Cool Money

I thought this was a pretty good movie, but it bothered me that I couldn't figure out in what time period it was supposed to be set. The cars are usually a dead giveaway, but here we have one of the characters driving a mid '70's Ford sedan, one driving an late '80's GM station wagon, and the main character in what looks like a 2005 Chrysler. Not to mention the gang uses a late '90's Lincoln to drive to their heists. I figured that since there were no cell phones or computers it must be the mid-to-late '70's, but then seeing a modern electronic PBX telephone console at the hotel brings you back to the '90's! The acting and writing were quite good, and the movie moved along at a good pace. Enjoyable.

This movie brings not only originality in its plot, but also the way the story is portrayed...from the point of view of Bobby Comfort, accenting on his life, his way of thinking, the different number of events that led to the Pierre Heist. The story seemed to start off slow and had i not been a James fan, i probably would have changed channels. It could have used a better script...but then again we are used to Joss, Marti, and David...so who could blame a Buffy fan for saying that? However the movie seemed to catch my interest as i kept watching. And then I began not only watching the movie for James but for the story. James brought so much depth to his character. Although well supported by other actors, James definitely stood out among them all as more talented, more capable, and more good-looking than the rest! I would definitely recommend this movie to all viewers!

if you're looking for a slick, cool, well-planned plot and a charismatic cast..this is the movie for you!

I've noticed that almost everyone that commented was a James Marsters fan. I like others only tuned in especially to watch him as an avid fan. How truly disappointed I was. It was very slow paced and several of the actors were so flat in their lines I felt zero emotion for 90 percent of them. I realize this was based on a true story and plots are limited but I think James should have passed on this one for his first breakout after Angel. He is far more talented than this boring, passionless script. It was refreshing to listen to James without his "accent" and also a fan to his books on tape, I was so looking forward to seeing this as most were. I feel most adult fans will unfortunately look over the fact that James Marsters is in this and concentrate on the story and not the star. Hey I'd watch James shovel snow for five hours with no complaints from me, but movie makers need to find a script that is worthy of him. He has range people use him!

I don't know what I expected, but the acting was really great in this. I knew Marsters was going to be good, but was also impressed with the men who played Sammy, Doc, PEggy (Margot Kidder) and the guy who was afraid of the elevator,--City, (Conrad Dunn--who I enjoyed as "Nick the Pimp" on DAYS OF OUR LIVES years ago) and Doc's cousin (was it?) Country, who had the crown on his head.

James Marsters...sigh. He just blew me away when he played Spike on BUFFY. I don't think I'll ever get over that story or his incredible performance on that show. No British accent, a bit more subdued and not such a "character" (although smooth) James shows us once again just how versatile and talented he is. Somebody give this guy the lead in a series, I need to see him---weekly.

I found out about this movie 24 hours ago, and in that time the summary on the main page has changed three times. Each of them made reference to James Marsters' most famous previous job, on "Buffy the Vampire Slayer," which may or may not be a good thing.

I'm not an obsessive fan (as far as you know), but he's a solid actor, and so is everyone in this movie who isn't playing a cop. This is a TV movie on USA, for crying out loud, where does it get off being GOOD? The last TV movie on USA I watched was "Hard Cash" with Christian Slater and Val Kilmer, and there is a prime example of two hours of my life I will never get back. While that was a movie made by a director and actors who are all on their way down, "Cool Money" (despite the lame title) is made with relative unknowns both behind and in front of the camera, and I hope to see them working again soon on newer and bigger things.

Director Gary Burns keeps the action moving along quickly, despite the obvious handicaps that are commercial interruptions, and having the budget of a USA TV-movie. The script, by Shelley Evans, doesn't exactly pop, but it's above average for what it is, and gives us some really great characters, even if the memorable lines are few and far between.

Even if you know nothing about Marsters, he's an actor with presence and the face of a man up to no good; he'd look right at home in any Guy Ritchie movie. High marks for this one, and extra bonus points for a shockingly good Margot Kidder as Comfort's New York mother.