IMDb RATING
7.9/10
60K
YOUR RATING
A transient young man breaks into empty homes to partake of the vacationing residents' lives for a few days.A transient young man breaks into empty homes to partake of the vacationing residents' lives for a few days.A transient young man breaks into empty homes to partake of the vacationing residents' lives for a few days.
- Awards
- 17 wins & 11 nominations total
Joo-seok Lee
- Son of Old Man
- (as Ju-seok Lee)
Jang Jae-yong
- Hyun-soo
- (as Jae-yong Jang)
Park Se-jin
- Woman in Studio
- (as Se-jin Park)
Kang Sung-hoon
- Boyfriend of Girl who Got Hit by Golf Ball
- (as Seong-hun Kang)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Originality is a rare commodity at any time, but it is in abundance in Kim ki-Duk's 3-IRON. The title refers to a golf club that is used to drive a ball long distances. In this case, the balls are, ultimately, driven into people with painful results.
A drifter who lives in temporarily vacated houses and apartments repays the owners by repairing appliances and watering plants. He meets a sad, abused woman and a non-verbal connection grows.
The magic is in the detail and the extraordinary cinematic clarity of Kim's style. There is the explosive violence that characterized his early films, but this entry is primarily an engaging character study with an existential bent.
What's truly original is the director's adherence to the way he presents his material. The style is consistent throughout and dialogue is mostly superfluous.
This has more in common with SPRING, SUMMER, FALL, WINTER...THEN SPRING AGAIN than THE ISLE, ADDRESS UNKNOWN or BAD GUY. Though I enjoyed the material, any subtler and Kim might begin to lose the edge that distinguishes him.
Tonally, the film reminded me of aspects of OLD BOY.
A drifter who lives in temporarily vacated houses and apartments repays the owners by repairing appliances and watering plants. He meets a sad, abused woman and a non-verbal connection grows.
The magic is in the detail and the extraordinary cinematic clarity of Kim's style. There is the explosive violence that characterized his early films, but this entry is primarily an engaging character study with an existential bent.
What's truly original is the director's adherence to the way he presents his material. The style is consistent throughout and dialogue is mostly superfluous.
This has more in common with SPRING, SUMMER, FALL, WINTER...THEN SPRING AGAIN than THE ISLE, ADDRESS UNKNOWN or BAD GUY. Though I enjoyed the material, any subtler and Kim might begin to lose the edge that distinguishes him.
Tonally, the film reminded me of aspects of OLD BOY.
The lonely and silent rider Tae-suk (Hee Jae) breaks in empty houses and lives a normal life while the owners are traveling. He does not steal anything and moves from house to house without any loss other than food, and he cleans the houses, provides small repairs or washes some clothes to retribute the hospitality.
When he enters in the house of Sun-hwa (Seung-yeon Lee), he does not see the woman that is wounded in her room after being beaten up on by her abusive husband Min-gyu Lee (Hyuk-ho Kwon). Tae-suk helps the hurt woman and when Min-gyu returns, he hits the husband with golf balls and Sun-hwa leaves her husband with Tae-suk in his motorcycle.
When they break in the house of an old man, they find that the man is dead and Tae-suk provides funeral service for him. However, his son returns and Tae-suk and Sun-hwa are arrested by two abusive police detectives. He is sent to prison and Sun-hwa is forced to return home. But she never forgets him.
"Bin-jip" is a subtle film about a lonely drifter and an abused wife that finds love, empathy and human warmth with him. The story is open to interpretation and here is mine (it is a spoiler – therefore if you have not watched the film yet, do not read):
Tae-suk is murdered by the prison guards when he leaves his cell, and Min-gyu Lee receives a phone call from the police telling that the youngster had been released as a sort of justification for his disappearance. Sun-hwa lives with the "ghost" of the free-spirited Tae-suk as a way to help her to survive to his marriage life.
Maybe I am too simplistic, but that is the way that I have understood this pleasant film. My vote is seven.
Title (Brazil): "Casa Vazia" ("Empty House")
When he enters in the house of Sun-hwa (Seung-yeon Lee), he does not see the woman that is wounded in her room after being beaten up on by her abusive husband Min-gyu Lee (Hyuk-ho Kwon). Tae-suk helps the hurt woman and when Min-gyu returns, he hits the husband with golf balls and Sun-hwa leaves her husband with Tae-suk in his motorcycle.
When they break in the house of an old man, they find that the man is dead and Tae-suk provides funeral service for him. However, his son returns and Tae-suk and Sun-hwa are arrested by two abusive police detectives. He is sent to prison and Sun-hwa is forced to return home. But she never forgets him.
"Bin-jip" is a subtle film about a lonely drifter and an abused wife that finds love, empathy and human warmth with him. The story is open to interpretation and here is mine (it is a spoiler – therefore if you have not watched the film yet, do not read):
Tae-suk is murdered by the prison guards when he leaves his cell, and Min-gyu Lee receives a phone call from the police telling that the youngster had been released as a sort of justification for his disappearance. Sun-hwa lives with the "ghost" of the free-spirited Tae-suk as a way to help her to survive to his marriage life.
Maybe I am too simplistic, but that is the way that I have understood this pleasant film. My vote is seven.
Title (Brazil): "Casa Vazia" ("Empty House")
Having witnessed Kim ki Duk's masterpiece in the past "Spring, Summer, Fall, Winter and Spring", I was eagerly interested in this well received next venture.
3 Iron, is very similar in style to Spring Summer, there is very little dialogue, and the story tells itself. However, I had to admit that after about 65% of viewing this film, admiring the characters, I was still kind of wondering if this film was going to go somewhere. It had to make some direction. Only the last 3rd brought me back and really showed me how ingenious this film is.
The lead actor Hee Jae really performs one of the most memorable performances, with hardly saying a word, his arching brows or glare in his face conveys every emotion masterfully compared to other actors who would have to say a million lines. I won't go over plot details that have already been discussed, what is interesting is that all the houses the two break into are all of couples in some stage in a relationship, one breaking down, one that is well established and peaceful, one that is young and virile, but perhaps inexperienced.
It all seems to be a metaphor for how two beings meet to co-exist and compliment each other, particularly the final scene that ends with the two anti-heroes meeting up and finding their lives in perhaps perfect balance.
Be patient with this film, STICK with it, it's well worth it. Extremely dreamy and poetic and masterful.
Rating 8 out of 10
3 Iron, is very similar in style to Spring Summer, there is very little dialogue, and the story tells itself. However, I had to admit that after about 65% of viewing this film, admiring the characters, I was still kind of wondering if this film was going to go somewhere. It had to make some direction. Only the last 3rd brought me back and really showed me how ingenious this film is.
The lead actor Hee Jae really performs one of the most memorable performances, with hardly saying a word, his arching brows or glare in his face conveys every emotion masterfully compared to other actors who would have to say a million lines. I won't go over plot details that have already been discussed, what is interesting is that all the houses the two break into are all of couples in some stage in a relationship, one breaking down, one that is well established and peaceful, one that is young and virile, but perhaps inexperienced.
It all seems to be a metaphor for how two beings meet to co-exist and compliment each other, particularly the final scene that ends with the two anti-heroes meeting up and finding their lives in perhaps perfect balance.
Be patient with this film, STICK with it, it's well worth it. Extremely dreamy and poetic and masterful.
Rating 8 out of 10
To me it's been obvious for quite some time now that South Korea is by far the most interesting country in Asia when it comes to film. And Asia on the other hand feels like the most interesting continent, so where does that leave us?
"Bin-Jip" (or "3-iron") is a wonderful movie. I went to see it without really knowing what to expect. I must admit that even though South Korean films appeal to me my expectations were quite low, not least because the movie was described in a way that was vague to say the least. But after watching it... it all made sense. Because how do you describe a movie like this one? It moves somewhere in the shadow-land between reality and fantasy. One of those movies that has very little plot to it but still comes across as beautifully written. And above all things it made me feel good!
The closest reference i can find to how this movie made me feel is "Lost in Translation". Don't get me wrong, the movies are not very alike. But the feeling they gave me is the same. When i watched these movies for the first time i felt like i didn't really know what i was i just saw. I only knew that i liked it and it made me feel good. A warm sensation in my gut telling me that maybe there is hope after all. Hope for what? I don't know, life maybe?
In the end the 3-iron, the golf-balls and the surface are not important. What's important is life, love and warmth. This is a beautiful movie, both on the surface and beneath it. It is also a truly unique movie experience and i don't get to say that very often. Highly recommended and definitely one of the best i've seen so far this year.
9/10
"Bin-Jip" (or "3-iron") is a wonderful movie. I went to see it without really knowing what to expect. I must admit that even though South Korean films appeal to me my expectations were quite low, not least because the movie was described in a way that was vague to say the least. But after watching it... it all made sense. Because how do you describe a movie like this one? It moves somewhere in the shadow-land between reality and fantasy. One of those movies that has very little plot to it but still comes across as beautifully written. And above all things it made me feel good!
The closest reference i can find to how this movie made me feel is "Lost in Translation". Don't get me wrong, the movies are not very alike. But the feeling they gave me is the same. When i watched these movies for the first time i felt like i didn't really know what i was i just saw. I only knew that i liked it and it made me feel good. A warm sensation in my gut telling me that maybe there is hope after all. Hope for what? I don't know, life maybe?
In the end the 3-iron, the golf-balls and the surface are not important. What's important is life, love and warmth. This is a beautiful movie, both on the surface and beneath it. It is also a truly unique movie experience and i don't get to say that very often. Highly recommended and definitely one of the best i've seen so far this year.
9/10
The Korean film "3-Iron" has an extraordinary story - not the content 'Per Se' but its treatment, approach and delivery by producer-writer-director-editor Kim Ki-Duk. There are many quiet, speechless moments and scenes, yet they spoke volumes - almost the feel of Zen, meaningfully so. It's beyond what the society or people 'traditionally' may see or assume. Yes, there may be 'turn off's' and disapproving situations - can we, do we, have the heart to forgive? Are we so 'sacred' and impeccable without ever making mistakes in our lives? Yes, we may not be so bold and brash as to 'crash' into another man's house - yet the thought of the young man's 'reality' of being so simple 'matter of fact' walking into someone else's home is not so improbable? He actually appears to be a thoughtful person. He handles with care the content of the house. He picks up the clothes lying around the place, gathers them, hand-washes them, hangs them up, cleans up the place, literally enjoys the home environment (the bath, the kitchen, the food, the bed, etc.) The observant dilemma being he obviously appreciates the house/home more than the owners/occupants.
There is 'suspense' - we'd worry what will happen to him, to him and her, and as the worse fear may arise (just like any cops and robbers film), can true justice prevail after all? Just when you think you figured out what's going on, w-d Kim gives us something more to think about. Elements that we don't expect - we're in awe at the concept and perspective presented to us, the viewer. It's quite extraordinary, really. And be afraid not, it will be rewarding, satisfying somehow, and you just might savor that last moment of magic between the two lead characters, her and him. The strength of the two leads portraying to perfection at sublimated tempo by Lee Seung-Yeon (as Sun-Hwa the woman) and Jae Hee (as Tae-Suk the man) is truly a godsend (both in their debut performances).
Once again, bravo to Sony Pictures Classics for the choice distribution of this film. Check out the Official Site for Director's Statement and a detail synopsis (best to do this after seeing the film.) "Spring, Summer, Autumn, Winter and Spring" (2003) is another film by w-d Kim, exquisite in cinematic visual and integral in storyline experience. (For non-golfers, the title "3-Iron" refers to golf club.)
There is 'suspense' - we'd worry what will happen to him, to him and her, and as the worse fear may arise (just like any cops and robbers film), can true justice prevail after all? Just when you think you figured out what's going on, w-d Kim gives us something more to think about. Elements that we don't expect - we're in awe at the concept and perspective presented to us, the viewer. It's quite extraordinary, really. And be afraid not, it will be rewarding, satisfying somehow, and you just might savor that last moment of magic between the two lead characters, her and him. The strength of the two leads portraying to perfection at sublimated tempo by Lee Seung-Yeon (as Sun-Hwa the woman) and Jae Hee (as Tae-Suk the man) is truly a godsend (both in their debut performances).
Once again, bravo to Sony Pictures Classics for the choice distribution of this film. Check out the Official Site for Director's Statement and a detail synopsis (best to do this after seeing the film.) "Spring, Summer, Autumn, Winter and Spring" (2003) is another film by w-d Kim, exquisite in cinematic visual and integral in storyline experience. (For non-golfers, the title "3-Iron" refers to golf club.)
Did you know
- TriviaDirector Kim ki-Duk wrote the screenplay of the movie in one month, the movie was filmed in 16 days and the film editing was done in 10 days.
- GoofsHis boxer-type BMW motorcycle, which has two cylinders, is dubbed with the sound of a four cylinder engine.
- Crazy creditsA quote showing before the end credits: "It's hard to tell that the world we live in is either a reality or a dream."
- ConnectionsFeatured in Smagsdommerne: Episode #2.15 (2005)
- How long is 3-Iron?Powered by Alexa
Details
Box office
- Budget
- $1,000,000 (estimated)
- Gross US & Canada
- $241,914
- Opening weekend US & Canada
- $20,084
- May 1, 2005
- Gross worldwide
- $3,403,957
- Runtime
- 1h 28m(88 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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