Ghost of Mae Nak

Tired of Asian supernatural horror movies yet? No? Good, then Ghost of Mae Nak is one you should add to your "to see" list. 

It's a nice little ghost story from Thailand about a recently married young couple that's haunted by the ghost of a woman that died 100 years ago. After the husband is left in a coma that inexplicably won't end, the wife must investigate the origin of the supernatural presence in order to help him. There's a well-told back-story that explains why this particular couple earns the supernatural attention, so there (thankfully) aren't a lot of dangling story-lines. 

Ghost of Mae Nak includes a lot of Final Destination-type deaths that are pretty entertaining. I was actually surprised by how elaborate some of them were. There's a fair amount of jump scares and startling things in mirrors too, but Ghost of Mae Nak is more creepy than frightening. Still, I was very pleased with how good this movie turned out to be, and I definitely recommend it. IF, like I mentioned at the beginning of the review, you're not burned out on Asian horror after it's ubiquity in the west post-The Ring. 

The main actress, Pataratida Pacharawirapong, is incredibly pretty too, if that kind of thing interests you.

This film was, without a doubt, one of the creepiest, scariest films I've seen in Asian cinema--or any cinema, for that matter. It leads the viewer along a plot line that looks ho-hum and standard for any thriller but then, when you least expect it, it takes you on a ride you never saw coming. Much of the acting is just a little "over the top" which is typical in a lot of Asian horror films, but the lead actress, newcomer Pataratida Pacharawirapong was as believable, beautiful, and emotional as any actress in any horror film I've ever seen from any country. From the cinematography, I found myself also wishing to re-visit Southeast Asia and check it out more thoroughly. There were no shots of Bangkok's crowded, dirty streets or sex outlets (which are what you'll see in 99% of the films shot in Thailand) but there were a lot of culturally interesting shots. Overall, this film is a must-see for any horror fan.

The legend of the ghost of Nang Nak is a part of Thai folklore, the story of an 19th Century 'angry ghost' who lived in a bucolic palm-fringed village outside of Bangkok named Pra Khanong..

By 2005, Pra Khanong is part of the dirty old metropolis, the giant grey concrete slab of Bangkok. No longer a place for a rural ghost.

I have never even been there - there's no compelling reason to go. It is ten minutes from where I live, but it is just another part of inner city urban blight nowadays.

This movie works because it treats Bangkok not as a glitzy tourist venue, full of pachyderms, tuk tuks, ladyboys and long-tail boats, but a functioning, ordinary, third-world city in which regular Thai people live with limited budgets and modern fears.

Into this is transported a semi-Gothic, semi J-Horror story, that derives from the old mythology.

Thai movies are often unsophisticated, self-referential and burlesque. This one doesn't fall into that trap, perhaps because it is Directed by a Westerner and doesn't play to stereotype.

I liked it.

Moving into a new house, a newlywed and her husband come under attack by a malevolent ghost that soon turns its attention to their friends, forcing her to discover the long-held secret of her return and stop the rampage from continuing.

This one turned out better than expected. One of the elements that's really impressive here is the fact that the haunting scenes are top- notch, delivering a lot of nice scenes. The opening dream opens the film strong with the initial appearance of the ghost delivers a solid shock with it's banging noises and really off-beat jump, as well as a couple of other brief ghostly visions from out-of-nowhere especially work. The appearance in the house during the walk-through is pretty nice with the unearthly noises that only he can hear, the gag with the mirror and the second dream-sequence complete with the disappearance and a brilliant gag to wrap it in, make this one a real highlight. The stand-out sequence, where the ghost attacks thieves inside a small van, is an absolutely classic using darkness mixed with the brilliant gag of flashing light intermittently to see coupled with the comeuppance of the gang at the end, which makes this so fun. The film's other supernatural action is also really enjoyable, including the two main hospital scenes. The first sequence with the levitating body in front of the priest while the others disturb the burial site is one of the better scenes in the film, as the surgeon's test where the ghost physically prevents others from interacting with the body is a great visual and comes off rather well. The action-packed finale where the race to get the ghost action resolved meshes well with the exorcism performed elsewhere, and a fun twist capped onto the end of it all makes for a rather enjoyable and exciting conclusion. Along with the fact that the ghost is actually really creepy with its faded eyes, blacked-out mouth and teeth and an eerie dark spot on its head and the great kills in here, these film's good points here are more than enough to hold up over the couple flaws to this one. One of the biggest is that this one really has a convoluted back-story that is so hard to understand, there are repeated attempts to explain it and none of them do much good. One of the biggest obstacles in that regard is that the characters in the flashback have the same names as the current protagonists even though there's no possession going on, along with the fact that it seems to wipe out the meaning of events after they happened and offer up a second, slightly different explanation for it all just makes it all the more confusing and incredibly hard to understand. There's also the flaw in here where the film's languid pacing produces a long opening at the begging as it does take a while to get going with its good scenes while there's also the rather overlong and unneeded flashback scene which just drags the film out a little longer than what it should be. These here are the film's problems.

Rated R: Graphic Violence and Language.

This movie essentially begins with a young man named "Mak" (Siwat Chotchaicharin) having recurring nightmares about a ghastly woman with black teeth and a black rectangular mark on her forehead coming toward him. These dreams cause him to wake up in a state of panic. So he tells his fiancé, "Nak" (Pataratida Pacharawirapong) about it and she does her best to reassure him that everything will be fine after their wedding in another week. Unfortunately, the dreams intensify immediately after they get married and buy a home. Yet, although the apparition is indeed frightening, it also takes a deadly vengeance on those who attempt to wrong either Mak or Nak. Such is the wraith's violent nature. But one day when Mak is involved in an accident, which causes him to go into a coma, things begin to take a terrible turn for the worse. Now rather than reveal any more of this movie, I will just say that this is not the original story of the ghost known as "Mae Nak" (played in this particular film by Porntip Papanai) but rather a continuation of the legend transplanted into a modern urban location. The acting was decent and the special effects were adequate enough as well. Likewise, having two attractive actresses like Karnchanit Summakul (as "Noi") along with the aforementioned Pataratida Pacharawirapong certainly didn't hurt matters either. Additionally, I liked the location of the film (Bangkok) and I thought the CD cover was quite artistic as well. However, having said all of that I must confess that there weren't very many scenes out of the ordinary which would have made this movie really stand out. In short, it was an interesting movie but nothing really special and I have rated it accordingly. Average.