Something New

SOMETHING NEW is one of those films that many will pass by thinking it is just another Chick Flick with a twist. Well, this little movie may be a romantic comedy but it is well written (Kriss Turner), well directed (Sanaa Hamri), and very well acted and has some down to earth important observations about interpersonal relationships...and, oh yes, it deal with interracial issues, beautifully! Kenya (Sanaa Lathan - Best Man, Blade, The Wood, etc) is a beautiful Type A personality, an overachiever who is up for Partner in her Accounting Firm: she has no time to search for IMB (Important Black Man) as her list of qualifications is far too extensive. Her fellow professional girlfriends (Wendy Raquel Robinson, Golden Brooks and Taraji P. Henson - all superb!) encourage her to date to 'go with the flow' and a fellow business associate sets her up with a blind date - the very handsome, hunky, landscape architect Brian Kelly (Simon Baker - superb actor from Tasmania, Australia has starred in LA Confidential, Book of Love, The Ring Two, The Affair of the Necklace etc) - and despite the fact that Kenya refuses to consider dating any man who is not black, she does accept Brian's card and in no time hires him to landscape her new home.

The usual dating events occur: Simon is an educated, laid-back, tender, thoughtful, adventuresome male who happens to fall in love with the closely guarded Kenya; when introduced at parties Simon falls victim to prejudice form black men AND form Kenya's parents; Kenya gradually succumbs to Brian's charms and despite all misgivings they begin an affair. But peer pressures, work demands, and Kenya's self doubt jumble matters and she decides she must search for a black man. One 'just happens' to appear as Mark (Blair Underwood) and for a moment Kenya believes she has found her ideal - until her heart speaks up and she for the first time is honest with her emotions and follows her true heart's desire.

The apparent disparity between Kenya and Brian is handled in a sensitive and realistic way and Lathan and Baker have a sizzling screen chemistry. The supporting roles are in excellent hands: in addition to those mentioned above there are fine roles by Alfre Woodward, Earl Billings, Donald Faison, Mike Epps etc. This is a fine little film that approaches the touchy subject of black professional women who are unmarried ('42.4 Percent' was the working title) and for once shows an interracial film that is more a sound love story than a sermon. It is light, airy, important, and thoroughly entertaining! (This coming from a viewer who doesn't particularly care for Chick Flicks....!). Grady Harp

"Something New" is a charming chick flick crossed with the BUPpie (Black Urban Professional) genre, like "The Best Man" and "The Woodsman."

While those guy films featured Sanaa Lathan, she really gets to shine here, and her chemistry with the actresses playing her three girlfriends is wonderful. Unusual for a chick flick, the girlfriends all have believable, non-media jobs given their post-graduate degreed education and competence, including lawyer and pediatrician, and are at age-appropriate, mid-'30's points in their ambitious careers. I've never watched UPN-type sit coms like "Girlfriends" to know if the portrayal of their entertaining interchanges, amidst a whirling camera, is unusual, particularly about the woes of dating, but they do sound like a racially charged take on "Sex and the City". I think it is probably unusual that we get to see Lathan's "Kenya McQueen" substantively at work, dealing with subtle issues of racism and sexism (including much discussion of "the black tax"). We absolutely believe she is a workaholic who has just made her first big investment, in a bare house.

But key is that Lathan and Simon Baker are wonderful together and that the stops and starts, hots and cools of their relationship are believable. I find it amusing that non-TV watching movie critics refer much to his appearance in "L.A. Confidential" as that was barely a cameo, while he registered as a hunk in several seasons of "The Guardian" and a hero in "Land of the Dead". But this is the first we've seen him as all get out romantic and the camera loves his rugged, scruffy look, as he's an outdoorsy landscaper.

Their courting and post-coital scenes are wonderfully sweet, the best such sensual scenes since "Bull Durham". I particularly liked the intimate, in tight close-ups, curiosity of their inter-racial discussions (though we only learn about her Afro-centric academic family and not his ethnically neutral one), leading to him committing what Oprah says is the number one no-no: never ask an African-American woman about her hair. At least we learn about his business background and also got one interchange where he seemed like a normal guy and not just too and not just too world-music listening, community garden volunteering, etc. good to be true.

I was glad that her father finally had a speech about historic diversity, sounding like Henry Louis Gates in the PBS series "African-American Lives", because even though debut director Sanaa Hamri and scripter Kriss Turner developed this with Lathan in mind, according to her interviews, she seems as black as bi-racial Halle Berry (as opposed to her darker-skinned friends), as I wondered why her hair au natural wasn't even curlier.

The film goes way out of its way to be fair to African-American men, including a too long stand-up comic routine. It's not easy finding a reason for a woman not to hook up with Blair Underwood.

I'll have to trust that the representations of African-American cotillion culture, including snappy choreography, were correct, because the film was incorrect in having a wedding of, ironically, their mutual friend in a synagogue, as they are not used for such personal events. I hope it wasn't for the sake of a joke by ladies in scanty summer dresses about being in a rabbi's office.

The cinematography has harsh contrasts in the California sun, which Baker has said in interviews was due to the differences between skin color.

First off, this movie is NOT about a shortage of black men. In fact, there are plenty of black men in this movie: husbands, brothers, boyfriends, guys at Starbucks, club-goers. It just so happens that the main character Kenya, a black woman, falls in love with a white man. What's the big freakin deal?!?! To repeat, this movie is not about a shortage of black men; it never claims to be. It's a love story and one that is complicated by race. I thought the issues they had to deal with as a couple were very real, particularly Kenya's issues with her job.

I can totally relate to the Kenya character and I can easily think of 10 other black women who probably can too. This film was refreshing; it was so nice to see a smart, successful black woman as the main character of a movie. GO SEE IT!

I am 51, single, and a black woman. I have seen this movie twice, once with my youngest single sister and the second time with another younger single sister. I paid full price each time and will see it for a third time with a married girlfriend. I like the subject matter and say it is about time, not just for the subject, but also that it did not portray us black sisters in a derogatory light. We can be more than hookers and gangsters and maids on the big screen. My sisters and I identify with Kenya and unfortunately, we are all in that percentage class of the unmarrieds.

It reminds me of the classic "Guess Who Is Coming to Dinner". I loved that movie too. It broke barriers. There are more relationships going on like this than we care to admit. My sisters and I would date a white man in a minute, if it was meant to be. Race isn't a preference. If we could each find one good man, he could be green and we would date him.

At the second showing, some in the audience clapped at the end, and we lingered for sometime afterwards and read all the credits. We really liked it and so much of it was true. The soundtrack is beautiful. I can't wait for the DVD and the CD soundtrack to be released. I fell "in love" with this movie. Love is more than color. The only thing that would have made me more love sick is if Brian was played by the hot and cute flavor of the day Matthew McConaughey!! I said it, yes I did!

Additional comment: Okay, I saw this movie for the third time and paid full price cause I loved it. It saddens me that this movie is not getting the PR it deserves. It's a hot topic, especially since it deals with us being seriously involved with a white man. The brothers have been doing this for years, yes years! Sisters, I say allow yourself to flip the script.

I will have to start by saying, I have never been in an interracial relationship but I am not opposed to them. However, I do have friends who have been an IR, so I'm not completely unexperienced with them. That said, some of the things in this film are unbelievable, or maybe its just me. Her girlfriends act as if having sex with a white man was some outlandish thing, like she had had sex with an alien or something. And the whole while I'm going---Jesus, the man is Caucasian, not a martian. I don't know any black women who would be like that, but again, that could be just me. And if it had been the other way around, if the white guy's friends had been like that, wide-eyed and shocked (which probably isn't untrue in actuality) I guarantee that would have been perceived as racist. Rightfully so.

I can't say that I rooted for Sanaa Lathan's character either. Don't get me wrong, I think she's a nice actress, but she was irritating in this film, so was her mother. Some of the issues addressed though in the film ring bitterly true, such as how a black woman might feel in white-dominated corporate America and how it might be difficult for her to find a man on her level, or man who truly wants her for her and not her money. All that said, I watched it until the end because I am a fan of Simon Baker. Its overall a good film, but the best IR flick remains "Guess Who's Coming to Dinner."