Something New

Geesehoward, to clarify something in your post: Sanaa's lover did not "assume" that she had a weave. It was after a night of lovemaking that he asked her about it as they lay in bed the next morning. I'm sure he was trying to run his fingers through her hair and found he was unable to.

I am a black woman who is married to a white man. I read the interview with Sanaa where she talked about living in Harlem and being terrified of holding his hand because she was afraid of the judgment. I felt as though she was writing my life story. Before we got married, my then boyfriend lived in Soho and I in Harlem. Walking around together in lower Manhattan, we got a few looks, but nothing even remotely close to the venom that was spit at us when we were together up in my neighborhood. People would stop dead in their tracks, hands on hips and say horrible things to us! And this is in the 21st Century! There were times I would actively dissuade my husband from showing me any affection in a Black environment because I didn't want the brothers to take it the wrong way and think it was an overt slap in their face-- you know, white man comes up in to the Black neighborhood to claim the Black woman while the Black man stands idly by. But after a time, I got over it. My man was just trying to love me. He was willing to take all the insults and stand by me and allow me to open myself up and let him in, so to speak. And I am so glad I did. I have been fortunate in having had positive relationships with all of the men I have dated seriously (who btw, were all Black). They all brought something special to the table. My husband just happened to come into my life at the right time when I was opening up to the idea of trying "something new". I have learned a lot from him, but he has also learned a lot from me. I think this movie did SO much in the way of allowing people to get a little more used to the idea that love comes in all shapes sizes and colors, and that it also comes with problems, depending on the type of relationship. Interracial relationships are going to always have family and societal disapproval, but guess what, everyone comes around eventually once they realized that it's not superficial, that there's true, honest love there. This is because people are just people, and if someone takes the time to get to know you, you discover all the things you have in common that have nothing to do with skin color. The moral of this extended post is this: After we had been dating for some time, my husband moved up to Harlem. Before you knew it, he was friends with everybody on the block and knew more people in my neighborhood than I did. That's because people are just afraid of what they don't know. Yes there is a lot of historical baggage attached to race in this country, but we can't keep schleping it around with us all the time, we've got to let it go, let it flow. I encourage all of you to see the movie. It was your typical predictable rom com, yes, where everything works out okay in the end, but it also has a lot to recommend it. I thought it was on point and funny and sad and all that good stuff. Go see it! (Plus it's the first studio film that's written, directed, produced and starred in by Black women!) You go ladies!

This film has some flaws. It has some moments that are just dreadful. It has entire scenes that would get a C- in a screen writing 101 class. Yet it's a wonderful film. Sanaa Lathan gives a superb performance, as does Simon Baker. Wendy Raquel Robinson, Alfrie Woodard, Russell Hornsby, Donald Faison and Blair Underwood are all wonderful, while Golden Brooks will probably (just barely) avoid be indicted for accepting payment for her "perfomance." (Most of the truly dreadful moments in the film involve her, which is odd as she is not at all a bad actress.) While the film has such flaws, it overcomes them with charm and intelligence, and the wonderful on screen pairing of the leads. Okay, so Kenya (Sanaa Lathan's character) gets what she wants far too easily - repeatedly - and so there's a needlessly absurd scene involving a white boy in a Mexican mariachi outfit at a black high society event, which in real life would be humiliating for everybody within six city blocks.

The film has something of value to say about race, about prejudice - black and white - and about following your heart and finding somebody to love. As a white boy married to an incredible black woman, I can tell you that the best twenty bucks I ever spent was in buying this film for my wife. It's brought her such joy and so many hours of happiness (she's incredible, sure, but she's also a major wacko - she'll watch the same film three time in one day for three days running and love it more each time), that I'm thinking of buying another TV/DVD player, just so I can leave this on 24/7 for her.

The point is, rent it, it's just great (except for the dreadful parts).

First off, this movie is NOT about a shortage of black men. In fact, there are plenty of black men in this movie: husbands, brothers, boyfriends, guys at Starbucks, club-goers. It just so happens that the main character Kenya, a black woman, falls in love with a white man. What's the big freakin deal?!?! To repeat, this movie is not about a shortage of black men; it never claims to be. It's a love story and one that is complicated by race. I thought the issues they had to deal with as a couple were very real, particularly Kenya's issues with her job.

I can totally relate to the Kenya character and I can easily think of 10 other black women who probably can too. This film was refreshing; it was so nice to see a smart, successful black woman as the main character of a movie. GO SEE IT!

SOMETHING NEW is one of those films that many will pass by thinking it is just another Chick Flick with a twist. Well, this little movie may be a romantic comedy but it is well written (Kriss Turner), well directed (Sanaa Hamri), and very well acted and has some down to earth important observations about interpersonal relationships...and, oh yes, it deal with interracial issues, beautifully! Kenya (Sanaa Lathan - Best Man, Blade, The Wood, etc) is a beautiful Type A personality, an overachiever who is up for Partner in her Accounting Firm: she has no time to search for IMB (Important Black Man) as her list of qualifications is far too extensive. Her fellow professional girlfriends (Wendy Raquel Robinson, Golden Brooks and Taraji P. Henson - all superb!) encourage her to date to 'go with the flow' and a fellow business associate sets her up with a blind date - the very handsome, hunky, landscape architect Brian Kelly (Simon Baker - superb actor from Tasmania, Australia has starred in LA Confidential, Book of Love, The Ring Two, The Affair of the Necklace etc) - and despite the fact that Kenya refuses to consider dating any man who is not black, she does accept Brian's card and in no time hires him to landscape her new home.

The usual dating events occur: Simon is an educated, laid-back, tender, thoughtful, adventuresome male who happens to fall in love with the closely guarded Kenya; when introduced at parties Simon falls victim to prejudice form black men AND form Kenya's parents; Kenya gradually succumbs to Brian's charms and despite all misgivings they begin an affair. But peer pressures, work demands, and Kenya's self doubt jumble matters and she decides she must search for a black man. One 'just happens' to appear as Mark (Blair Underwood) and for a moment Kenya believes she has found her ideal - until her heart speaks up and she for the first time is honest with her emotions and follows her true heart's desire.

The apparent disparity between Kenya and Brian is handled in a sensitive and realistic way and Lathan and Baker have a sizzling screen chemistry. The supporting roles are in excellent hands: in addition to those mentioned above there are fine roles by Alfre Woodward, Earl Billings, Donald Faison, Mike Epps etc. This is a fine little film that approaches the touchy subject of black professional women who are unmarried ('42.4 Percent' was the working title) and for once shows an interracial film that is more a sound love story than a sermon. It is light, airy, important, and thoroughly entertaining! (This coming from a viewer who doesn't particularly care for Chick Flicks....!). Grady Harp

For about five years or better yet since I've been married, I have banned all modern day romantic comedies from my precious eyesight. Why you say? Because nine times out of ten they featured awkward pairings of big-name stars who had as much chemistry as a week old can of generic pop that was left in the refrigerator open, the plots were so insultingly predictable that you just wanted to take out a bull horn in Hollywood and yell to screenwriters and movie studios everywhere: "STOP INSULTING US BY RELYING ON YOUR FORMULAS TO MAKE YOUR MOVIES." Honestly, if I see one more chase scene to the airport to stop some chick from moving away, I'm going to blow something up, and finally romantic comedies were just plain unrealistic. I mean honestly, how many of us can believe that Jennifer Lopez, Diane Lane, and Julia Roberts are dateless. And how many women are really knocking down John Cusak's door to get a date? However, alas comes a true romantic comedy with depth, conviction, and heart. And while it did use a few formulas it did not depend on them. "Something New" features very real people, real responses, real dialogue, and most importantly real issues. I champion this movie for being groundbreaking and discussing things that no other (or few) mainstream film had the balls to tackle such as "The Black Tax," the true difference between racism and reverse racism, and Black hair culture to name a few. Don't get me wrong, THIS MOVIE IS NOT A BLACK MOVIE. It is definitely romantic and comedic at its very heart and it is something that can be appreciated by all. But I felt so much better about seeing this film when I realized that it took the time to think and bring some things to the forefront. I hate the fact that this movie was not marketed properly. What a misstep. This movie was for all because we have all had to grapple with pressures from our family, our careers, friends, and culture at one point or another and realize that being true to yourself is all that matters. Oh and by the way, the chemistry between Sanaa Lathan and Simon Baker is phenomenal! I haven't seen chemistry like that in a long, long time. The movie is worth the trip just to see that.