IMDb RATING
5.5/10
6.7K
YOUR RATING
Priscilla Chase is a woman who has never had an orgasm.Priscilla Chase is a woman who has never had an orgasm.Priscilla Chase is a woman who has never had an orgasm.
- Awards
- 2 wins & 1 nomination total
Alex Potapenko
- Blonde Student
- (as Alex Potatenko)
James Kisicki
- Dr. Harry
- (as James P. Kisicki)
Featured reviews
I wanted to like this movie more than I did, but I just didn't. Some of the people at the SXSW fest really enjoyed it, but there was a large majority- such as myself- that almost walked out.
Parker Posey is, well- Parker Posey again. Sometimes I find her funny, but a lot of the time I find her shtick a little tedious, and where I really like her as a supporting player, when she's the lead I start to get a headache. Perhaps that's just me, but if you ever thought she may be a little over the top, this is not the film for you.
Paul Rudd is okay, but he has scenes with Micha Barton, who is to acting what wood is to forests, so there was no hope for those scenes.
The standout for me, surprisingly, was Danny DeVito. He brings a warmth and reality to a supporting role (clearly based on Wallace Shawns character in Annie Hall) that took me by surprise and made me remember why I love him so.
The film itself tries very hard to get noticed, sometimes in that puerile Farrely Brothers HEY LOOK AT ME! kind of way, which I'm sure my 14 year old nephew would enjoy. ("Hey, they're talking about SEX!! Wheeee!") but after a while it made me long for a comedy like, say, Annie Hall or Manhattan (am I dating myself?) where the people are adult and smart and interesting and attractive and don't try so hard to be funny, but just ARE funny.
I'd be interested to see this director/writers next film, hopefully they'll have a little more faith in themselves and a little less need to keep the volume so loud.
Parker Posey is, well- Parker Posey again. Sometimes I find her funny, but a lot of the time I find her shtick a little tedious, and where I really like her as a supporting player, when she's the lead I start to get a headache. Perhaps that's just me, but if you ever thought she may be a little over the top, this is not the film for you.
Paul Rudd is okay, but he has scenes with Micha Barton, who is to acting what wood is to forests, so there was no hope for those scenes.
The standout for me, surprisingly, was Danny DeVito. He brings a warmth and reality to a supporting role (clearly based on Wallace Shawns character in Annie Hall) that took me by surprise and made me remember why I love him so.
The film itself tries very hard to get noticed, sometimes in that puerile Farrely Brothers HEY LOOK AT ME! kind of way, which I'm sure my 14 year old nephew would enjoy. ("Hey, they're talking about SEX!! Wheeee!") but after a while it made me long for a comedy like, say, Annie Hall or Manhattan (am I dating myself?) where the people are adult and smart and interesting and attractive and don't try so hard to be funny, but just ARE funny.
I'd be interested to see this director/writers next film, hopefully they'll have a little more faith in themselves and a little less need to keep the volume so loud.
I like it when movies don't treat sex too seriously. It's OK to laugh during love scenes. I applaud any attempt to bring truly "adult-themed" movies to the American audience. But, for some reason, I really wasn't amused by OH! In fact, I found myself frequently glancing at the clock; I barely made it through to the end of the DVD.
OH! was trying so hard (too hard) to be like Sex in the City, what with its jazz-lite music and an improbably sunny depiction of a big city (Cleveland instead of NY). But where Sex in the City was truly adult material treated in an adult manner, OH! seemed childish.
It felt like maybe it had a great original script that attracted talented actors, but then ended up watered down by the executives so that "it will play well to middle America." So instead of a true indie production that pushes boundaries, you get a watered-down, corporate friendly flick that's neither mainstream nor "edgy." Worst of both worlds.
Not sexy. Not funny. Not believable.
OH! was trying so hard (too hard) to be like Sex in the City, what with its jazz-lite music and an improbably sunny depiction of a big city (Cleveland instead of NY). But where Sex in the City was truly adult material treated in an adult manner, OH! seemed childish.
It felt like maybe it had a great original script that attracted talented actors, but then ended up watered down by the executives so that "it will play well to middle America." So instead of a true indie production that pushes boundaries, you get a watered-down, corporate friendly flick that's neither mainstream nor "edgy." Worst of both worlds.
Not sexy. Not funny. Not believable.
I would have assumed that "The Oh! in Ohio" was trying to be the Judd Apatow sex comedies for females, but this was released in 2006 just before the Apatow craze began. So now I'm not sure what they were trying to go for.
It's marketed as a comedy but it's more of a drama. The plot line is that Priscilla Chase (Parker Posey) and her husband (Paul Rudd) are in an unhappy marriage because she isn't able to climax. Along with "50 million other women who suffer from orgasmic dysfunction" as the film tells us.
The film moves forward with Posey trying to have an orgasm. I'm assuming these scenes were supposed to provide us laughs but they weren't very funny. The other half of the movie is Rudd living his depressed life as a biology teacher. Finally the film industry has figured out that occasionally there are teachers for subjects other than English, but unfortunately it's in this movie just so we can have him spout the names of some sex organ muscles. Paul Rudd is one of my favourite actors, but the story for his character is extremely poorly done. The humour is so low-key, that I view it more as a drama, so there is no pay-off for his poor character. I might even have to blame this film for Rudd being relegated to buddy comedies now.
There is a lot to not like in this film, but Posey does shine, and some of the "50 million women who suffer from orgasmic dysfunction" might enjoy "The Oh! in Ohio" but probably not many other people will.
It's marketed as a comedy but it's more of a drama. The plot line is that Priscilla Chase (Parker Posey) and her husband (Paul Rudd) are in an unhappy marriage because she isn't able to climax. Along with "50 million other women who suffer from orgasmic dysfunction" as the film tells us.
The film moves forward with Posey trying to have an orgasm. I'm assuming these scenes were supposed to provide us laughs but they weren't very funny. The other half of the movie is Rudd living his depressed life as a biology teacher. Finally the film industry has figured out that occasionally there are teachers for subjects other than English, but unfortunately it's in this movie just so we can have him spout the names of some sex organ muscles. Paul Rudd is one of my favourite actors, but the story for his character is extremely poorly done. The humour is so low-key, that I view it more as a drama, so there is no pay-off for his poor character. I might even have to blame this film for Rudd being relegated to buddy comedies now.
There is a lot to not like in this film, but Posey does shine, and some of the "50 million women who suffer from orgasmic dysfunction" might enjoy "The Oh! in Ohio" but probably not many other people will.
The Oh in Ohio zigs where others zag. It knows the value of not giving the audience what they have come to expect. I saw it at the Provincetown film Festival in their largest venue filled to the brim and steaming like a Bombay sweatshop. But even with all the heat the audience did not twitch. They laughed heartily and some were brought to cackling applause. I was surprised to find myself and my date, my wife of 61 years laughing at a subject that we would dare talk about even in our own bedroom. Without giving anything away by the end we were holding hands a subconscious act brought on by the strong and meaningful romantic quality of the films finale. I am not someone accustomed to the internet, or public commenting on films, but I felt this film deserved to have the support of an old timer like myself. I hope people from all walks of life will find 90 minutes to leave their lives and laugh at the performances of these fine actors. -- My god Liza Minnelli's in it! I can remember when her mother was a child. Go see the Oh in Ohio you won't regret it. It's great.
I too saw the film at an AFM screening in Santa Monica, and quite enjoyed it, being a female. I thought the performances were charming, found myself chuckling at several points throughout - and found the "plot twist" at the end spectacular.
Parker Posey was darling, although the woman who played her assistant (Miranda Bailey) received the most laughs overall. And Danny DeVito is always great. Paul Rudd and Mischa Barton round out the cast quite well.
While the film is primarily going to find its following with women, this is a flick that men will enjoy as well. I'll go see it again with my friends once it hits cinemas in the UK.
Parker Posey was darling, although the woman who played her assistant (Miranda Bailey) received the most laughs overall. And Danny DeVito is always great. Paul Rudd and Mischa Barton round out the cast quite well.
While the film is primarily going to find its following with women, this is a flick that men will enjoy as well. I'll go see it again with my friends once it hits cinemas in the UK.
Did you know
- TriviaBurt Reynolds was offered the role of Wayne, but had to turn it down due to scheduling conflicts.
- GoofsWhen Priscilla meets The Pool Guy in the car, crewmen are visible in the right mirror of her car.
- Quotes
Alyssa Donahue: I want you to discover... your vaginas.
- Alternate versionsThe DVD from HBO is widescreen, but not as wide as the "scope" aspect ratio the film actually is made in. It crops the sides to create a 1.85:1 image, after the opening few minutes are shown in a slightly wider aspect, and as soon as the opening credits are done, the narrower aspect is used (just as on traditional pan and scan transfers). The end credits are not cropped but instead squeezed to fit.
- ConnectionsReferenced in Delocated: Pilot (2009)
- SoundtracksNoah and the Electric Cholos
Written by Ron Fountenberry
Performed by The Soft Lightes
Published by Melissa Ray Music
Courtesy of The Talent House
- How long is The Oh in Ohio?Powered by Alexa
Details
Box office
- Budget
- $5,000,000 (estimated)
- Gross US & Canada
- $418,689
- Opening weekend US & Canada
- $61,043
- Jul 16, 2006
- Gross worldwide
- $648,183
- Runtime
- 1h 28m(88 min)
- Color
- Sound mix
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