A fashion photographer exposes his demented childhood and zooms his evil lens on the oldest profession under the moon, in quite possibly the most notorious serial killer film ever made.A fashion photographer exposes his demented childhood and zooms his evil lens on the oldest profession under the moon, in quite possibly the most notorious serial killer film ever made.A fashion photographer exposes his demented childhood and zooms his evil lens on the oldest profession under the moon, in quite possibly the most notorious serial killer film ever made.
- Good Samaritan
- (as Ed Neal)
- Hooker #1
- (as Renee Sloan)
- High Chair Girl #1
- (as Shandee Long)
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- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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I'll be honest. When I first heard about "M-S-P," I was a bit apprehensive about seeing it. Some of the reviews I'd read on its graphic content made me wonder if this was a film I should sit through. After all, this *was* the film titled the most "graphic and disturbing horror film ever made." I finally got my hands on an uncut copy a few months ago. I sat back with a good friend of mine and popped the disc in. As the film progressed, the two of us began to chuckle. Those small, child-like giggles soon turned into full on hysterical laughter. "M-S-P" is a film so laughably bad, the two of us couldn't believe our eyes.
What is called the most graphic and disturbing horror film ever made is nothing more than gore for the sake of gore, violence for the sake of violence, and vicious bloodshed for the sake of vicious bloodshed. That's not what the two of us found so funny. What we found so incredibly hilarious was the fact that this film was ever made in the first place. Who could've possibly been behind this pathetic drivel? Then, I stumbled upon the homepage and MySpace of writer/director Nick Palumbo. Oy vey. Where to begin? This is a man so positively hellbent on making a name for himself, it's actually downright sad and most of all, pathetic. Most of the hype around the film comes from him himself. *He* is the one calling this film shocking, disturbing, graphic, violent, terrifying. *He* is the one responsible for the public's knowledge about the film's content. *He* is the one claiming film labs refused to print it and the set was intruded upon by uniformed officers brandishing rifles and guns. He *wants* more than anything to go down in the books as the most controversial horror director in history.
If those are your aspirations, fine. If you have the talent to back it up, wonderful. Sadly, he does not. What he presents the audience with is a weak script that goes basically nowhere. There is no story arc, there is no character development, there is nothing but bloodshed. Most of the dialogue in the film makes absolutely no sense whatsoever. It is an incredibly poorly written script that must've been only about twenty pages long upon its completion. Mr. Palumbo does not care about story. He does not care about dialogue. He does not care about creating characters an audience can identify or even sympathize with. When a new character is presented, he or she (mostly she) is simply killed off. That's it. Time to move on to the next scene of vicious bloodshed. I felt absolutely no remorse for any of the characters getting the axe because they simply were not believable. This film contains some of the stiffest, forced performances I've ever seen, most of which came from Sven Garrett.
I read an incredibly poignant, smart, and honest review by film critic John Fallon that perceived the film as a "'Look at me, look at me! 9-11 footage! Look at me!' opus." Very true. Mr. Palumbo desperately wants you to look at him. He wants you to believe the film is all of the aforementioned adjectives. He wants you to believe he himself is sick and depraved. He is not. The film is not. It's just another pathetic film that tries way too hard and simply does not deliver.
"Murder-Set-Pieces" is an extremely violent movie with free sadism and brutality. Unfortunately there are practically only lots of gore and many naked women in erotic scenes in the plot. The bold director and writer Nick Palumbo does not spare even children from being murdered by the insane killer, but the flawed sick story does not develop the characters well and seems to have the only concern of showing graphic violence. Further, in spite of the murders, the police never chase the killer. There is only a cameo of Cerina Vincent and Tony Todd to give their names to the credit and lure the viewers. My vote is four.
Title (Brazil): "Estripador de Las Vegas" ("Las Vegas Reaper")
What threw me was the lack of production value, the movie looks awful despite a surprisingly high budget for a movie of this type. Three people with name value (Tony Todd, Cerina Vincent and Gunnar Hansen) star but must be doing a favour for someone as I simply cannot see how they would have been roped into this mess any other way.
And when I say roped into I mean literally, reinforced diamond lasso covered in superglue level of roping! The story is thin, it all looks terrible, several scenes are hard to watch and I don't mean gore or violence I mean sexual violence and graphic torture that is done in such a way that you just feel wrong watching it. Like walking in on your parents sleeping together, you've seen "That" plenty of times but under these circumstances, with these variables and your parents in the mix it's something that will stay with you forever, haunt your dreams and possibly cause an expensive few years of therapy.
Bottom line here is that Murder-Set-Pieces must have been made by a sick puppy with no knowledge of film making and who must have spent the money on catering, extras or perhaps liquefied his assets at the bar but it certainly didn't go on the film.
Story: beefy German-speaking serial killer murders tons of naked women in Las Vegas. For 90 minutes, we see various naked women getting killed by the serial killer. The women are tortured, sliced, diced, chainsawed, etc, to death.
That's it.
There's very little attempt to create suspense or understanding into the few characters populating this claustrophobic flick. It's all surface. No depth whatsoever. And any level of realism in MSP was thrown out of the window because the abysmal acting, certainly from all the bimbos. I mean, we are talking HG Lewis level of acting here.
The main actor, Sven Garrett, was OK but he's definitely not a seasoned pro. He looked more like he belonged in the WWE than a horror film. The lack of coaching or practice, which is standard in low budget films, was evident with Garrett. For instance, he was totally unconvincing as a photographer. I'm sure he never held a 35mm camera in his entire life before making the film. He should have spent a bit more time researching for his role than doing weights at the gym. Oddly enough though, the casting of Garrett is one of the few "original" aspects about MSP. Garrett is a somewhat good-looking, somewhat Neantherdal looking (depending on which angle he's shot from). Unlike MANIAC or DON'T GO IN THE HOUSE type of films, where the psycho is always homely, the director probably thought having a hunky serial killer would make sense due to the humongous amount of women murdered in MSP. His presence and the director's intent to show off his physique are the only things that contrast with the plethora of naked girls in the film. This includes the pointless scene with Garrett in a swimsuit and having visions of 9/11.
The serial killer's psychosis is confused and, like the rest of the movie, hopelessly muddled and badly written. Why does he kill all these women? Because is grandfather was a Nazi? In one scene, you see him chew on a corpse. Is he a cannibal? Is he a Neo-Nazi cannibal? He also has sex with his victims while he kills and tortures them. Does this mean he can't get it up without blood or violence? Is he a an impotent Neo-Nazi cannibal?
If it wasn't for the really bad acting on the women's part, the movie and the level of violence towards women seen in it would have been impossible to watch. The ONLY truly "disturbing" aspect of MSP is the unrelenting violence made towards women, which is numbing. The women all blend together and I couldn't tell who he was killing after a while. Just look at the film's credit to see the number of anonymously named women written for this flick: Basement Girl #2, Hooker #3, High Chair Girl #1, Tree Girl #2, Dildo Girl #1, etc. Because the violence made towards women is so unrelenting (I've lost count after 20 minutes into the movie...) but also because of what is left out of the landscape: we basically only see the beefy psycho killing naked, screaming women. We see almost nothing else. Are there any other people out there? Whatever happened to the scene with the medium/card reader seen in the trailer? This somewhat minimalist approach to the "story", more to do with the director's complete inability to come up with any other idea than killing naked women, accidentally creates the film's only distinctive quality, and indirectly, the film's unrelenting violence shown towards women became more and more disturbing as it went along. Disturbing because I suddenly realized that what I was watching was something clearly made by people with, hmmm, a *lot* of issues.
The direction is stilted and awkward. You can really see that the director was "influenced" by films like "Texas chainsaw Massacre" (the film starts with flashbulbs illuminating a corpse of a naked woman...) or HALLOWEEN, and a lot of nights spent at strip clubs trying to woo investors. Oddly enough, the look and direction of MSP reminded me more of THE BOOGEYMAN (1980), Ulli Lommel's horror opus. The filmmaker has no vision or understanding of what horror is. He just used clichéd aspects of horror movies (gore, naked girls, Nazies, chainsaws, naked girls, Halloween, etc) and tried to make something shocking. The director's inexperienced is obvious throughout the film and seeing him try to combine heavy subjects like serial killings, sex, violence and 9/11 was the only true entertaining aspect of MSP. Watching all these missteps was fascinating, to say the least, and the reason I gave this 3 stars instead of 1.
Here's a question I have for the director: Would the film have been more effective if, let's say, the women actually had kept their clothes on? Probably. Because the nudity is so gratuitous (and, in the end, unrealistic) that the only thing I got out of watching MSP is the number of "actresses" out there who are willing to take their clothes off for a few bucks for roles in a low-budget film; how many of them actually had sex with the producers; and how "interesting" the casting sessions must have been ("Can you scream but with your clothes off?"). Scenes of the Photographer taking pictures of two naked 'playmate' women against a tree were included only to titillate the male audience. It's eye candy, for sure, but in the end it's more of a disservice to the film's 'realism' than anything else.
MURDER SET PIECES suffers from the fact that it's too trashy to be seen as a serious "shocking" portrait of a killer and it's not fun enough to be seen as great exploitation.
Did you know
- TriviaThe Lion's Gate Films "R" rated version of "Murder-Set-Pieces" was released on January 9th, 2007, and it is cut and edited by 23 minutes. No other film in the history of cinema has had to have that many minutes cut to avoid the "NC-17" rating. Director Nick Palumbo was extremely unhappy with their edits, claiming it made his film incomprehensible.
- GoofsAt some points when The Photographer slashes a prostitute with his razor knife in the Holiday Hotel, the cameraman's shadow is visible.
- Quotes
Jade: Do you always eat your meat that bloody?
The Photographer: Yes, blood is good. It's good for you. Blood contains iron, and you need iron to reproduce new blood cells. See, that's the problem with women. Women have an iron deficiency...
[Charlotte giggles]
The Photographer: ... among other things. Women need iron more than men. It's ironic. Women suck blood out of men every day. But at the end of every month, it leaks out. It's just punishment. So, want some ice cream tonight?
- Crazy creditsexecutive producers Herman Goering Heinrich Himmler Joseph Goebbels Robert Ley
- Alternate versionsThe original theatrical version (and workprint) of this film ran roughly 15 minutes longer than the new "Director's Cut" DVD of the film. Some of the scenes missing from the new DVD includes:
- A different beginning. The theatrical version began with The Photographer taking shots of a bloody corpse. The DVD begins with a new credit montage featuring images of characters that will be murdered later in the film, thus spoiling who the victims will be.
- Phone Arguement between Jade's sister and The Photographer while at work.
- The Psychic Reading/Killing: The photographer visits a psychic who won't reveal "what the cards say", thus upsetting him and leading to the psychic's strangulation.
- The Photographer watching a bizarre film strip of a girl tied on a bed wearing a pig's mask.
- A scene where The Photographer is shown picking up the first prostitutes before the whole "red light, house music, slit throat/choke" scene.
- The "bathtub" girl/stripper arriving late. She apologizes, and The Photographer asks her to take off her clothes. She does, then smacks her own butt and says something like 'these are my best ASSets'. After this he says "turn around", then is plays out the same as the DVD version after that.
- Extended scenes of The Photographer driving the strip.
- A rather artistic shot of The Photographer running towards the screen barefoot on a road, bleeding at the mouth.
- ConnectionsFeatures Le triomphe de la volonté (1935)
- SoundtracksSewing the Dead
Written and Performed by D.D. Verni and The Bronx Casket Co. (as The Bronx Casket Company)
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- What is this I hear about this movie being shilled on message boards?
- What are the differences between the R-Rated Version and the Unrated Director's Cut?
Details
Box office
- Budget
- $2,000,000 (estimated)
- Runtime1 hour 45 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1