Gankutsu-ô

Trying to escape his uneventful life, Albert, the son of a renowned general from Paris, makes a journey with his friend Franz. During his travels, he meets an immensely wealthy nobleman named The Count of Monte Cristo. Living in luxurious hotels, surrounded by beautiful women and strong bodyguards, the charming but enigmatic count fascinates Albert. Albert invites the count to join the high society of Paris. However, unknown to Albert, his father had once framed the count and took the Count's fiancée as his own.

I thought this adaptation was decent. For an anime version of The Count of Monte Cristo.

My only bad quality was how it ended.

I cannot believe this enigmatic anime is so overlooked as if no one really knows about it much. The brilliant story, animation style that's captivating and cool characters make it an absolute masterpiece. Highly recommended!

This is one show that has always kept me engaged.

I suppose I must admit that the art style could be distracting to people who are not used to it. However, I found it to be gorgeous and takes the work to an entirely different level; this is art. I would hang pictures from this series on my wall; in fact, I have purchased prints from it.

The art drew me in, but the story kept me around.

In some respects, this is better than the book, in my opinion. The novel is over one thousand pages. Interesting, but long. This show cuts out much of the set-up, which keeps the pace in check and doesn't drag it down. If you are a huge fan of the book, the changes may disappoint you. But if you can watch it with an open mind, you may enjoy this translation.

I know this has nothing to do with the quality of the show, but I must talk about the DVD art. The DVDs are quite pretty, with metallic bits that make me want to frame them or at least not put them in my player.

The sound quality is top-notch as well, with great voice actors (I was surprised at the English cast, as it was excellent, although I prefer Japanese) and nice music. Some people don't like the opening theme (someone once said that it sounded like a drunk Frenchman; the singer is French, but probably not drunk), but I really enjoy it and think the non-rhythmic quality of it is interesting and fits into the show very well. I'm not a fan of the ending theme, but you can always skip it.

Overall, I absolutely love this series, and it deserves a lot of attention, not just from the anime community but the art and classic novel communities as well.

Gankutsuou is easily one of the most enthralling TV series I've watched in the past years, and certainly the most interesting adaptation of Dumas' novel "The Count of Monte Cristo" that I've seen (although admittedly, the bar for this particular honor has been set pretty low). The series succeeds in producing an anime-style romance with all the excitement of the novel, but fails to capture the fundamental themes of the book.

Artistically, the series is one of the most strikingly unique and colorful pieces of animation I've seen. The extensive use of 2D textures is creative, although the style does take a bit of getting used to. This is largely because the "static" nature of the textures makes them look a bit busy. Although unconventional, the technique is executed very well, employing an effective mixture of 2D and 3D techniques.

I certainly consider myself a fan of the novel, and I was immediately intrigued but the pseudo-futuristic setting for the series. The story's focus has shifted somewhat from the Count to the younger characters, and romantic relationships more typical of Japanese dramas and anime have been introduced. These relationships play out with the Counts revenge upon his betrayers providing the background. For the most part, these changes are compelling and breath new life into the story.

The only deviation from the novel that I felt was not successful was the portrayal of the Count himself. Rather than being an agent of "divine providence", the Count is darker, having effectively sold his soul to the devil in order to extract his vengeance. Unlike the novel character, even the death of innocents does not sway Gankutsuou's quest for vengeance. Although it did add a certain dramatic element to the story, the Count's character was diminished by the complete lack of moral ambiguity.

In the end, the adaptation proved an interesting romance story set amidst a backdrop of intrigue. However, much like Hollywood's attempts at putting this story on the screen, Gankutsuou fails to capture the essential themes of the novel: a man who battles through incredible adversity and believes himself to be an agent of God, only to realize the limits of his humanity.

Initially, what attracted me to Gankutsuou, was the idea of an Anime version of Alexandre Dumas' "Le Comte de Monte Cristo," but upon seeing the previews, I fell in love with the whole concept. The art, to say the least, is breathtaking, if not revolutionary; to that, the animation is flawless as well - one can only guess at the expense that went into creating such a visual marvel. While Gankutsuou doesn't follow Dumas' story as religiously as some would have it, what is important is that Dumas' intent in the story was held sacred. All too often is Edmond Dantes portrayed as being right in his quest, a true hero; nothing could be farther from the truth. Dumas' Dantes was a Satanic Hero like no other, if only perhaps Heathcliff from Bronte's "Wuthering Heights." Cruel, malicious, and bloodthirsty, Dantes is one with whom the audience is meant to sympathize and pity, while at the same time despise passionately. We can understand his motives, even support them, though we know innately we shouldn't condone them; Dantes is, in his truest nature, the incarnation of both ultimate love and ultimate hate, and was Dumas' tool to show that there is little difference betwixt the two. Gankutsuou stays true to this endeavor of Dumas' in all ways. The Count is everything he was in the novel - to both men and women, he held an (for lack of a better term) erotic visage about himself, something men wanted to aspire to, and women fell to. Frigid, calculating, with a gift to bend the wills of others, Dantes proved that one who has nothing to lose, yet does not allow himself to sink into depression (but rather finding purpose for your life) and thus has no fear of death or repercussions at all, is the most alluring; people are drawn to such darkness, such demonic power. But the beauty of this story doesn't stop simply at the creation of the ultimate sinister character - to create such a character is simple; what Dumas did, and Gankutsuou respected and embellished upon, was that despite the obvious horrific nature of the character, his reasons for being so are understandable. Aristotle said that one cannot create a truly tragic character without establishing fear and sympathy within the audience first; without Catharces, tragedy has no impact. While watching the story of Gankutsuou unfold, we begin to wonder if we, too, aren't capable of such atrocities, especially if under similar conditions. In our society, we sympathize with, if not often condone secretly, crimes of passion; but to what extent can we stretch out sympathy? Perhaps revenge of this nature is too extreme, that the Count is wrong in his hellish plans; but if we were betrayed by our best friend in so horrible a manner, who can say that, given the opportunity, we would not do the same, if not worse? Sympathy we have for Edmond's position; but fear becomes the all-consuming emotion we have while watching this, as we come to realize the extent of the atrocities we ourselves are capable of, given the chance and motive for them. For any Anime fan, or for any fan of cartoons or Dumas' works, Gankutsuou is by far one of the most astounding pieces you will ever see: true to the nature of the book like no other screenplay has been, and breathtaking in its visual nature, and musical score (opening theme not withstanding), Gankutsuou is a must-see, a beautiful testament to the power of hope and love, as well as an unmatched plunge into the darkest parts of the human soul.