The Guatemalan Handshake

You found the IMDb page because some piece of media out there made you more curious about this film. What everyone has told you is correct. This film is an absurdist masterpiece. Rather than referencing pop culture, Mr. Rohal and his creative compadres have created pop culture. It's so interesting and bizarre the film seriously could have been 6 hours long, and I would have been just as involved. Many films of this sort are lulled by either gaps in narrative or clever winks. There's none of that in this film. It's a vision so complete and detailed and so funny and truthful. Everything about this film is far better than it should be; whether it's the gorgeous cinematography, the beautiful music, the spot on performances. Even if the scene just follows a little girl wandering in her neighborhood-- it evokes that sense of an adolescent leisurely rural summer. Even though you can tell they didn't have a huge budget-- it was made completely without compromise. I cannot wait to see his next film. Do yourself a favor and don't rent, but BUY this DVD. You'll be lending it to all of your friends anyways.

I find few films truly memorable, but this is one I haven't been able to shake off. There is something disruptive about this film. The untidiness of the story together with the bright summer colors and low economic status of the characters gives the film a tone of reality. The oddity of the characters, their inexplicable choices, and supernatural events give the film a dream like quality. The film does an incredible job of playing with our value system. Things are stolen, lost, and killed, but nothing is permanent. The film does manage to resolve many of the subplots by the end, but this is mainly by inference. The nuclear power plant seems to interact with the people in the story via power lines and the electric car.

I originally saw this film at Slamdance, and it left me wanting more. While it's visually arresting, the ideas all seem brilliant but incoherent. I struggled with the puzzle for a year. It took me that long to come around to the conclusion that it didn't all have to add up. That unlike most cinema, where there's the thematic wrap-up at the conclusion... this film doesn't leave you with that same sense of Hollywood satisfaction. It jumps through characters each struggling with their place in the world; each slamming and being slammed in an unpredictable fashion. And this is what I was left with. Not a neatly wrapped present but an open box that's had its guts dumped all over the ground. This is a film that I imagine will get better each time you watch it. Familiarity with the huge cast of characters, and their relationships to each other will only assist with interpretation. But brain-candy aside, the moments in the film are enough to keep you smiling. 8/10

My favorite musical group is the incomparable Feo Y Loco -- "The World's Most Politically Incorrect Band." Among their many salaciously satirical songs is "Why Do I Need You When I've Got My Hand?" In a similar fashion one can say to Hollywood's myopic moguls "Why Do I Need You When I've Got My HANDSHAKE?" For fans of independent cinema everywhere, THE GUATEMALAN HANDSHAKE is exactly what movies should be and all too often are not.

I've long been a huge fan of Todd Rohal (you can call me Vornado if you want). His short films comprise an eclectic body of work that has been honored at film festivals from coast to coast. In this, his brilliant feature film directorial debut, Rohal once again creates a maddening milieu for a host of Felliniesque characters to inhabit. Shot in Pennsylvania, HANDSHAKE is populated with some of the most quirky, heartwarming, poignant characters this side of the Susquehanna. I call this Pocono Pathos for lack of a better description. It is, yet again, a visionary viewpoint unique to this rising star -- a Rohalian world of folksy fun and fastidious fantasy where the Tilt-O-Wheel is probably the only thing seen on the level.

In the tradition of his short films, Rohal continues to push more envelopes than the U. S. Postal Service in incorporating almost every cinematic trick imaginable to further his vision. This is risky business, indeed, but in the hands of a consummate filmmaker like Rohal the gimmicks work and the end result is more surprises than even March Madness can generate. Whatever you do, do not blink or you will surely miss something. HANDSHAKE requires Visine viewing -- one screening is definitely not enough to catch everything being thrown you way. Even the closing credits are fun: "When in Pennsylvania, please take the time to visit Three Mile Island." You gotta love the sentiment.

The production design by Jim McNamee and Sage Rockermann is noteworthy for not only the overall cheery look of the film, but for the many fun little extras they have meticulously embedded in scene after scene. Cinematographer Richie Sherman crisply lenses the whole thing. In fact, all facets of this production deserve kudos given the extremely low budget. Producers Marissa Ronca, Jason Orfanon and Nicholas Panagopulos have clearly put every penny on the screen.

As you must surely have gathered by now, THE GUATEMALAN HANDSHAKE is a must-see for anyone who enjoys cinematic creativity and sagacious story telling. If you are tired of the boring, banal "blockbuster" fare fostered on the local Bijou, do yourself a favor and seek out this little gem. Compared to GUAT, the studios don't know squat...

Robert A. Nowotny needtovent.com

Underneath the initial exterior---humor and absurdity that is, The Guatemalan Handshake is a true movie with such depth in themes, characters, and perspectives that it will make you laugh and scathe you at the same time.

Throughout T.G.H, the narrative scenes are presented to us objectively, and while there's great humor, the kind where we as an audience choose to laugh because of our own judgment, that same stylistic approach that's present throughout the whole movie progressively has an entirely different effect where we see for the first time, not through our own eyes, but through Ronald's. The ending at the same time resolves nothing, and everything, or to be more accurate, shows us that there was never anything to be resolved in the first place.

This movie is one of my favorite movies released this year, and a movie for its genre, one that's unmatched in complexity, dialogue, and in character development. There is so much in this movie that's revealed to the audience on several different levels that while very entertaining, requires the viewer's patience as we are there only to watch, and only until the attend do we really understand and in turn think back in nostalgia.

This movie, is a must see.