Gankutsu-ô

I can scarcely put my love for this 24-episode anime series into words. "Gankutsuou" is a futuristic adaptation of Dumas' acclaimed novel "The Count of Monte Cristo". Famous anime director Mahiro Maeda shows just how much he loved the original novel and the character of the Count by being quite faithful to the mood while leaving his own fresh take on the story.

One of the most noticeable details about this series is an almost revolutionary method of animating. This series uses 2-D Texturing to an extreme level... giving hair unnatural textures and even everything in the background textures... in an insane color palette. It takes viewers and episode or two to get used to this style of texturing but over time it becomes something most fans love about the series.

One of the major changes in this anime is that the storyline is told from Albert's point-of-view for the majority of the series. This means everything that happens before the Château D'if comes in back-story. This also adds mystery to the Count's past and his character itself. Much of the cast is younger than in the novel, in classic anime fashion. Such as Albert is 15 instead of in his early twenties...but this makes his heightened innocence added into his anime persona more believable and his personal growth more endearing. There are other small character changes. Eugenie is greatly changed into a character that is actually of interest opposed to her novel version. Humoresly enough, according to the original promo for the series, she was indeed still quite similar to the book version in the first set up of the series... being quite close with her "lady friend".

And of course other major changes come with the new time and setting. Most of the series takes place in Paris but the year is 5053. So Paris is futuristic while also having touches of old such as the fashion and carriages and opera thrown in. And also we take the playing field out into space where Earth's warfare is mostly taking place in the future.

I honestly can't praise this series enough. I think the most important aspect of adaptations should be to get the tone of the novel right and to get the most rich, important characters accurate in personality. This series does this incredibly well. After appreciating the Count's character in the novel, the depth added from the anime only heightens my interest in him. This series is to be released in America soon so I personally suggest it as a buy to anyone who wants an anime with rich, involving plot and characters. Almost all of the storyline from the book is there, aside from an ending which is different but not a "hollywood ending" like the recent movie.

10 out of 10!

Trying to escape his uneventful life, Albert, the son of a renowned general from Paris, makes a journey with his friend Franz. During his travels, he meets an immensely wealthy nobleman named The Count of Monte Cristo. Living in luxurious hotels, surrounded by beautiful women and strong bodyguards, the charming but enigmatic count fascinates Albert. Albert invites the count to join the high society of Paris. However, unknown to Albert, his father had once framed the count and took the Count's fiancée as his own.

I thought this adaptation was decent. For an anime version of The Count of Monte Cristo.

My only bad quality was how it ended.

Gankutsuou is easily one of the most enthralling TV series I've watched in the past years, and certainly the most interesting adaptation of Dumas' novel "The Count of Monte Cristo" that I've seen (although admittedly, the bar for this particular honor has been set pretty low). The series succeeds in producing an anime-style romance with all the excitement of the novel, but fails to capture the fundamental themes of the book.

Artistically, the series is one of the most strikingly unique and colorful pieces of animation I've seen. The extensive use of 2D textures is creative, although the style does take a bit of getting used to. This is largely because the "static" nature of the textures makes them look a bit busy. Although unconventional, the technique is executed very well, employing an effective mixture of 2D and 3D techniques.

I certainly consider myself a fan of the novel, and I was immediately intrigued but the pseudo-futuristic setting for the series. The story's focus has shifted somewhat from the Count to the younger characters, and romantic relationships more typical of Japanese dramas and anime have been introduced. These relationships play out with the Counts revenge upon his betrayers providing the background. For the most part, these changes are compelling and breath new life into the story.

The only deviation from the novel that I felt was not successful was the portrayal of the Count himself. Rather than being an agent of "divine providence", the Count is darker, having effectively sold his soul to the devil in order to extract his vengeance. Unlike the novel character, even the death of innocents does not sway Gankutsuou's quest for vengeance. Although it did add a certain dramatic element to the story, the Count's character was diminished by the complete lack of moral ambiguity.

In the end, the adaptation proved an interesting romance story set amidst a backdrop of intrigue. However, much like Hollywood's attempts at putting this story on the screen, Gankutsuou fails to capture the essential themes of the novel: a man who battles through incredible adversity and believes himself to be an agent of God, only to realize the limits of his humanity.

I heard about this anime and was immediately interested. I know anime very well and I was looking for something that looked artistic, intelligent, and suspenseful. Unfortunately I have never read the book this was based on, but I found this anime's story so beautiful that I have picked up the 1,400 page book and plan to finish it all. If you see only one anime in your life, and you appreciate art and drama, than this is the best of it's kind. The unique art takes some getting used to, and is somewhat disorienting at times. Really, the only complaint I have about the art is it's Too beautiful, that it goes to fast to fully appreciate. This show would probably be best in slow motion just for the sake of the art. I have heard some say that although they loved the book, they loved this anime version even more. Don't let it's scifi setting disturb you. It has absolutely no negative effect on the story. The scifi setting really only seems to enchance it's overall beauty. The characters are extremely well-developed and fascinating. One moment they will be strong and courageous, the next moment crying, the next laughing. Every episode ends in an extreme state of unpredictable suspense (AKA cliffhangers galore.) I believe so far the entire show has not been released in America. I actually suggest watching the show in it's entirety, and wait until all episodes are released, and that you have a lot of time on your hands to watch it. The story is somewhat complex, certainly unpredictable, and always gripping. Even the seasoned otaku would highly appreciate this anime at least for it's impressive quality. It's not the cliché cheaply-made primitive-art anime about scantily clad lolicon girls. Speaking of which, all the characters are quite beautiful for both sexes, and I seem to have a personal crush on The Count. I highly recommend this to anyone whose looking for an intelligent, dramatic and classic story.

The sell of this story is that it is one of the greatest revenge plots in the story of anime. Based on the novel of Count of Monte Cristo, by Alexandre Dumas. Adorned by a daring creative endeavor of animation, where weird patterns, contrasts and textures reign, showcasing something different.

That is the sell, the product meanwhile, for some reason acclaimed, is rather disappointing.

The show is hard to watch by virtue of its childish, ridiculous, over the top and obnoxious prepubescent characters and dialogue, that simply make it hard to connect to an obvious plot with tragedy overtones. You know early on what is gonna happen. Everyone is so easy to rile up, so immature and prone to the worst course of action. Everyone except for one character, conveniently. The lack of rationale and subtlety to every one of their emotions... It feels cheap, childish, in order to make some character rise while the other fall. Everything is rushed, magically falling into place, overdramatized. With theatrical type of movements that don't feel right.

It doesn't seem elaborated in spite of the diverse and complex fronts of the story, it's many characters and pathways. People that have made of themselves arriviste wonders, cunningly, vilely, suddenly, when the weight of an ominous past comes upon them, lack the character or intelligence to make a single good decision. There's no grasp or ability to adapt to the upcoming adverse conditions. Victims of a perfect plan backed by a lifetime of preparation, an indomitable desire for revenge, an irresistible charm and copious amounts of money. Women and men fawning over the Count's charm and becoming simple pawns in his chessboard. It's all so easy.

The world ain't overly interesting nor crafted, for some reason they set it in a futuristic scenario, with the society, architecture and hierarchy of the nineteenth century. It is barely presented, not well dove into and it simply doesn't merge. At times it does feel pointless beyond the fact that it allows for some ethereal scenes. There's no appeal to it and the animation ain't nothing to marvel at beyond the initial episodes. Mononoke (2007) or Sonny Boy are much greater and coherent visual spectacles. It's allure, lets call it, isn't enough to warrant this being thought of as a great show...

It even turns boring in its slow pace approach.

And we have not arrived yet at the worst part, THE MAIN CHARACTER. The show overrelies on the shoulders of two characters, and of those is Albert, who is so awful that I could dedicate myself only to find whatever ill intended adjective I can find in order to pair him with it, he's undoubtedly one the most enchanted, idiotic and irritating characters in the history of anime. Good luck in not hating him. I couldn't care less that me harboring those feelings could be attributed by some to how well he's written, when he's so one note and otherwise this show doesn't incite gasps, surprise or horror, but rather invites you to roll your eyes. The other character is Conde de Monte Cristo, who is not charming enough nor interesting enough here, in between his ambiguous dialogue, to compensate his counterpart. Their dynamic although possible, is horribly on the screen. The Count should have a much center role while Albert is tossed to the side, no show can depend on such a character.

The end is also rushed and horrible, so there's that. It isn't the conclusion to the developments, but a nonsensical, poorly written child book kind of finish. There's no trace of coherence, it's just ridiculous.