A World Without Thieves

I don't know a lot about Chinese film but I've seen some of the recent Kung fu hits (House of flying daggers, Redcliff, all entertaining for their genre but fairly empty productions) and this one is a real gem--a tight well woven plot, touching and interesting characters and some classic Chinese hero traits (think superhuman abilities that often defy gravity) suavely transposed into the world of petty thieves with a light and gentle touch that makes you almost forget some of the gestures are probably physically impossible. The music score is pitch perfect, light, jazzy, with just a hint of something deeper and sadder.

The acting is superb and the script really keeps you guessing. Scenes hover somewhere between outright hilarity, touching irony, and fleeting hints of the genuinely tragic. There is rarely a false note and the actor who plays the intellectually limited villager pulls off a terrific balancing act: he manages to be naive and rustic without slipping into Forest Gumpy type nonsense....

Well worth the viewing...

World without Thieves (Tian Xia Wu Zei) is a film by director Feng Xiaogang. It involves a romantically involved pair of thieves. As the film begins they are extorting money from a rich man they have filmed trying to seduce the woman. Soon after this, the woman decides she has had enough of this kind of life and wants a normal existence. Her partner in crime, however, has no intention of quitting the business. She stops at a Buddhist temple to pray and there is befriended by a worker on the temple. The man, whose friends call him Dumbo, is returning home with his five years wages from working on the temple, 60, 000 RMB. Although his friends tell him to wire the money home and warn him about thieves he insists he is fine taking the money on the train with him and that they are too distrustful of people. In an attempt to prove to his friends that there are no thieves on the train, the young man has announces to the entire train that he has the money and that any thieves should show themselves. When they don't, Dumbo says, "see,there are no thieves here." On the train, he hooks up with the thieving couple, and the woman makes it her mission to try to protect the gullible young man from those who would steal the money, in particular from a gang of thieves on the train, and perhaps from her own partner. Like Bu Jian, Bu San, this film is not a light comedy, although it seems to start out as such. Instead, it is a serious and emotionally taxing film that can be alternatively thought provoking and hilarious, with the contrast between the gullibility of the young man and the sophistication of the world weary thieves providing the central moral focus Feng is a major Chinese writer/director. He traditionally releases movies around the Chinese New Year. A beautiful movie, highly recommended.

Feng Xiaogang has made himself the fame of making good holiday films in the past several years. Most of them achieved the purposes of making laugh and making people a happy new year.

This one is the best one in that both in the filming and produce, it has more meaning and more depth. Well, it is still not an 'art' movie. It is still just targeted for box income.

The performance of actors and actresses is OK, not too much to exceed what they are usually doing. By maintaining their perform, this movie achieve the adequate balance between a good movie (usually a heavy one) and a laughter making movie.

The story is a made one for sure. A world without thieves has disappeared from 10 years ago. Now it is a world full of thieves. It might remind people in their 30s the good old days of China ...

As another reviewer stated here, this feels like a light comedy. But there is so much more to it. And to have the ability to mix the lightness (especiall in the way many scenes are staged and shot) with the philosophical question it raises is just plain great. It might not be your cup of tea or you might think that some people are reading things into the movie that aren't there. But seeing a trailer for another movie done by this director, I am pretty sure, that those things are meant to be there.

Nevertheless, it doesn't make this movie flawless. And quite a few people will dislike it. But as with many movies, you should be able to tell, if you like the (visual) style and tone of the movie, when it reaches the ten minute mark. If it didn't convince you by then, you could stop watching, because it won't have any different effect by the end of it. On the other hand, if you are "captured" (no pun intended) into the world, you will have a truly great experience watching this movie.

A world without thieves is close to impossible, at least not in our modern world where there are those who covert what others have, and given no means of obtaining those items legitimately, seek the easier way out and give in to temptation. But there are those who naively think that such an utopia is possible, perhaps given their simple background, and their trusting nature to not see the evils of man. Sha Gen the Dumbo (Wang Baoqiang) is one such person, who declares and openly challenges, on a crowded passenger platform to would-be (and to himself, non existent) thieves, that he has RMB60K on him.

Andy Lau and Rene Liu play Wang Bo and Wang Li respectively, a Bonnie and Clyde styled couple whose profession is to profit from conning and thievery. They're skilled pickpockets, and in a scene set in a temple, we see what Wang Bo is capable of with his deft hands armed only with a thin razor. Things don't go down well for the couple as Wang Li decides to forgo the partnership and go legit, for fear of karmic retribution. As such, she takes it on herself to look after the kind hearted Dumbo, and what could Wang Bo do except to go along, even though he's secretly harbouring thoughts on that 60K cash package.

But like the adage of washing your hands in the golden basin, their will and skills are put to the test when Uncle Li (Ge You) and his band of merry thieves which include Lam Ka Tung as Four Eyes and Li Bingbing as Leaf, board the same train, and constantly poke and probe for opportunities to succeed in fleecing Dumbo like a helpless sheep when his guardian wolves are less than alert. It's a classic cat and mouse game, with each side displaying their fangs as they encircle their prey, with the prey none the wiser to the drawing of territorial lines.

It's not very often in recent times that you have a movie set for the most parts on board a train, and good ones at that, unless you pass the likes of Steven Seagal's Under Siege 2. The first Mission: Impossible movie had a great action sequence, Bollywood's Dil Se featured an awesome dance on the roof of a moving train, and The Darjeeling Limited and Before Sunrise had great conversations, but I'd dare say Feng Xiaogang bested them all with this movie. It's not difficult then to say that I've enjoyed this movie, having seen his Banquet and Assembly, both of which I had liked, and I guess his works are now on my watchlist.

But it's not all claustrophobic in having everything set on a train. There were ample opportunities for lush cinematography to accentuate the beautiful vast lands that China has, although at some points to allow for action sequences, some of them had to be superimposed instead. Don't let that mar your enjoyment though, as the effects were pretty much nicely done, on par with what you'd come to expect with movies made in Hollywood. But the characterization here takes priority as well in moving the story forward, especially with Andy Lau's character caught in the crossroads of listening to his heart, as well as figuring out the intentions behind the admiration from a grandmaster thief.

And Ge You, if you'd think his portrayal in the Banquet was one-dimensional, you should see him in action here, with his various disguises, and his silent charisma shining through, chewing up almost every scene he comes in. It's little wonder that he's a frequent feature in the films of Feng Xiaogang, and I look forward to his next with the director, starring opposite yet another Chinese thespian in Jiang Wen. Rene Liu had great chemistry with Andy Lau and thus made their couple character quite believable in their love for each other, as well as the conflict of ideals that they face which put a strain in their relationship.

The only gripe I have will be that some of the fleecing scenes were shot in too close up a manner, but it sort of emphasizes on the blink and you miss sensibilities that these crooks have to capitalize on in order to practice their trade. And that of course presents itself as a perfect opportunity to rewatch this wonderful movie again. Highly recommended!