulio sees Sascha and another girl discussing Hitchcock's film Strangers on a Train and Sascha rents it. Later Sascha's mother is killed and Giulio starts thinking about the plot from Strangers on a Train.
From his very first film Argento has been nicknamed "the Italian Hitchcock" and many still refer to him as that. Although he heartily disagrees with that assessment, Argento may have felt obliged to do a direct homage to the old master at some point in his career. With the help of his longtime script collaborator Franco Ferrini, Argento has constructed a very clever "whodunnit" which successfully weaves together elements from Hitchcock's Rear Window, Strangers on a Train, Dial M. for Murder and Vertigo, and possibly a few others. The story is surprisingly airtight considering the many films it's paying homage to. No great loopholes to be found and although you know the old films by heart, Do You Like Hitchcock? still manages to surprise up until the end. It's no doubt great fun for a Hitchcock aficionado to spot all the references, I particularly liked the Vertigo inspired ending.
Some Argento trademarks are present but on the whole it doesn't always look like it's one of his films. It must be taken into consideration that this is an Italian made for TV film and Argento reportedly had to make it in a hurry and it's budget is lower than usual. The actors here are actually pretty decent and the dubbing fares better here than in Argento's The Card Player. No big names here but they do their jobs well enough. The gore is on the light side, only one sequence has some ick factor in it.
With all limitations in mind it's a wonder what Argento managed to accomplish because Do You Like Hitchcock? is overall a suspenseful homage that no doubt Hitchcock himself would have approved of.
From his very first film Argento has been nicknamed "the Italian Hitchcock" and many still refer to him as that. Although he heartily disagrees with that assessment, Argento may have felt obliged to do a direct homage to the old master at some point in his career. With the help of his longtime script collaborator Franco Ferrini, Argento has constructed a very clever "whodunnit" which successfully weaves together elements from Hitchcock's Rear Window, Strangers on a Train, Dial M. for Murder and Vertigo, and possibly a few others. The story is surprisingly airtight considering the many films it's paying homage to. No great loopholes to be found and although you know the old films by heart, Do You Like Hitchcock? still manages to surprise up until the end. It's no doubt great fun for a Hitchcock aficionado to spot all the references, I particularly liked the Vertigo inspired ending.
Some Argento trademarks are present but on the whole it doesn't always look like it's one of his films. It must be taken into consideration that this is an Italian made for TV film and Argento reportedly had to make it in a hurry and it's budget is lower than usual. The actors here are actually pretty decent and the dubbing fares better here than in Argento's The Card Player. No big names here but they do their jobs well enough. The gore is on the light side, only one sequence has some ick factor in it.
With all limitations in mind it's a wonder what Argento managed to accomplish because Do You Like Hitchcock? is overall a suspenseful homage that no doubt Hitchcock himself would have approved of.
Did you know
- TriviaThe first Dario Argento film where the killer wears white gloves rather than black.
- GoofsDuring the murder of Sasha's mother, it's obvious killer isn't striking the victim's head but instead some sort of fake head filled with fake blood. That is obvious by how soft it is to a blow.
- ConnectionsFeatures Le Golem (1920)
Details
Box office
- Gross worldwide
- $248
- Runtime1 hour 33 minutes
- Color
- Aspect ratio
- 1.66 : 1
Contribute to this page
Suggest an edit or add missing content