Tapas

Far from trying to be smarter than it is, this beautiful little film actually achieves to be more honest and lyrical than most of the films on the market. It is a nostalgic, outstanding opera prima of its authors; an honest and caring photograph of a certain neighbourhood and its people. Although not neutral nor indifferent, it accomplishes to be non judgmental, and tells a story of people in different stages of life; the hidden secrets we all carry within and the solitude that accompanies us all. I highly recommend this film that is funny but never lightheaded, melancholic but never pretentious, humble but never loses its love for its characters with their imperfections and secrets. Like life itself. A joyful example of new European film making with heart and soul. 10 out of 10.

This is a film that shows the different love relations between common people in a neighbourhood around a Tapas-bar. The film keeps you tied to your seat, just wanting to see what's happening next, and takes you closer to people's feelings, and recapitulation of concepts in front of extreme situations that alter their reality. From the old lady who sells drugs in the Tapas-bar, afraid of loosing her husband. The owner of the bar, whose wife runs away tired of him, and he prefers to hide his new situation, the woman in the local shop, that lives on her own and keeps a relationship throughout internet but falls for a physical relation with a younger men, all spiced with a pinch of Spanish humour, reality and sadness. The cast is pretty good, the new talent Rubén Ochandiano, or consecrated actors such as Angel De Andrés López, Elvira Minguez or the Argentinian Alberto De Mendoza. All in all, it's a good taste of Spanish cinema, besides the world known imagination of Almodovar.

This pleasant collage by first-time directors José Corbacho and Juan Cruz is made up of three loosely interwoven stories of various people in a Barcelona neighbourhood, with a tapas bar as the central location, where most characters' lives intertwine. The title not only refers to those small appetizers Spain is famous for, but also to the Spanish verb "tapar" which means to cover up, or to hide.

I found the story of Lolo, the bar owner, the most engaging. His wife abandoned him, he is full of prejudice against women and foreigners, cannot show his emotions and has developed a deeply rooted incapability of engaging in any meaningful relationships. He needs a new chef and ends up with Mao, a Chinese immigrant who's kungfu-ing all the time but is the most efficient cook he ever had and suddenly people are flocking to his bar because his dishes are actually really good now. Some of the insights springing from this story are a bit contrived. Lolo who's learning that not all Chinese are communists or illiterate paupers seems like 40 years too late to me, but somehow the actors and the low-key filming make even obnoxious Lolo seem sympathetic and near the end of the film, I really rooted for this man.

Rubén Ochandiano gives an exceptional performance as Ruben, a teen supermarket worker who engages in a sexual relationship with middle-aged shop owner Raquel (Elvira Menquez). A very talented young actor, a natural screen presence. I hope it ensues in more prominent roles in the foreseeable future.

It's all low-key and unpretentious, with sober direction and cinematography, but surprisingly effective. Many of its characters could easily have befallen victim to stereotypes but the cast does an amazing job to give this a real breath of fresh air. Hard to resist.

Camera Obscura --- 8/10

For an American, regularly exposed to American movies, "Tapas" is a unique and unusual experience. There are no special effects. There is no computer scenery. It is an Altman-like ensemble piece with closely related multiple story lines performed by the most talented of actors. The main characters include a middle-age divorcée looking for love, a bistro owner with a low opinion of the human race, two young supermarket stockers with party on their minds, an old lady who peddles drugs to finance her and her husband's declining years, and a Chinese chef. This is one of the most realistic and entertaining European movies that I've seen in some time. Highly recommended.

I've just got back from watching this delightful film at the London Film Festival. I have to say that I was not expecting a lot as I had booked the tickets on a whim, But wow! was I glad I did.

This film is a show case of everything good about European cinema. Characters that the audience really care about with a gripping story which makes you laugh and cry, all carried by an everyday reality. Everything lacking from much of Hollywood's output.

Essentially the story covers the troubles of daily life of 3 generations, the young seeking sex, drugs and rock and roll. The middle aged repairing or seeking new relationships and the old saying goodbye. However what binds this story is the way the three generations interweave and rely on each other to get through.

I found this a really funny, touching film and a genuine must see.