A young Italian woman inherits from her deceased lover an enigmatic modern house in the New York country side, and goes to see it for the first time. When she arrives she meets the caretaker... Read allA young Italian woman inherits from her deceased lover an enigmatic modern house in the New York country side, and goes to see it for the first time. When she arrives she meets the caretaker of the house...A young Italian woman inherits from her deceased lover an enigmatic modern house in the New York country side, and goes to see it for the first time. When she arrives she meets the caretaker of the house...
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The photography on the DVD is so dark I thought the screen had died. I think I missed seeing half of the movie. Still, it was poorly crafted and not interesting. I did not find the story related to the title "The Black Widow". I was hoping for a mystery or a thriller but did not get involved enough to care after the first few frames. I rented the movie especially for Willem Dafoe and was sad it wasted his talent. I do not believe Giada Colagrande has studied movie making long enough to develop a major motion picture. She is attractive and might develop into an actor but she took on too many tasks in this movie. Although they are married in real life, they lack chemistry on the screen. Their relationships did not seem believable. I do not understand why the other characters were even introduced into the plot.
Italian-born Eleonora has inherited from her deceased lover Karl, an ultra-modern and isolated house in the middle of the woods. It's winter and she meets the mysterious caretaker Leslie, who eventually ends up not only just looking after the house, but also that of Eleonora, as she tries to adapt to her new surroundings and a growing attraction between the pair.
What was I expecting? A thriller indeed, but it wasn't quite so. That's just the advertising on the package for ya! I'm quite perplex about everything. The title, the story and the motivation. So how to classify it? Well, this wooden character drama is more a enigmatically moody romance bound-story of alienation, possession and dependence twisted into a complicatedly passionate relationship of two masked individuals. Co-writer (along with William Dafoe) and director Giada Colagrande's art-house film is just too clinical, distant and calculated with its mysteriously metaphoric story, which it leaves you questioning what does it all really mean although when its sudden conclusion materialises, you'll thinking why should I actually care. What we go through feels aimless with ponderous exposition of dead air that focuses of insignificant details and images. Sterile dialogues can contributed to many awkward developments, but more so make for an leaden experience, as it never delves deep enough. Like it believes it does. The sexually salty activities filtered in just never convince and are far from erotic. They are kind of a bump in the already sluggish flow. The base of the plot makes for something interesting and fresh, but it's never fulfilling and I thought there'll be more to it then all of this dreary lingering. Colagrande's direction is professionally stylish and suitably gloomy to want she imagines, but everything feels like it's in slow motion and can get caught up admiring the same views. Most of the action stays at the one location the house. Camera-work is potently taut, but the sullen musical score can get a bit ridiculous when it goes for some dramatically stabbing music cues that served little sense and purpose to the scenes. Giada Colagrande plays it sensually and William Dafoe sleep walks the part. He looks dog tired! While Seymour Cassel, pokes his head in now and then.
Just where is it heading, is anyone's guess. Well, that's if you can wait around for it. I think I'll give it the benefit of the doubt, as it's definitely not what I was expecting from this Indie film.
What was I expecting? A thriller indeed, but it wasn't quite so. That's just the advertising on the package for ya! I'm quite perplex about everything. The title, the story and the motivation. So how to classify it? Well, this wooden character drama is more a enigmatically moody romance bound-story of alienation, possession and dependence twisted into a complicatedly passionate relationship of two masked individuals. Co-writer (along with William Dafoe) and director Giada Colagrande's art-house film is just too clinical, distant and calculated with its mysteriously metaphoric story, which it leaves you questioning what does it all really mean although when its sudden conclusion materialises, you'll thinking why should I actually care. What we go through feels aimless with ponderous exposition of dead air that focuses of insignificant details and images. Sterile dialogues can contributed to many awkward developments, but more so make for an leaden experience, as it never delves deep enough. Like it believes it does. The sexually salty activities filtered in just never convince and are far from erotic. They are kind of a bump in the already sluggish flow. The base of the plot makes for something interesting and fresh, but it's never fulfilling and I thought there'll be more to it then all of this dreary lingering. Colagrande's direction is professionally stylish and suitably gloomy to want she imagines, but everything feels like it's in slow motion and can get caught up admiring the same views. Most of the action stays at the one location the house. Camera-work is potently taut, but the sullen musical score can get a bit ridiculous when it goes for some dramatically stabbing music cues that served little sense and purpose to the scenes. Giada Colagrande plays it sensually and William Dafoe sleep walks the part. He looks dog tired! While Seymour Cassel, pokes his head in now and then.
Just where is it heading, is anyone's guess. Well, that's if you can wait around for it. I think I'll give it the benefit of the doubt, as it's definitely not what I was expecting from this Indie film.
I am not an artistically inclined individual. I am a science minded woman and I felt that this movie was maybe one of those campy artsy type films on a budget. I watched part of it with my fiancé and my future step daughter. We tried very hard to find something in this film to keep our interest. My fiancé and his daughter voted it off and we moved on to Ocean's 13,but that is another story. Not to be deterred I awoke the next morning and gave the movie another shot. I began again watching this movie in earnest. I just don't get it,I thought I would get it.I thought the funniest part was the flushing of the ashes and the urn finding a spot by the fireplace being used as a vase for what appeared to be dead flowers. Interesting and still it had dead stuff inside. It was an odd and bizarre movie. Maybe this is what they were after,however I won't be tricked a second time!
I too like Dafoe as an actor but i wasted a few hours of my life actually watching this film, I still cant believe i managed to watch it in its entirety. Was there actually a point to the film?, and the ending, well, Im glad i never paid to see this awful pointless piece of pathetic excuse of a film!
Im not sure without hunting the facts out but is Dafoe married or seeing the awful actress in this film in real life, if so was it an attempt to kick start her career?, if so im afraid it must have failed..
I post this in the hope i can actually put someone off watching this film, even if 1 person takes heed of my comments and decides they would much rather watch paint drying i will feel i have made some good in the world, if only i had had the same advice...
Im not sure without hunting the facts out but is Dafoe married or seeing the awful actress in this film in real life, if so was it an attempt to kick start her career?, if so im afraid it must have failed..
I post this in the hope i can actually put someone off watching this film, even if 1 person takes heed of my comments and decides they would much rather watch paint drying i will feel i have made some good in the world, if only i had had the same advice...
Predictable, told a thousand times story with the usual drama in between, a couple of pretty raunchy sex scenes intermingled with some character paranoia, 70's style incidental violin horror music that is comical at times, i couldn't help chuckling to myself.
I usually like Defoe, and it has to be said that the acting is not all that bad, the "plot" develops at a reasonable pace and does keep you guessing from time to time. Its just that it's all too predictable, i felt like i was watching a made for TV drama instead of a new movie. Maybe thats the style the directors wanted, but it has to be said that the review i read on here before i saw the movie could only have been written by someone involved in its production.
Don't expect too much, and if i could wind the clock back i wouldn't have gone to see it at the cinema. I would wait for the bargain bins at your video shop, I'm sure it wont take long.
I usually like Defoe, and it has to be said that the acting is not all that bad, the "plot" develops at a reasonable pace and does keep you guessing from time to time. Its just that it's all too predictable, i felt like i was watching a made for TV drama instead of a new movie. Maybe thats the style the directors wanted, but it has to be said that the review i read on here before i saw the movie could only have been written by someone involved in its production.
Don't expect too much, and if i could wind the clock back i wouldn't have gone to see it at the cinema. I would wait for the bargain bins at your video shop, I'm sure it wont take long.
Did you know
- TriviaBen Van Hoei wrote: "With its narrow focus on two people in a passionate relationship and its abundant use of metaphors, the film certainly has more in common with the intimate auteur dramas of the old continent than with new American cinema . . . Whatever the reaction of American audiences will be, Black Widow (2005) is certainly amongst the most pleasing --- and decidedly auteur --- surprises of the Venice Days."
- ConnectionsFeatures This American Life (1995)
- SoundtracksDomani e un Altro Giorno (The Wonders you Perform)
Written by Jerry Chesnut (as Jerry Chesnut)
Performed by Ornella Vanoni
Published by Sony/ATV Tree Publishing (BMI)
Details
Box office
- Budget
- $450,000 (estimated)
- Runtime1 hour 30 minutes
- Color
- Aspect ratio
- 1.85 : 1
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