Les délices de Nina

This film does not tick the 'right' buttons for white expectations of an Asian British film or a queer film and so people may be wrong footed. So there is no culture clash with parents who are living an 'Asian' read outdated culture with westernised children, no arranged marriage, no white person learning and being surprised by 'Asian' culture. No belly laughs ensuing from said conflicts. Instead we have a film about being true to yourself and learning to follow your passions for whatever - cooking, dance, love. I wait for the day that Black filmmakers can make work without having to conform to the prescribed script written for them to fulfil and they can just follow their passions.

If you ask me, the crux of the matter in _Nina's Heavenly Delights_ is revealed when Ms. Lady G's comments that the small battery-operated plastic Taj Mahal was a giant testament of grief. Parmar's film revolves around mourning and the comforts of beauty, love, aesthetics, family. And at the core of the film: is grief. Grief for her her father, yes, and also for the all that needs to be rewound: communication, home, deep friendship, solidarity, respect. If you've watched her documentaries over the years, you've found activist poetic diasporic politics running through, for her work is dutiful. But the films are always full of the other side of activism -- yearning -- and the other side of community -- grief. This film articulates those complicated emotions beautifully.

I find in this move to the feature film (which I applaud Kali films for with both hands clapping) a perfect topic: the loss of the father, the fall of queer idealism (we can't be gone for ever), and a return to the intricate and difficult subject of integrity and community integration. Less I sound too sophomoric to you, think again: Parmar and her crew are smart filmmakers: they've seen "Bend it Like Beckham" and "Fire" and many other important lesbian-type films ... and then delved into what drives us to love. No, Mia Hamm isn't in the limelight these days anyway, but more importantly didn't attempt the epic architectural overhaul of resovling the question of privacy and respect. Or, more poignantly, she and her writers did attempt the overhaul, but they did so in such subtle and lovely ways -- wouldn't you love for your future lover to discover something written behind the wallpaper? -- that the past becomes a sweet companion to the grief of the present. How is it possible to live without our memories? It is not. Patience is a virtue in this film, and I would love to hear your comments about mom and brother in light of such a topic as patience. I refuse to believe that honor is dead.

Shed Lacan -- _Nina's Heavenly Delights_ is not a typical, vacuous tale of lesbian and/ or progressive family who show their feathers when the big guy goes out. There seems, actually, to be a more important story going on about what shifts, and how we shift, through death, love and respect. To consider this a flat tale about "the law of the father" would be to belittle death and the dense process of mourning.

Quick last note: Three cheers for the best friend. Pratibha has finally given a body and character to her love of dance. Finally we can celebrate this with her.

" I find some of the comments by ukxenafan1 quite insulting. I am Scottish and Asian and when I saw this film I identified with some of the characters on the screen. The actors' accents were authentic Scottish (some of the actors are actually Scottish) - not heavy Glasgow - and some of them talked in a way many Punjabi, Scottish people like myself talk. So for for this person to say that she/he didn't know what the accents were supposed to be is insulting to many Scottish- Asians who talk like the characters in the film. They should do their homework on the actors before they post such disrespectful comments. I went to see this film with friends in Glasgow and we all enjoyed it very much. We thought it was different to see a British-Asian film that didn't have the usual stereotypes that we have seen a thousand times before. Maybe this is why some people are having a problem with this film. There aren't many white people in the film and the Asian family is like any other family. We liked the magical elements of the film. Why should we expect all Brit/Asian films to be like the last one that was made. The girls in this film are not worshipping a white male god like Beckham. Thank god for that!

I just viewed this film at the MGLFF in Miami Beach, Florida. The audience very much loved the film. It was shown at the Regal Cinema on Lincoln Road. I like great cinema.I also liked the internation feel of the film. Great detail to light and framing make this film unique. I so enjoyed the beautiful truth that unfolded. We are fortunate to have such great filmmakers who celebrate relationships like this one. Pratibha(Director) takes the viewer on a journey that uses all of their senses. I loved the story. Here are some words to describe it. ENLIGHTENED! EVOLVED! BEAUTIFUL! I look forward to seeing more of this young directors work. I know that she will be doing more and more great projects....

This film was at the International Lesbian & Gay Film Festival in Turin, and it was a real pleasure to see it and to meet the film-maker afterward. Parmar is a well known documentarist, and she brought in this feature film the richness of her past experience. It's a fresh, delicate comedy, with very sensuous details about food. But what I appreciated most it's the multicultural view, the idea of multi-layered identities (Indian-Scottish, Indian-Lesbian, etc...). It makes you feel it's possible to combine successfully the ingredients of your personality, like in a good recipe, instead of having them at war with each other. The actress who plays Nina's mother is wonderful. I'd like to see her more on the screen.