IMDb RATING
5.9/10
6.4K
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After their mother dies, two boys flee their mean aunt and head for Venice, Italy, where they meet Scipio, the mysterious "Thief Lord." Along with a small gang of abandoned kids, the boys st... Read allAfter their mother dies, two boys flee their mean aunt and head for Venice, Italy, where they meet Scipio, the mysterious "Thief Lord." Along with a small gang of abandoned kids, the boys start robbing the rich to support themselves.After their mother dies, two boys flee their mean aunt and head for Venice, Italy, where they meet Scipio, the mysterious "Thief Lord." Along with a small gang of abandoned kids, the boys start robbing the rich to support themselves.
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- Stars
- Awards
- 1 nomination total
Aaron Taylor-Johnson
- Prosper
- (as Aaron Johnson)
Ann Overstall Comfort
- Housekeeper
- (as Ann Comfort)
- Director
- Writers
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- Production, box office & more at IMDbPro
Featured reviews
'The Thief Lord' is an enchanting little film that will keep people of all ages occupied since it's executed in a manner that isn't too childish or sugary. Based on fantasy novel by Cornelia Funke, the film centres on fourteen-year-old Prosper and six-year-old Bo, orphaned brothers who face being split up by their cruel aunt and uncle who intend to dump the elder boy in a children's home while they adopt the younger child. The boys flee to Venice, a city their mother told them was magical, where they are befriended by the mysterious Thief Lord and his band of street waifs. Stealing to provide for themselves, the children's lives are about to take another extraordinary turn as the Thief Lord's secret is unravelled and they discover why Venice truly is a place veiled of magic.
The child cast in this film all give decent performances and manage to carry the film well, since it is very much a film that focuses on their characters. Rollo Weeks' Scipio is portrayed in a manner that shows him to be a less flashy, more troubled hero than Harry Potter of the films (an entirely different character to the Harry of the books). Aaron Johnson is perfect as Prosper, a young teenager caught between enjoying his own childhood and providing a parental figure to his brother while wee Jasper Harris was utterly adorable as Bo, proving that very young actors can still be talented. Their young co-stars of George MacKay, Lathaniel Dyer and Alice Connor are equally as effective in their roles. And the young cast are well-supported by their adult co-stars, particularly Jim Carter as the clumsy Victor and Alexei Sayle as the slimy Barbarossa.
As an adaptation, 'The Thief Lord' is quite loyal to the books with the characters and the main plot remaining largely unchanged. The story is depicted in a manner that is involving and will endear the audience to the young characters and the musical score fitted the mood of the film perfectly. However, there were a couple of flaws, such as the scenes towards the end with the new 'children' (I don't want to elaborate too much in deference to those who haven't seen the film) were a bit too slapstick and didn't suit the rest of the film while the new version of Scipio should probably have been played by someone else since it just looked like Rollo Weeks with a bit of make-up on. And perhaps it should have been established where Proper and Bo lived previously so the audience aren't left wondering why the citizens of Venice all speak with English accents.
That said, I found 'The Thief Lord' a charming film that should appeal to all ages of the family. It's a shame it's so underrated and received little acknowledgement in the UK since surely we should be supporting our talented home-grown young actors and be eager to show the world that British child acting doesn't begin and end with the Harry Potter cast.
The child cast in this film all give decent performances and manage to carry the film well, since it is very much a film that focuses on their characters. Rollo Weeks' Scipio is portrayed in a manner that shows him to be a less flashy, more troubled hero than Harry Potter of the films (an entirely different character to the Harry of the books). Aaron Johnson is perfect as Prosper, a young teenager caught between enjoying his own childhood and providing a parental figure to his brother while wee Jasper Harris was utterly adorable as Bo, proving that very young actors can still be talented. Their young co-stars of George MacKay, Lathaniel Dyer and Alice Connor are equally as effective in their roles. And the young cast are well-supported by their adult co-stars, particularly Jim Carter as the clumsy Victor and Alexei Sayle as the slimy Barbarossa.
As an adaptation, 'The Thief Lord' is quite loyal to the books with the characters and the main plot remaining largely unchanged. The story is depicted in a manner that is involving and will endear the audience to the young characters and the musical score fitted the mood of the film perfectly. However, there were a couple of flaws, such as the scenes towards the end with the new 'children' (I don't want to elaborate too much in deference to those who haven't seen the film) were a bit too slapstick and didn't suit the rest of the film while the new version of Scipio should probably have been played by someone else since it just looked like Rollo Weeks with a bit of make-up on. And perhaps it should have been established where Proper and Bo lived previously so the audience aren't left wondering why the citizens of Venice all speak with English accents.
That said, I found 'The Thief Lord' a charming film that should appeal to all ages of the family. It's a shame it's so underrated and received little acknowledgement in the UK since surely we should be supporting our talented home-grown young actors and be eager to show the world that British child acting doesn't begin and end with the Harry Potter cast.
I loved the book, so naturally I wanted an accurate adaptation. The movie was a wonderful translation from book to film although of course there were a few minor details that I was disappointed about. It was also very, very good for a low budget movie. The characters were just as lovable, if not more, on screen as they were in the book. The acting was good for the most part although at times it could get a little dull, and at times a tad overdone, but still it was completely believable. Some parts were quite touching and others were hilariously funny. There was just the right balance of humor and seriousness to make it grounded and interesting at the same time. It was creatively done and very entertaining. And I would still recommend it to you if you haven't read the book.
After finishing reading the book, I heard about the movie coming out in 2006. Of course I didn't expect much, only because books being turned into movies turn out bad. But i have say, this movie was probably the best movie i have seen in many years. This movie just blew me, and not only me, but my family away. The film was amazingly detailed and explained the character very well. The effects for this movie were just magical. This film isn't the blockbuster of the year, but this movie did have amazing acting, the effects were really well done for a low-budget movie. And, the most important, it did stay very true to the book and left very little out. Looking back on some book/movies, they leave a lot out and some of the movies don't turn out that great for some people. But this movie left out very little, and a lot of people will be very pleased. The movie overall will get a 10/10 because Cornelia Funke is just an extremely amazing writer, and the movie was just so magical and exciting, all people of any age will love it. And don't forget to catch Cornelia's soon to be made into a movie, Inkheart.
When I was about 9 or 10, I read the book. I loved it, and it deepened my love for the city of Venice. The movie is about two boys, Pop and Bo, who get separated when their mother dies: 6 year old Bo has to live with his terrible aunt and uncle, 15 year old Pop ends up in an orphanage. The decide to run away to Venice, a city their mother had always loved. Without money or home, they meet the 16 year old Lord of the Thiefs and get to live with him and his gang of orphans, and get a dangerous mission to steal a wooden wing...
The actors were well chosen and played even due to their young age very well, the pictures of Venice are beautiful and the music was thoroughly fitting. Only 9 stars, because notable changes were made from the book, though it wasn't too tragic.
The actors were well chosen and played even due to their young age very well, the pictures of Venice are beautiful and the music was thoroughly fitting. Only 9 stars, because notable changes were made from the book, though it wasn't too tragic.
Sometimes you just want to enjoy a movie and overlook some minor imperfections. You judge it by how you feel when the movie ends. A movie that the whole family can enjoy, sans profanity, nudity, complex themes or juxtaposed subplots.
Great music, a great story and well executed direction. This is one movie that will not disappoint you as long as you understand that it is a children's' movie with simple and easily understood dialog and story line. Surprisingly, the adults equally enjoyed the production.
The characters are very convincing and the script is believable. Overall a very positive experience.
Great music, a great story and well executed direction. This is one movie that will not disappoint you as long as you understand that it is a children's' movie with simple and easily understood dialog and story line. Surprisingly, the adults equally enjoyed the production.
The characters are very convincing and the script is believable. Overall a very positive experience.
Did you know
- TriviaIn the San Marco scene, Hornet brings out a hardback copy of Cornelia Funke's Inkheart. She carries a book as the gang walks in-line across the plaza (starting at 22:32) and sits in a fence to read it (at 24:00) while waiting when Scipio meets the Conte.
- GoofsIn the fight between the boys and the Aunt and Uncle where Mosca jumps the Uncle, Hornet is holding Bo in the long shots, but in two medium shots (at around 1h 28 mins) Bo is missing from the shot altogether.
- ConnectionsFeatures Le petit vampire (2000)
- SoundtracksOrphan Skies
Vocalist: Howard New
Bass Guitar: Joe Henson
Drums: Danny Cummings
Guitar: Mark Lo
Details
Box office
- Gross worldwide
- $5,141,916
- Runtime1 hour 38 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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