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IMDbPro

Crutch

  • 2004
  • R
  • 1h 29m
IMDb RATING
5.0/10
794
YOUR RATING
Crutch (2004)
DramaRomance

Teenager David's dysfunctional family life leads to substance abuse and exploitation by an older actor, spiraling into addiction. His journey to overcome and find himself.Teenager David's dysfunctional family life leads to substance abuse and exploitation by an older actor, spiraling into addiction. His journey to overcome and find himself.Teenager David's dysfunctional family life leads to substance abuse and exploitation by an older actor, spiraling into addiction. His journey to overcome and find himself.

  • Director
    • Rob Moretti
  • Writers
    • Paul Jacks
    • Rob Moretti
  • Stars
    • Eben Gordon
    • Rob Moretti
    • Juanita Walsh
  • See production info at IMDbPro
  • IMDb RATING
    5.0/10
    794
    YOUR RATING
    • Director
      • Rob Moretti
    • Writers
      • Paul Jacks
      • Rob Moretti
    • Stars
      • Eben Gordon
      • Rob Moretti
      • Juanita Walsh
    • 11User reviews
    • 6Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos3

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    Top cast30

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    Eben Gordon
    Eben Gordon
    • David Graham
    Rob Moretti
    Rob Moretti
    • Kenny Griffith
    Juanita Walsh
    Juanita Walsh
    • Katie Graham
    Jennifer Laine Williams
    Jennifer Laine Williams
    • Julia
    Jennifer Katz
    • Maryann
    • (as Jennifer J. Katz)
    James A. Earley
    • Jack Graham
    • (as James Earley)
    Robert Bray
    • Michael Graham
    Laura O'Reilly
    • Lisa Graham
    Tim Loftus
    • Zack
    Frankie Faison
    Frankie Faison
    • Jerry
    Tia Dionne Hodge
    Tia Dionne Hodge
    • Janice
    Michael W Ellison
    • Bobby
    • (as Michael Ellison)
    Salvador Castillo
    • Drug Dealer
    Michael Philip Anthony
    • Casting Director #1
    Jack Pesin
    • Casting Director #1 Voice
    • (voice)
    Nancy Heins-Glaser
    • Casting Director #2
    Patricia Goldberg
    • Casting Director #2 Voice
    • (voice)
    David Ian Lee
    • Director of PSA
    • Director
      • Rob Moretti
    • Writers
      • Paul Jacks
      • Rob Moretti
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews11

    5.0794
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    Featured reviews

    6rqwxyz

    Watchable, uneasy, not for people who tend to scandalize

    I can't really tell whether I liked the film or not, but what I do can say is that it is an uneasy story about a boy that happens to be gay (I don't buy the preyed thing...) and everything around him just going wrong, So it is not like you're going to enjoy it or have a good time, which is quite an achievement by itself, but at some (but few) points things get pretty... TV-ish, I would say. Acting at moments is noticeably awkward, and that is not a luxury you could afford while dealing with such an angstful environment. Some things get a little bit too dashingly resolved, which makes some "passages" sadly missable. The movie has spirit and is quite watchable, given how boring/ridiculous most disfunctionality films are. Anyways, is not a film you should watch if you tend to get scandalized (You really shouldn't, since it has a high level of subjectivism, the director is not only telling his story, he's also playing the teacher's role). I'll just give it a six, by now, it qualifies for its slot in the rack :)
    labng

    After school special with partial nudity, drug use and some violence

    The acting was so poor it was literally distracting. Some of the topics touched on during the film, were divorce, generational substance abuse, predatory sexual abuse, alcohol related death,codependency, grooming, etc, etc, etc... In other words-- a hot mess.
    10dmoorejdrf

    Refreshingly Honest and Raw Coming of Age Presentation

    Rob Moretti's story, based on his real life experiences, opens wide the often difficult struggles of "coming out". The complication is heightened by a family falling apart, parental mental illness, an older mentor prepared to take advantage and access to recreational drugs. Dealing with one or two or these issues would be more than most could handle, however this movies main character was dealing with all of them. Crutch/Moretti masterfully works this into the story without making the lead character seem pathetic. Eben Gordon does a magnificent job of playing the title character while Rob Moretti very effectively portrays the mentor that enables our lead characters move toward a path of destruction. The end credits let the audience know what became of each character. Our main character found his way to seven years of sobriety. That character is Moretti himself and gives the audience the reward of knowing he is okay! This movie really touched me.
    7david_wennberg

    Great movie, horrible DVD.

    The movie itself deserves a higher rating, however the poor quality DVD compression lowers the score.

    First, the movie! It's fantastic! It's human in every way... beautiful, horrifying, heart aching, wrenching, tender, flawed, alluring, endearing and intense. Rob Moretti has created a dramatic whirlwind of emotion that elevates his film leagues above the pantheon of other coming-out / coming-of-age films. Thankfully, clichés are out the window and typical composite caricatures are not on Moretti's menu. We get humans in all their faded, rough, raw and yet stunning glory utilized to tell a life's story of hard-hitting realism as a young and impressionable teenager is taken advantage of by an older, more experienced man. From their flirtatious first meeting to their horrific parting of ways and every scorching moment between, we are privy to Moretti's life in a fascinating, voyeuristic way. The lead performances are amazing! Eben Gordon, Rob Moretti and Juanita Walsh are true standouts; their performances are human, gripping and visually arresting as we are treated to such rare and believable nuances of character it's like watching a documentary. I simply cannot wait for Moretti's next film! Now, the down side. Unfortunately movies of this caliber rarely see more then one DVD pressing… Hollywood thinks that America is more interested in mega special editions of the latest cheese-fest starring Tom Cruise (and who can deny those box office numbers, America has never as a whole had very good taste). Therefore it is utterly disappointing to see such a spectacular film get such horrible treatment. The compression is so poor that it's distracting while watching the film. Compression artifacts are abound; pixelation aplenty and colors are off. There are ghost images, blacks are muted and details are lost. Upon close inspection I discovered that the DVD compression company greatly disserviced the film, its creators, performers and audience by cheaply utilizing only half of the available space on the disc resulting in a sub-par movie experience. Worst of all, we get a non-anamorphic transfer to a 2.31:1 image. In this day and age of advanced televisions and players there is simply no excuse to offer non-anamorphic DVDs. Combine that with such a shotty transfer and it undermines the very foundation of the medium and is tantamount to spitting in the face of the intended consumer. With a $24.99 suggested retail price one certainly expects much better quality. This is truly disappointing!
    10inevins

    Impressive

    Wonderfully filmed, poignant story, fantastic actors. An impressive film to say the least. I hope to see it in wide release so all can enjoy. The story is a coming of age story of an endearing young man and his struggles with addiction, family, and love. Writer/Director/Actor Rob Moretti must have had a roller-coaster of a ride creating this film. It is charged with honesty, hardship, and an underlying theme of Making/Creating and fighting the Unmaking/Destroying. The demons of this film reside in each of the characters, but they are ousted by the goodness and will of those same characters. Eben Gordon is brilliant. I can't wait to see his next project. He plays David, the protagonist. His execution of character development reminds me of Edward Norton's in "American X". He goes from young and innocent to hardened and wiser within a wonderfully timed and subtle arc.

    Rob Moretti impresses as David's mentor, Kenny. The relationship these two actors create is potent, real, and honest. It brings to mind the torrential joy and disaster of my first love certainly. With everything else Moretti must have dealt with on set as director/writer I find it very impressive that he and Gordon created such synergy. Most of the other actors did very well, though I would have loved to see more of Frankie Faison as Jerry. An intricate film and wonderful experience. It was very impressive.

    Storyline

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    Did you know

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    • Goofs
      Errol Flynn and W.C. Fields action upon John Barrymore's death story is said to be true in the film. Experts say it is not. Here is the story from Errol Flynn biographer Louis Kraft: "Sorry, but it is yet another telling of a legend based upon fiction, Russ Williams, and one that I have not heard before. Someone got inventive with what supposedly happened. Flynn was close to Barrymore, and I believe looked up to him (certainly Barrymore's 'Don Juan' played a part in Flynn wanting to play the great lover and swordsman on film). ... Flynn, Barrymore, Fields, the artist John Decker, and Sadakichi Hartmann often met to drink, tell tales, and discuss any and everything, along with playing jokes; Flynn was closest to Decker and Barrymore. When Barrymore died in 1942, Flynn and director Raoul Walsh were at Flynn's 'Mulholland Farm,' his great house overlooking the San Fernando Valley, drinking. John Decker, who was supposedly with Barrymore in the hospital, arrived and told them the news. Decker, who had supposedly been up for almost 24 hours, left to go to bed, Flynn supposedly received a phone call from his lawyer and left to sign paperwork. Before leaving he asked Walsh (who was close to him) to stay, and that he wouldn't be gone long. After Flynn left, Walsh decided to go to the mortuary, He knew one of the owners, as he was a former actor, and asked if he could borrow Barrymore's body for a crippled friend to see him one last time. The owner (Dick Malloy?) agreed, dressed the corpse, and helped Walsh get Barrymore into his car. After arriving at Flynn's house, Walsh got Flynn's man, Alex, who had gone a bender the day before (his day off) and hadn't sobered up yet, to help him get Barrymore into the house and propped up where he liked to sit on the couch in the living room. As hungover as he was, Alex commented that Barrymore looked dead; Walsh supposedly said that he was just dead drunk. After a while Flynn returned home, entered the house and saw Walsh sitting across from Barrymore. He did an about face and screamed as he raced out of the house and hid behind a bush. When Walsh stepped outside Flynn accused him of doing what he had done. Still, Flynn stayed behind the bush until Alex helped Walsh get Barrymore back into his car drove away to the mortuary. The above story is Walsh's retelling of the 'Barrymore episode' (from his autobiography 'Each Man in His Time,' 1974). Flynn told the story first in his autobiography, 'My Wicked, Wicked Ways' (1959). In Flynn's retelling Barrymore is in chair in Flynn's den holding a drink. This time he is alone, but Flynn again flees from his house. Walsh and his cohorts, who had hidden, had to race after him. Buster Wiles, a stunt man and great pal of Flynn, told another version of Barrymore's death. That night he, Walsh and Flynn ate dinner at Gracie Allen and George Burns' house. Jack Benny and wife, among others were also present. A phone call announced the death. Later, they sat outside drinking to 'Jack' Barrymore and discussed bribing the mortuary to have the body released to them while they got drunk. Wiles claims that he pointed out that if they did and it became public news knowledge, there would be a possibility that their films might be banned by churches and other do-gooders. Nothing happened. Flynn's best biographer to date, Thomas McNulty ('Errol Flynn: The Life and Career,' 2004) shares the various stories while not going into detail until he describes a 1977 interview with Wiles (above). He is certain that the Flynn/Barrymore/Walsh [and W.C. Fields] event is a Hollywood legend and just fiction. And I know that various retelling [versions] of the story have been printed in magazines numerous times over the years, as I have several of them. ... I agree with Tom McNulty, who is a good friend of mine."
    • Connections
      Featured in Crutch: A Personal Film (2004)

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    Details

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    • Release date
      • January 13, 2010 (France)
    • Country of origin
      • United States
    • Official site
      • HP Productions
    • Language
      • English
    • Also known as
      • Опора
    • Filming locations
      • New Jersey, USA
    • Production company
      • HP Productions LLC
    • See more company credits at IMDbPro

    Box office

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    • Budget
      • $420,000 (estimated)
    • Gross US & Canada
      • $14,189
    • Opening weekend US & Canada
      • $6,245
      • Sep 19, 2004
    • Gross worldwide
      • $14,189
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 29 minutes
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 2.35 : 1

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