Princesas

Micaela Nevárez is a Puerto Rican actress who has achieved great fame in independent and European films. She made her film debut in the acclaimed Spanish film Princesas which was directed by Fernando León de Aranoa, in which she played Zulema, an illegal immigrant from the Dominican Republic trying to make a living as a prostitute on the streets of Madrid, Spain. Her strong convincing performance in this film earned her a Goya Award for Best New Actress in 2006, making her the first Puerto Rican thespian to win this prestigious award.By winning this award, Nevárez became the first Puerto Rican performer to win this prestigious film honor and one of the few Latin American actresses to do so as well. She is preparing to launch her film career in the United States in 2008 with a supporting role in the independent film The War Boys starring Victor Rasuk and Peter Gallagher.

Caye is saving up for a boob job. She gets her money as Lima, whoring in the streets of Madrid. Every week she eats dinner with her family and worries abut her mother's increasingly slippery grip on reality. And she has theories on Princesses and their attachment to nostalgia. Caye has no past to be nostalgic for, so she is sad for her lost future. She meets illegal immigrant and fellow prostitute Zulema, and the friendship brings her some respite. But nothing good lasts forever...

Princesas is a poetic work, shot cinema verite style showing in uncompromising detail the degradation and danger that accompanies these women's lives. Candela Peña is engrossing as Caye, with no past to comfort her, and unable to see a better future, stuck in an eternal present. Her only hope is that there is not another life like this one. Zulema, the stunningly beautiful Micaela Nevárez, is compromised by a government bureaucrat lowlife who dangles just enough hope in front of her to facilitate his need to abuse. This relationship must be the only time in cinema history where a character looking for revenge packs a knife in her bag, and the audience never sees it again. Zulema, however, at least has a Pyrrhic victory of sorts (though the film falters slightly here, as it is unclear exactly who is infecting whom...)

A snapshot of lives lived in shadows and on the edges of our civilization, this is lyrically written, and shot in an unobtrusive, straightforward manner. Touching, truthful and ample food for thought.

"Princesas" is one of them. After seeing Fernando León de Aranoa's wonderful film "Los Lunes al Sol" (qv), I was hungry for more. I am a great lover of cinema which has either been taken from live theatre or which delve into the realness of the human condition, of human feelings, which explore the depths of what makes people tick, of what makes people think, feel, love, hate, of what makes people on celluloid be real live living people with character and personality and deep feelings. In this aspect "Princesas" is a beautiful, moving, thoughtful piece which deserves great accolade. I left the cinema with very very deep feelings running through my heart and mind, such that I missed the bus-stop, and in the end walked all the way home - about three kilometres!

Without any doubt, the young Spanish directors Amenábar and León de Aranoa are now well above the more famous Almodóvar. "Princesas" is about prostitutes. Well, forget that: it is about two beautiful people who find themselves working the streets - and the mobile (cell) phone - to get clients. But it is also about friendship, love between two women who have had to drop out into the seamier world of the big cities - in this case, Madrid.

León de Aranoa treats the subject matter with such poignant delicacy, with such understanding sensitivity, with such superb and tasteful exquisiteness, that towards the end of the film more than one little tear dropped from my eyes. And that does not often happen.

Candela Peña, (Todo sobre mi madre, qv) (Te doy mis ojos, qv), and Micaela Nevárez in her first film, offer us superb readings of their characters; both are superb; both won my heart. The chemistry between these two young women - Spanish and Dominican - was so magnificent, you would swear they had lived all their lives together. They had me feeling for them, for their situation, for their loves, and desires, and hopes, and Zulema wanting to get back to her child in the Dominican Republic.

The music by Manu Chao and Gato Pérez was at times a little over strident, but befitting the telling of the story. (There are also other pieces of music not yet mentioned in IMDb).

Ramiro Civita's photography, especially in the facial close-ups is astounding, bringing out the best of the actresses feelings, anguish, torments. Superb work, though some scenes with hand-held camera were at times chaotic. Nevertheless, I pass over this.

The same as in "Te doy Mis Ojos"(qv) we have here an important sociological document in the form of a film with a story to tell. Women find themselves in bad situations directly due to men's vain and stupid attempts at being superior over them. Men fail miserably; as I have said in "Te doy mis ojos": this film makes me feel ashamed of being a man. So does "Princesas". A beautiful, warm, tender, hard story, so wonderfully told.

I shall see this film again before it is taken off from the local multi -cinemas, and will buy the DVD as soon as it is in the shops.

Here is another film to add to the best six Spanish films of all times:

El Sur

Los Santos Inocentes

Mar Adentro

Princesas

Te doy Mis Ojos

A los que Aman (all commented on in IMDb)

To my recollection, I have only seen one other movie about the lives of prostitutes. Sure there was Pretty Woman, but that really didn't get into the actual work. This film is different and really does a great job showing the less glamorous side.

Fernando León de Aranoa wrote and directed the film and it moves along well. It certainly keeps your interest. The soundtrack is also a big plus.

Candela Peña (All About My Mother) is Caye, who rarely smiles as she deals with her mother, who seems to be losing it, and tries to establish a real relationship that keeps bumping up against her occupation.

A new actress, Micaela Nevárez is Zulema, who is consumed with the child she left in the Dominican Republic. She is trying to get papers to get out of Spain, and is taken advantage of by a sleazy public official. She gets revenge in an unusual way.

Together Caye and Zulema are friends and they try to survive in spite of their occupation. It is a times funny, and certainly sad as they try to find that opening to a better life.

Fernando Leon De Aranoa has created a film showing the realistic struggles that might be experienced by anyone existing in society, particularly the lower class. Princesas follows the life of Caye (Played by Candela Pena), which I find interesting because "Caye" means "street", and Caye works the streets, and her friend Zulema (played by Micaela Nevarez). Caye is a citizen of Spain, raised in a middle-class family, and Zulema is an immigrant from the Dominican Republic. Zulema has come to Spain hoping to obtain a working license, and tries to save money to bring her son to Spain. There are other prostitutes who have immigrated to Spain and turned to prostitution as an occupation, and this creates tension with the prostitutes that are Spanish Citizens. Caye Spanish friends are all prejudice against the immigrant prostitutes, accusing them of stealing their jobs, and Caye struggles to maintain her friendship with both the Spanish prostitutes and Zulema. The friendship between Caye and Zulema grows stronger as the movie progresses, and their friendship helps them overcome obstacles.

During the day, the lighting in this movie seems very natural, as if the sun is the sole source of lighting. This gives an authentic feel to the movie, instead of Hollywood dramatization that can be caused by artificial lighting. The obstacles that the characters face are also realistic. They are not far fetched, and their situations could potentially happen to anyone in their shoes. This adds to the realistic feel of the movie. Most of the shots in Princesas are done at an eye-level angle, which allows the viewer to get absorbed into the movie, forgetting that it is just a movie and not reality. Whenever the characters have an emotional scene, the camera zooms in, showing a close up of their faces. This really emphasizes the emotion, whether it's sorrow, joy, or anger, and allows the viewer to feel more connected to the characters.

The authenticity of Princesas will draw you in, and the strong bond of friendship between two women as they struggle through life will keep you captivated, feeling their joy and sorrow as you follow their journey.