Die weiße Massai

I really did not like the film because of how stupid and hypocritical was the main character, who herself decided to plunge into a "different cultural world," and then began to arise and demand that this "world" should change under her requirements. ... I really liked the film because it plausibly "puts here down" with the situations in which she finds herself, encountering certain realities of life that she decided to plunge into for the sake of her whim. ... Well, and the corresponding to the whole movie ending.

The Swiss Carola Lehmann (Nina Hoss) has a crush on the Samburu warrior Lemalian Mamutelil (Jacky Ido) while traveling by ferry in the last day of her two week vacation in Kenya with her boyfriend Stefan (Janek Rieke). She talks to Lemalian and on the next morning, instead of returning to Biel, in Switzerland, Carola decides to leave Stefan and seek out Lemalian. She travels to Nairobi by bus; then to Maralal, where she befriends the Caucasian Elizabeth Muzungu (Katja Flint) married with a Kikuyu that explains some important details of the Samburu culture to her; when Lemalian meets her, they walk together to his isolated pastoralist tribe in Barsaloi. Carola is welcomed by his people and along the years, she sells her shop in Switzerland and marries Lemalian, having a daughter with him. She also runs a store in the location. However, their differences of cultures force Carola to take an ultimate attitude and return to her country.

"The Weisse Massai" is one of the most incredible romances I have ever seen. The reason is not racial, but how the bourgeois Carola could leave her middle-class lifestyle to live with Lemalian in the middle of nowhere in his tribe of shepherds. The acting is top-notch as well as the cinematography.

However it seems that there are inaccuracies between the title, the character Lemalian and the story between Maasai and Samburu people. Both are semi-nomadic indigenous that lives in Kenya and Maralal is located within the Samburu District, but they are people totally distinct from each other. Lemalian speaks English and the Maasai are also educated in this language, supporting the title of the movie. But Lemalian mentions in Nairobi when he goes with Carola to the Immigration Department that he is a Samburu "murran" (warrior) and he is illiterate, what is a contradiction. The screenplay writer did not do his homework; he should be more careful while writing about a true event and make a research. Unfortunately IMDb censorship did not accept my original review and I needed to rewrite removing the references to the Wikipedia that gave a better explanation to this contradiction. Despite this inconsistency, this movie is engaging and highly recommended. My vote is eight.

Title (Brazil): "A Massai Branca" ("The White Massai")

The concept is incedible, the movie execution is also good, the adaptation lacks but don't except much just enjoy this lovely adventure story.

The amazing thing is Based on true Story.

Warning : Spoiler !!

(Carola Hoss, a German woman living in Switzerland, is on holiday with her boyfriend in Kenya. She falls in love with Maasai warrior Lemalian, who is visiting dressed in the clothing of his area. At the airport on the way home she decides to stay. It turns out that Lemalian has gone to his home village in the Samburu District. Carola travels to the area, and stays at the house of another European woman. Lemalian hears about her stay and comes to meet her. Eventually they start living together.)

I was curious to see this film seeing the split type of reviews it got on IMDb. It has been showing at our small town cinema for full two weeks. And, yes, there were still quite a number of viewers - mostly women. I believe the problem is that people get worked up on the main character and get to dislike her strongly, then reflecting this on the film as a whole. Which of course is not fair, but maybe understandable. So if you want to see a marvelous, well made, well photographed and even well written film with an intriguing plot - this will be it. If you want to agree with all moves of the main characters and seek harmony, happiness and want to relax - just stay away. My boys, for instance, hated 'Gegen die Wand' for the lack of happy ending and the pain the main characters live through. So does this mean that we Germans have an affinity to 'difficult' plots? (including our German-Turkish compatriots in 'Wand') Maybe. What makes the film less understandable - but very much more realistic - is that it is based on a true story. So why complain? The Carola character has her flaws and gets stuck between wanting to Europeanise the Massai life and adapting to their customs. Which in itself would render enough material for several films. The Massai accept her but are also stuck with their traditions - what else would you expect. But this film is not about how this dilemma can be solved - it is about Carola and Lemalian - and if you come to think of it, two very brave characters, no matter how they behave in detail. They exist(ed)!!! And the film gives you an opportunity to partake in their torment. Just take this as ONE possible outcome and ponder on the potential and possibilities such a setting can offer. Enjoy.

Having just finished reading The White Masai in paperback, I waited in anticipation of getting the DVD from the local library, albeit with some trepidations, knowing that film adaptations of books don't always follow true to the written work. That is certainly the case with this one. Firstly, why the change of names of the characters in the book - from Corinne to Carola, Lketinga to Lemalian, Napirai to Sarai, etc? Everyone who has read the book will know the characters anyway no matter what their names are. Also, there seem to be some vital points in the book that were not depicted in the movie. The novel extensively describes how Corinne's physical health was greatly affected from having to live in near-primitive conditions with nil in basic amenities like proper drinking water and sanitation, tropical diseases and inadequate diet. Doesn't it seem incongruous that in the movie this doesn't seem to be the case with Carola - she emerges from the hut cum loveshack each day fresh as a newly-budded rose, skin aglowing & hair shining like gold in the morning sun? She merely appears to be in a reality TV tour group rather than having assimilated herself into the tribe. It would certainly have helped to have a Westernized educated Samburu character to help bridge the (communication) gap between Carola and Lemalian, which in the book would have been James (Lketinga's brother). That said, the bottom line that both book and film raise is: can two people of contrastingly different cultures live together in harmony and genuine affection? How much is one prepared to sacrifice in the name of love? The film is aware of all these questions but does not give a definite answer - it all remains up to the viewer to put himself/herself in the heroine's shoes and ask "would I have done the same as Carola? Would I give up all the creature comforts of life that I've known and been accustomed to and live in woop-woop with a man I hardly know from a totally alien background?"

While the movie does portray non-whites in a more positive light than other movies with a similar theme, it continues the long history of inequivocal relations between whites and blacks in general and it concludes that the Africans have been and always will be culturally inferior to whites. Even though the film is sympathetic to the Samburu people and evidently shows how naive and clueless as far as cultural sensitivities go with Carola, it's telling her side of the story. It would be very interesting indeed if the movie would be (re)made from Lemalian's point of view, but alas that is just a pipe dream.