Sherrybaby

Sherry Swanson (Maggie Gyllenhaal) is a recovering addict after serving prison time. She is placed in a halfway house and desperate to reconnect with her daughter who is living with her brother's family. She is perfectly willing to exchange sex for favors. She befriends Dean Walker (Danny Trejo) from the recovery meeting who recognizes her as a stripper. There is hostilities at the halfway house and she stays at her brother's home. It doesn't go well and she starts using again. Parole Officer Hernandez (Giancarlo Esposito) threatens her with prison time if she doesn't go back to treatment.

Maggie Gyllenhaal is great but Sherry is not terribly likable. She's a self-destructive addict who is a danger to her daughter. It's not until the bitter end that her self-obsessed destruction clears up. It would be better for her to build some more sympathy early on. It is still a devastating performance.

Maggie Gyllenhaal is one of America's finest actors and in SHERRY BABY she pulls out a performance that is gut wrenching, painful to watch, but is a character we are rooting for throughout the film. In the last frame you feel her heartache and the compelling need to want her to have a life that is better than the one she has led.

SHERRY BABY reminds me of Ryan Gosling's HALF NELSON in the struggle to overcome drugs and make something out of your life. Too bad that Sherry has to follow such a dark, long road before she can come into her own and move beyond her painful past. The one scene in the film with the father at the birthday party will stay with me forever, as now you can fully understand her anguish and pain.

Maggie Gyllenhaal should be remembered at Award Season as her Sherry is a character that stays with you for a long time, and is someone that makes you want to like, respect and help her secure a new life. Bravo, Sherry, for your bravery, and for having such a skilled actress as Maggie Gyllenhaal portray your life.

I saw the film back in September 2006, and I can still remember what a strong, dauntless performance Maggie Gyllenhaal delivered in w-d Laurie Collyer's debut film "SherryBaby". Yes, I believe the young child actor (Ryan Simpkins) portraying her daughter Alexis is remarkable, but Ms. Gyllenhaal's Sherry Swanson character inhabited stays. She was in d- Marc Foster's "Stranger Than Fiction" playing opposite Will Ferrell, it's another dependable delivery as expected. To truly appreciate Ms. Gyllenhaal beyond her famed role opposite James Spader in d- Steven Shainberg's "Secretary" 2002 (screenplay by Erin Cressida Wilson), one really should watch her in "SherryBaby."

The film appears to be so simply delivered that it's more than meets the eye. Probably, not until you discovered/realized the possible reason(s) behind her drug habit and what drove Sherry to her irregular/irresponsible behaviors displayed, it could be difficult to watch the 'destructive' almost hopelessly helpless scenes in the film. W-d Collyer took the risk of not trying to provide palatable or toned-down storyline, but gave it to us tough as it should be, but thoughtful. It's hard medicine at best with no apology. And hope, in spite of it all, is what Collyer wants to generate. Hang in there, the ending is worth waiting for and I love the ending credit roll song (which, most of the time I noticed, provides the central theme of what the film we just watched): "When I Find My Life" - a song by Marianne Faithful, sung by Dana Fuchs [1]. The lyrics were spot-on describing the sentiments we experienced with Sherry and her family. She is so lucky to have such a caring, observant brother, Bobby Swanson - a sensitive, low-key performance by Brad William Henke which I appreciate. There are also steady supporting cast from Danny Trejo as 12-step veteran/eventual friend Dean, Giancarlo Esposito as the firm (though not without heart) Parole Officer Hernandez, Bridget Barkan as Bobby's wife Lynette (whom Alexis gotten used to and grew to love), Samuel Bottoms as Dad Swanson (not an easy distinction of the father-daughter relationship at first glance). Together, filmmaker Laurie Collyer and actor Maggie Gyllenhaal gave us a worthwhile "SherryBaby" - it may not be pleasant for everyone (NFE) but it dares - not reticent in telling like it is.

This film does remind me of w-d Olivier Assayas' "Clean" 2004, the French production with Maggie Cheung and Nick Nolte, also about a (drug/prison) rehabilitated mother trying to redeem herself and gain back her son's faith. (Available on DVD). Also, reminds me of w-d Cristina Comencini's "Don't Tell" 2005, an Italian film aka 'The Beast in the Heart', involves a sister-brother supportive relationship of similar topic. "SherryBaby" is by far grittier in its depiction and the tumultuous emotional journey complete.

[1] The lyrics of the song "When I Find My Life" is available online. Such poignant words: 'Oh, i will free the bird in me, Oh, when i find my life. What i always knew could be, Oh, when i find my life.' 'I will see the truth in me' 'I will let go the pain' 'I will reach beyond the strain' 'Fear of lost and fear of pain'. Enter for search: lyrics, "when I find my life" -- and you should get results to Marianne Faithful lyrics.

Sherrybaby (2006)

An almost literal slice of life, and highly believable. Maggie Gyllenhaal is everything here, and she acts her heart out. Which is to say, she makes her part so convincing in the nuances and lack of glamor (utterly), she becomes the character, Sherry, a former junkie just released from jail. It's a story of her trying to find the dignity and frankly intelligence to cope and to reintegrate.

Around her is a fairly ordinary world, and she uses sex and a little pent up anger to wend her way between her parole officers, her sister-in-law, her halfway house roomies, and a new friend or two. Key to all this is Sherry's little girl, who she clearly loves. But she doesn't have a clue how to be a mother.

This must be a painfully common story, and the one drawback is the events float in their slice-of-life as if that's sufficient. It is convincing, but by halfway through it starts to become clear that there is, in fact, no "story" at all. It's just going to be the meandering of this young woman, barely dressed in every scene, never seeing herself for how other people see her, in one big heartbreak. It has an ending, a kind of denouement, but it's very slight.

So, this is easy to recommend: try the first ten minutes. If you like getting absorbed, and don't mind that getting absorbed is the only point, then go for it. Gyllenhaal is a wonder, and the cast around her is right on. Director Laurie Collyer is someone to watch. When she gets more cinematically narrative and transforming material, she might pull off a more lasting masterpiece. This is her first full-fledged film (after a well-regarded HBO movie), and it's very smartly made.

I thought the movie featured a great screen play and was a strong vehicle for each of actors to develop their characters. The story may not be entirely original but I think that's a strength because it's the telling of the story through each of the characters that makes it an achievement. Seldom does a film have such strong protagonists and antagonists and allow viewers to really empathize with each.

I enjoyed seeing the raw tension between the characters who could relate to personally, as my family participated in the Foster Care system for many years growing up. I think some may want to see more of a definitive ending but for me, it's more about the journey and the struggles therein.

I would recommend this movie for those who want to see a seemingly familiar story told in a unique way.